Showing posts with label Brown v. Board of Education. Show all posts
Showing posts with label Brown v. Board of Education. Show all posts

Wednesday, July 1, 2020

This Promise of Change: A Review and Giveaway

Congratulations to Linda Andersen Gutheil who won FREE LUNCH from last week's blog. She plans to donate it to a local school. Thank you, Linda!

This Promise of Change: One Girl's Story in the Fight for School Equality co-written by Jo Ann Allen Boyce and Debbie Levy is a book you won't be able to put down. Jo Ann Allen was one of twelve students in Clinton, Tn who integrated Clinton High School in 1956. Debbie Levy has given voice to Jo Ann's stories in a unique nonfiction biography that uses more than eight varieties of poetry. That is quite an accomplishment.

But as Jo Ann and Debbie would most likely be quick to acknowledge, their accomplishment pales in comparison to what the twelve students achieved in those difficult months. 



In a book that is told so beautifully through poignant poetry, it is difficult for me to select just a few poems to share with you. Instead, I'm going to bring you snippets from several to entice you to read it yourself. (NOTE: The last line of several poems appear in a slightly larger font. This is a blogger issue; not the way in which they appear in the book. My apologies to the authors.)


REVIEW

Promise opens with a brief description to the Hill where Jo Ann and her family lived, worshiped, played, held concerts, and went to school--until it was time for junior high and high school when the Negro students were bused twenty miles to Knoxville to a Negro high school. This is a stanza from the poem, "MY SCHOOLS," about her elementary school:

... Green McAddo had no cafeteria, no gymnasium 
and no indoor bathrooms
until the time I started first grade.
The grammar school in town did,
and also had separate classrooms for every grade,
but that school was whites-only,
and still is. (p.21)

From "THEIR SCHOOL":

Clinton High School.
Here it is, right close, right down the Hill,
with its solid red brick and clean white trim
for white students only.
We walk by it, not to it,
because it's their school,
big,
but not big enough
for twelve Negro students
who look at it every day
but have never been inside.  (p.25)


When a judge in Knoxville rules that Clinton can no longer ignore the Brown v. Board of Education ruling of 1954,  Clinton High School is forced to integrate. It wasn't that the community, principal, town newspaper, or teachers wanted to, they were had to. 

Throughout the book, there are headlines from local and national newspapers and magazines; signs in the town, quotes from the Tennessee constitution, prayers, interviews, and legal rulings. Here is one:


"We have never heard anyone in Clinton say he wanted the integration of students in the schools, but we have heard a great many of the people say: 'We believe in the law. We will obey the ruling of the Court. We have no other lawful choices.""
Editorial in the Clinton Courier-News written by editor Horace V. Wells, Jr. August 30, 1956. (p.62)

At first, Jo Ann thinks that, 

If school were weather, I would say it's serious
with a chance of friendly.  (p. 75)


On the second day, she sees protestors and glares on the way to school. She thinks that "clouds [are] rolling in on my forecast."  (p. 78)

This is from the poem, "LEFT UNSAID":

So my two great-great-grandmothers
slaves,
had children with light complexions,
and narrow noses like yours (and mine),
and thin mouths like yours (and mine),
white enough to pass for white,
which means that
in the branches of my family tree
there are ancestors
who are as white
as you. (p.84)

By the end of her first week of school, the shouting and harassing increase. The students stop eating at the cafeteria because it feels unsafe. The sheriff drives them home. People ask if they want to quit and they say no. In the poem, "HEARING/UNHEARING" Jo Ann thinks, 

But now, I don't want to walk out.
I want to walk in.
I can't unhear what I hear.
I won't walk away from it, either. (p.91)

Less than a week later, riots break out in the street. Here are a few stanzas from "PEACEKEEPERS":

The tanks roll in at lunchtime,
a show of growling might,
As if in answer to the prayers
we prayed in fear last night.

Clinton's leaders asked for them;
the governor agreed.
They saw the lawless trampling
of the bigoted stampede. (p. 107)


From "WE ARE THE NEWS":

The news is something
that happens
to other people
in other places

Until it happens to you. (p.124-5)

Tension escalates with the KKK burning crosses on the Hill. 

"AND THEN THERE ARE THE THUMBTACKS"

Scattered on our chairs
A prank straight out of cartoons
They think we don't look? (p. 173)


From "THEIR SILENCE":

And so I go through the school day
surrounded by a hard shell of silence,
chitchat and cheer bouncing off the walls,
none of it meant for me.  (p. 180)

Eventually, all the "little" acts of hatred add up to too many "BIG THINGS":

Where once they kept their distance,
the white kids who hate us
are up close now, hard on our heels,
truly stepping on our heels--
Gail Ann's are bloody.  (p. 193)


After Thanksgiving break, the twelve students return to hair pulling, hands tearing their books, insults, wicked notes in their locker, nails and eggs thrown at them, and more buttons worn by students which say, KEEP WHITE SCHOOLS WHITE.

