Saturday, September 26, 2009

Book Pleasures Plus

If you are a reader intereseted in locating a review, or if you're a writer interested in having your book reviewed, check out the Book Pleasures website. I found this international community of over 40 reviewers that review all genres by subscribing to Reporter's Source (more on that in a minute). Book Pleasures has been in existence for over 5 years, receives 7000 unique visitors per week, and has posted over 4000 book reviews and over 500 author interviews.

After I contacted Norm Goldman, the publisher of Book Pleasures, with an e-mail about Teaching the Story, he forwarded my request to his staff. Two individuals responded with interest, and at this point, one has reviewed my book. Click here to read Wendy Thomas' wonderful review; click here to read her interview of me.

If you are a writer looking for ways to increase your visibility to the general public, you might consider signing up for the Reporter's Source newsletter. The daily e-mail is a a free service which links journalists and other members of the media with businesses and individuals who can provide relevant information.

And while I'm talking about making your skills and talents known to journalists who need your story, consider signing up for HARO. You will receive three e-mails a day with a list of about 20 journalists who are looking for experts on a wide variety of topics. So far I have been interviewed for an article on "What it Takes to be a Teacher" (Click "Read the List Now" and go to page 12 to read my quote.) And I'm in the process of considering being a member of a the Ziggity Zoom Advisory Board.

And you thought that all that writers did was write. If only that were true!
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Saturday, September 19, 2009

No Rules

If given the option, I could much easier describe a crimson leaf that is heralding the approaching season, then picking the words my character, Kate Dinsmore, uses when talking to her sister Ginny. It feels as if there are no rules when writing my story. Of course there are reams of guidelines and lots of books on how to write fiction. But until I write my unique story that is taking place in Charlotte, NC in 1950, it has never existed before.

I can’t describe how my character looks, the clothes she wears, or her peculiar mannerisms until I create her. I can’t predict how she’ll react to getting snubbed at cotillion because it hasn’t happened yet. I don’t know what Kate will say when she meets Lillie, the light-skinned African American granddaughter of her grandmother’s cook. How (and why?) would they develop a friendship? What obstacles will they meet? If Kate visits Lillie in her home in Griertown, what will happen there? All of these are unanswered question because very simply, the story isn’t written yet. No rules. No road map.

It’s frustrating, exciting, and challenging—all in one. And that’s why I’m a huge fan of students learning to write fiction. Imaginations are stretched as young authors build their own mini-world in which original characters lose a soccer game, compete in a difficult karate match, fail a driver’s test, or do any number of things which make for an interesting story. And the author must plan the story so that events build to a satisfactory and logical conclusion.

Of course there are rules. One of most important ones for students to learn is that the imaginary world they have created must be believable. That means that very few 12-year-old girls take full charge of 5 younger siblings when their parents die or very few 16-year-old boys save the world single-handily from nuclear destruction.

For me, it means finding out what happens when a 13-year-old Caucasian girl who doesn’t fit in with the upper-crust society she is thrust into, and a 14-year-old light-skinned African American who feels different than the rest of her community--meet.

Stay tuned. I suspect I may discover this story just a step ahead of you. And in the process, I hope I create a story as beautiful and unique as these flaming red leaves in Crossville, Tennessee.

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Thursday, September 10, 2009

Talking Story is Live!


For days my fellow author, Joyce Hostetter, has been tweaking our newsletter, Talking Story. Writing the articles was the easy part. Putting it all together was another story. Although I moaned and groaned about the hours I spent editing and uploading addresses, to be honest, Joyce conceived the project and is responsible for how professional it looks. If you didn't receive a copy in your in-box today, click here, and you'll go right to it.

It feels good to have published this issue. As icing on the cake, I was delighted that my former editor at Maupin House, Emily Raij, chose to blog about us today.

My husband and I are in Crossville, Tn. for a few days of R & R. For him, that means golf and tennis. For me, it means 3 R's-Reading (Joyce's "Work in Progress" about a WWII conscientous objector); 'riting (time to get back to my historical novel. Hmmm...last I worked on it was in July. Where in the world was I?); and Recreating (have bikes, will travel.)

Sounds like a winning combination to me!
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Sunday, September 6, 2009

The Future of Books is Not Dead!


As Mark Twain once said, "The report of my death was an exaggeration." I hope the same can be said about books.

One fear that I have heard writers express, is that books, as you and I have known and loved them, are becoming extinct. The rumor in the publishing industry is that Kindle and other hand-held electronic devices, will replace hard cover novels, soft cover paperbacks, newspapers, magazines and every other form of print media.

But wow can you curl up on a sofa or in front of a fire with a hand-held 6" screen? How can you share the pictures of Winnie-the-Pooh's treks with Piglet with your six-year-old on a monitor that fits into the palm of your hand?

An article in The Charlotte Observer's business section on September 4 helps relieve these anxieties. According to "Electronic readers' high prices might limit appeal," the high price of the readers ($199 - $489) will limit the consumer base. According to analyst Sarah Rotman Epps, "The majority of consumers don't care enough about reading or technology to invest in this type of single purpose device at anything close to realistic prices." While I wish that Epps' thought about reading wasn't true, I think she has a very valid point about the cost.

The Kindle's credentials are impressive. Long battery life makes it extremely portable. And with a 1500 book capacity, it would take a long time to read all the books I could download to a tiny reader.

But that's a steep price tag to pay for the privilege of toting my library in my purse or backpack.

Call me old-fashioned, but I like to feel the pages I am turning and love the smell of old, musty books. I like to look at the cover of a book and think about what's inside. With my over-50-years-old-eyes, I don't want to have to be squinting at a small screen, or have to enlarge every article so big that I can only see a portion of one paragraph.

Mark Twain, you don't have to turn over in your grave. Huckleberry Finn and Tom Sawyer will still find their way into the hearts--and hands of readers. Hopefully, for a very long time to come.
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Wednesday, August 26, 2009

Put these Events on your School Calendar


Reading through the September issue of Reading Today, I found two events that teachers, writers, and media specialists want to take note of this fall.

On October 8, 2009 more than one million children and adults are expected to team up with Eric Carle's famous "Hungry Caterpillar" to help break a world record for the world's largest shared-reading experience. Read this fun classic to a child and go to Read for the Record and see how you can help raise money for Jumpstart and at-risk children.


Twelve days later you and your students can celebrate the National Day on Writing on October 20th. This event celebrates writing as a part of everyday daily life. "All writers--including students, business owners, legislators, and others--are encouraged to submit a piece of writing to the National Gallery of Writing, a digital archive of writing samples that exhibit how and why Americans are writing every day. The archive will collect writing samples through 2009 and display them on the National Day on Writing via a free, searchable website."

I think this is a great opportunity for students, teachers, writers--everybody! to be part of a national celebration of the written language. Educators are particularly encouraged to submit a "resource piece" that will help non-educators better understand writing.

I can't wait to get the group of young students who I have helped tutor through Covenant Day School involved in this project. And of course, I'll have to submit something myself...the possibilities abound!

How about you? What piece of writing will you submit?
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Friday, August 21, 2009

Thinking BIG in Greenville, SC


Last week I had the privilege of being a part of the inaugural writers’ conference for AnAuthor World, a place and program in Greenville, SC. The co-founders Tim Davis and Pam Zollman opened the morning with welcoming comments. Tim, reflecting on his week at the Highlights Writers Workshop, said that he had learned to “Think BIG as a writer.” He introduced each one of the presenters with that adjective. As a result, I was the person with a “big vision” since my goal is to educate the next generation of writers. I think that may now be my favorite introduction!

Pam, a former Highlights editor, reminded the group that if we use an experience, it has to fit the story. She also recommended the book, Techniques of the Selling Writer, which anyone who is serious about the writing profession should check out.

Our keynote speaker was Vonda Skelton who reassured us all that we were a weird group of people. As we basked in those affirming sentiments, she relayed several personal events- some humorous, some tragic—and how in the middle of chaos she would stop and think, “This is a really good scene." As the author of both adult and children’s books, she apparently had learned how to mine her own life, as I instruct teachers in Teaching the Story. “Life is happening all around you. Everything in your book has happened or will happen,” Vonda stated. “Don’t waste anything.”

According to Vonda, there are four reasons why writers don’t write. I resonated with each:
1. Fear of failure. (oh yeah!)
2. Fear of success. Sounds crazy, but it’s the, “If I get a contract then I’ll have to write the book” fear or, “What if I write it and no one buys it?” fear. (or for me, “what if I write it and can’t find a publisher” fear. Very common ailment among writers.)
3. Fear of being transparent. Although good writing comes from hurts and disappointments, writers are afraid of letting these emotions show. (Ask me about the time I sat in the Chautauqua library trying to dig out my character’s motivation. I ran out of Kleenex.)
4. Fear of cost, commitment, and time. Writers shouldn’t expect brilliance at the first shot and wanting to be a writer isn’t enough. (In other words, the red pencil must be a writer’s best friend.)