The school board suggests they return to Austin High. 

Here are two stanzas from "WHAT ARE THEY THINKING?"

This plan is good if you're a fan
of the Klan.
It treats us as less than
every white man.
It can't stand.
We will finish what we began.

To be clear:
a bus to Knoxville again--
that's moving in the wrong
direction.  (p. 209-210)

The principal closes the school after violence erupts and a pastor is beaten. At an election that follows that event, all the white supremacist candidates lose. Jo Ann calls that, A REAL VICTORY.

Before all this,
before all that happened
happened,
I thought there was nothing I could do
about segregation.
I'm just a girl, I thought,
one girl who tries
to look at the good side of things,
because there's nothing I can do
about the bad.
I'm still that good-side-looking girl.
but now when I see the bad, I'll think--
I'll know---
there's something I can do about it. (p. 233)


REFLECTION

As you can tell by the number of poems I quoted, I believe This Promise of Change should be a part of every middle-grade Social Studies curriculum. It is easy to read and even the reluctant reader (or the boy who doesn't like poetry) will be hooked by this riveting true story. The back matter includes information about what happened to each of the twelve students; a scrapbook of photos, notes from both authors, a civil rights timeline, and several pages of resources. The authors also put Clinton, Tn into the context of the Civil Rights struggle. 



A MINI-INTERVIEW WITH DEBBIE LEVY

I spent a pleasant thirty minutes chatting with Debbie via Zoom about historical fiction for older middle-grade readers.  I slipped in a few other questions also. For the record, she is now working on a poetry collection and a nonfiction historical picture book. If you look at the list of books she has written, you'll see that many are about social justice. I asked her about this passion and she said, 

I seem to return in my books to the theme of the Other or Outsider. Surely this has roots in my Jewish identity, for Jews have been and still are so often the Other. But also, for me the best of Judaism is tied to the quest for justice, and so it is tied to the themes of such books as This Promise of Change and We Shall Overcome. And then there’s my status as the daughter of a refugee. My mother, the protagonist of my nonfiction-in-verse book The Year of Goodbyes (re-released in 2019 in a new edition), was the Other as a girl in Nazi Germany, and when she immigrated to this country in 1938. I cannot emphasize enough her influence on me as a fighter and as a person who was always open to and interested in those who were different from her—treating others as she wished she’d been treated when she was the ultimate Other.


GIVEAWAY

I am giving away this book in conjunction with the summer issue of Talking Story on Community. If you are interested in winning Promise, please leave me a comment along with your email address if you are new to my blog. A winner will be chosen on July 18


Monday, December 5, 2016

The Lions of Little Rock: A Review

Congratulations to Joyce Hostetter who won LONGBOW GIRL from last week's blog. I had promised you would hear the results of Sydney Kirsch's NaNoWriMo experience. But in typical "I-want-it-to-be-better" mode, Sydney wasn't quite satisfied with her guest post and is continuing to tweak it. Stay tuned, you'll read it soon!
*****
As many of you know, when you're pitching your manuscript to an agent or editor, you're supposed to find comp titles you can compare your work to. Although I read a lot of young adult and middle grade historical fiction, I hadn't found a comp title for Half-Truths.

Until I read The Lions of Little Rock (Penguin, 2012) by Kristin Levine and found these similarities:
  • A friendship between a white girl and a black girl in a time and place when it was unacceptable.  
  • A story that takes place on the eve of civil rights. 
  • A story in which the black girl is light-skinned and passes. 
  • A story of courage and change. 
Of course there are significant differences. The Lions of Little Rock takes place eight years after Half-Truths is set in 1950. Those were eight years when a lot happened in the battle for civil rights. In the historic Brown case in 1954, the Court unanimously ruled that "separate but equal" public schools for blacks and whites were unconstitutional. Practices didn't change immediately.  But in 1957, amidst physical and verbal abuse, nine black students integrated schools in Little Rock, Arkansas.

The year afterwards, both black and white schools were closed as Arkansas Governor Orval Faubus attempted to prevent integration. The Lions of Little Rock is a fictionalized account of that year. 




Here are some scenes I particularly appreciated. 

Marlee, a quiet girl who loves math and has a hard time speaking to anyone besides her family, becomes friends with Liz. Her new friend is light-skinned and Marlee doesn't realize she's a Negro until Liz doesn't come to school one day and the other students reveal her race. 