I guess you can figure out why I resonated with Vonda. Our thinking about writing ran along similar tracks and I’m delighted to have made her acquaintance. Check out AnAuthor World’s events calendar--BIG things are happening in Greenville, SC. If you live within a 50 mile radius, are interested in writing or illustrating for children, and need more instruction or encouragement, this is the place to go.
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Tuesday, August 11, 2009

Target Your Book


If you've never published a book, you might not realize the behind-the-scenes effort that goes into getting your book into the hands of potential readers. Beyond the traditional methods such as catalog sales or book reviews in respected journals, my e-mail box is always full of other suggestions from fellow writers: You Tube trailers, networking on Facebook or Twitter, how to create virtual library visits through online chat rooms.

An article in this morning's paper provided a new venue for aspiring authors: try selling your book at Target. The column, "Target Can Make Sleepy Titles Into Best Sellers" first ran in the NY Times on July 21. The author, columnist Motoko Rich, sites the runaway success story of "Sarah's Key." This story of an American journalist who investigates the 1942 roundup of Jews in Paris, was written by first-time novelist Taitiana De Rosnay. Sales were less than noteworthy until a committee of Target employees recommended it as a Bookmarked Club Pick.

The result? The publisher, St. Martin's Press, has sold 145,000 paperbacks which were produced exclusively for Target. The ordinary paperback edition has sold an additional 200,000 and it has spent months on the New York Times trade paperback fiction best-seller list.
Unlike a chain bookstore such as Barnes & Noble which carries about 200,000 titles in each location, Target only offers 2,500. Rich says, "By assembling a collection of books by unheralded authors, Target behaves more like an independent bookstore than like a mere retailer of mainstream must-haves..."

I find this thought intriguing. Here are employees of the nation's #2 discount store reading and selecting books which may have been neglected by major reviewers. Books which, if the numbers are correct, are hugely popular among mainstream readers.

It makes me wonder. Can I get my book about a fragile friendship between a 13-year-old white girl and a 14-year-old light skinned African American girl in the South in 1950 into this committee's hands? It's something to target.
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Friday, July 31, 2009

If Frank McCourt Taught It


Frank McCourt, who died on July 21, was not only a master storyteller, but also a high school English teacher. Following his death, the New York Times ran an article about him in which several of his former students were interviewed. Susan Jane Gilman, remembered that, "...he had us write courtroom defenses of inanimate objects and recite recipes as poetry." I thought those sounded like innovative writing exercises.

Vernon Silver recalled that a common exercise was asking students to describe what they had done when they got home the night before. "He would coax it out of us, showing us how to pay attention to mundane but telling details."

McCourt's memoir, Teacher Man was written in 2005 about his years as a school teacher. Since he once said, "The main thing I am interested in is my experience as a teacher," this book might be a great source of inspiration for teachers--particularly those who work in inner-city schools.

Another student, Kwana Jackson, who learned to love the written word under his tutelage said, "Only McCourt could make suffering desirable. Hell, you were going to suffer in this life anyway; you might as well do it doing something you love."

Or as McCourt himself said, "I had no accomplishments except surviving. But that isn't enough in the community where I came from, because everybody was doing it. So I wasn't prepared for America, where everybody is glowing with good teeth and good clothes and food."

Click on this link for an interview with McCourt about why he wrote about poverty.
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Sunday, July 26, 2009

AnAuthor World Interview

I must be famous. Upon arriving at the Charlotte Douglas Airport when I was headed to Chautauqua,NY, I looked around for an empty outlet to plug in my laptop. I approached a man sitting next to the only available spot and asked him if I could use the outlet. He looked at me and said, "You must be Carol Baldwin!"

Actually, the man who recognized me was Tim Davis, co-founder with Pam Zollman of AnAuthor World in Greenville, SC. He had previously contacted me to see if I wanted to participate in a kick-off conference they are holding on August 15, to which I agreed. A few weeks later Tim saw my name on the list of Highlights Writers Workshop participants. We discovered we were on the same flight, and he suggested interviewing me in the airport. We had a lively conversation about books we've loved, writing and illustrating for children, flying, children, churches, and cousins.

True to his word, Tim's interview with me was just posted on AnAuthor World. If you are interested in writing and illustrating for children consider attending this reasonably priced one-day event. You can see the schedule and register here.

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Wednesday, July 22, 2009

Out of Austria - Part 2

Although it's been over a month since returning from Europe, thoughts about English language learners are still running around in my brain.

Packing to leave for that trip, I thought I'd catch up on my reading and threw in some journals for the plane and train rides. Appropriately, on the final train ride before returning home, I read "Why Travel? Reflections on Culturally Relevant Study Abroad." (Rhodes, J.A. & Milby, T.M. Spring, 2009, Reading in Virginia. 23-27)

Reporting on a trip in 2006 when several teachers attended the International Reading Association World Congress in Budapest, the authors concluded,

"Our two main research findings were that: (a) Study abroad program participation increased educators' cultural understanding; historical knowledge, literacy instructional strategies, and provided information from an international perspective, and (b) Participation in travel abroad placed educators in the role of language learners, thus providing an opportunity to develop empathy for ELL students within the United States."

Although I hadn't travelled to Europe as a part of language study, being immersed in other cultures among other language speakers made me self-conscious. I was the one who didn't fit in! Listening without understanding led my college-age daughter to observe, "Isn't it interesting that random sounds put together have meaning?"

Actually, these sounds are random to us, but have distinct meanings to the speaker and listener. And as Rhodes and Milby observed, "Educators who travel abroad return to American classrooms with additional instructional strengths. They have renewed interest in meeting students' needs, exhibit open and caring attitudes, and gain an expanded knowledge of history for the countries they visit."

If you travel in a foreign country, not only will you gain greater empathy for those for whom English is not their primary language, you will also encounter books and signs that have been translated into English--with more or less success.

Bookstore in Tabor, Czech Republic


Restaurant in Nuremberg, Germany



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Friday, July 17, 2009

Words of Wisdom from Highlights Writers Workshop

This week has been an amazing opportunity to learn and grow as a writer. As I look back on the week, I want so share some of the highlights (pun intended) of this inspirational Highlights Writers Workshop.

I learned from Harold Underdown, my reviewer, that I needed to figure out what my character wants. Although I have taught that principle to other writers, I had missed finding that driving force for Kate Dinsmore, my 13-year-old protagonist in my historical novel, Half-Truths. After an hour of soul-searching, I finally got it! My novel now has the "arrow which will drive a book" as Patti Gauch shared in her talk on conflict and tension.


I also learned from Gauch that, "You have to be a little crazy to write a good and original book." Getting there has to do with discovering the truth in yourself. Gauch's advice fit as I wrestled to pin down the truths that Kate will discover about herself and her family. Gauch gave us all permission to think unimaginable things and to follow what we're passionate about.


Speaking of passions...Once upon a time I wrote a kids book about the art, history, and science of glass. Although I was under contract for Discover Glass, the publisher went bankrupt and the book has languished in a box in my laundry room closet. Caught up in writing and promoting Teaching the Story: Fiction Writing in Grades 4-8, the glass book has been untouched for several years. I'd lost hope of every publishing it, until I met Andrew Gutelle, who encouraged me to speak with Carolyn Yoder, the editor of Calkins Creek Books. She said she was willing to look at the outline and Andy Boyles, science editor for Boyds Mill Press said I could send him some sample chapters. Encouragement for all types of projects- fiction, nonfiction, magazine articles--abounds here.

Kim Griswell has been one of the people who has encouraged me in my writing career. She edited both articles which I sold to Highlights Magazine and it was fun to meet her and to take her workshop on "A Sense of Place." She said a lot about the importance of creating authentic settings including how a setting can introduce a threatening element and tell the reader to pay attention to what is going to happen next. A setting can shape characters, create a sense of mystery, demand the character's immediate action, and be a character in and of itself. (Think Oz in the Wizard of Oz.) In keeping with her class, here is a picture of Kim and I sitting at an antique desk in Alumni Hall here on the campus. I took dozens of picture of furniture to help me with my research for Half-Truths.


Finally, it is always a pleasure to be around Kent Brown, executive director of Highlights Foundation. His passion for educating and nurturing children was communicated throughout the conference. Here he is at last night's annual auction. The proceeds go to a scholarship fund which helps authors and illustrators participate in this writers workshop. His energy, enthusiasm, and love of life is contagious.

Joyce Hostetter, a friend with whom I lead writing workshops for teachers, told me that coming to Chautauqua would be life changing. I suspect that she is right.

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THE NIGHT WAR: A MG Historical Novel Review

  By now you should have received an email from my new website about my review of THE NIGHT WAR by Kimberly Brubaker Bradley. (It'll com...