After school, Marlee asks Betty Jean, their cook:
"Have you ever heard of a light-skinned Negro pretending to be white?" 
Betty Jean stopped what she was doing, her hands full of chicken guts, and gave me a funny look. "Why are you asking that, Marlee?"
The kids at schools said...this girl I know... I was just wondering...I couldn't get any words to come.  Finally, I just stood there, helpless, praying Betty Jean would understand.
I guess she did, because she finally pushed the basting pan aside and went to the sink to wash her hands. She cut two pieces of blueberry pie, then sat down at the table. I sat down too, and she pushed the pie across the table to me.
"It's called passing," she said. "Some Negroes who are really light-skinned and have straight hair try it." 
"Why?" I asked.
"Better schooling. More opportunities." She shrugged. "Maybe they're just tired of being seen as second best."
I didn't say anything. It suddenly seemed like there was more gray around her temples than had been there just a moment before.
"It's a hard life," Betty Jean went on. "You have to give up seeing family and friends. Stop going the places you used to go. And you have to lie--every day--to everyone you meet."
Like Liz had done to me.
"Lying like that, well, it's exhausting. I hope you never have a secret like that Marlee. A secret so big, your whole life depends on it." (p. 68)
For the first time, Marlee begins to see the hatred and prejudice in her city. Marlee's sister, who has been out of school for a month because her school can't open, gets sent away to live with their Grandmother. At a time when she's just beginning to speak what's on her mind, Marlee feels abandoned by her sister and Liz. When her father is angered that the town votes against integration he says, "We are not just a town of racists, but those of us who believe in integration..." He shook his head. "We can't seem to find our voice." (p. 75)

Despite their parents' warnings for them not to see each other, the girls find secret meeting places. Marlee initiates these meetings because of her genuine affection for Liz and the reader senses that in the process, Marlee is learning, growing, and gaining her voice. 

When Liz can't meet her one day because she has to take her little brother to the movies, Marlee has to make a choice.
I knew the Gem was over on West Ninth Street. If I could go to a Negro church, why not a Negro movie theater? I turned the idea over and over in my mind, like a lemon drop on my tongue. I imagined being the only white girl in a room full of Negroes and shivered. It was a little scary. But Liz had been the only colored girl in a whole school full of white kids. Negroes might not be welcome at the white theater, but I didn't think there was a rule against whites going to the Negro theater. If she could do it, so could I. (p. 106)
As Marlee grows in empathy for Liz, she also realizes she's changing. "For so long I'd been the quiet girl. If I wasn't her anymore, who was I?" (p. 113)  Marlee also begins to see that what has worked for her (doing math problems in her head when she's upset) isn't going to work for Liz who loves words more than numbers. A part of Marlee's growth is helping Liz figure out a way to control her temper by writing things down. Seeing how her friend is different than her, takes Marlee beyond their racial differences.

When of my favorite parts is close to the end of the book. The school board members which blocked integration were voted off the board, paving the way for new members and school integration. But Marlee is still upset at school the next day. This is a scene with her Algebra teacher, Mr. Harding. (Who by the way, is an important secondary character.)
"I'm happy we won," I said. "So how come I don't feel better?" 
He looked thoughtful and said nothing for a long moment, then he pulled out a pencil and started to write on the blank piece of paper I had before me. "I think what's happened, Marlee, is that you've realized the world isn't an addition problem." 
He wrote 3 + 4 = 7 down on the paper. "We tell kids that sometimes. We pretend the world is straightforward, simple, easy. You do this, you get that. You're a good person and try your best, and nothing bad will happen." 
"But the truth is, the world is much more like an algebraic equation. With variables and changes, complicated and messy. Sometimes there's more than one answer, and sometimes there is none. Sometimes we don't even know how to solve the problem." (p.270)
I wish I could say that the book ends with a beautiful tying-up-all-the-pieces between Marlee and Liz. But because of circumstances beyond their control, it doesn't. Like Mr. Harding's lesson, books don't always come out the way we want them to. But it is a realistic, hopeful ending that shows how much Marlee has grown. And there is hope for the future--which is vital when writing a book for young people.

Although the two main characters are girls, boys play significant roles in the book. I hope that teachers in upper elementary and middle school use The Lions of Little Rock when they teach civil rights; it will make this time period come alive. 





Friday, January 21, 2011

COURAGE Returns to Charlotte

In my ongoing quest to inform my work-in-progress Half-Truths, this past week I attended a panel of four civil rights leaders who worked to answer the question, "Courage: Where do we need it now?"



Juan Williams, left, William Winter, Janet Murguia and John Payton 
photo by Jeff Willhelm

The panel discussion was part of the Levine Museum of the New South's 20th anniversary celebration. In addition, the museum brought back COURAGE: The Carolina Story That Changed America, an exhibit which has been traveling around the country since it first opened in Charlotte in 2004.

Although many are familiar with the 1954 Supreme Court decision of Brown v. Board of Education which ruled that racial segregation of schools was unconstitutional, the stories behind that story are less well known. COURAGE tells the grassroots story of the Rev. J.A. De Laine who worked with the citizens of Clarendon County, S.C., to bring the first lawsuit in America to challenge racial segregation in public schools. Rev. J.A. De Laine's lawsuit combined with four other national lawsuits resulted in the 1954 decision.

In the "it's a small world" category, I have interviewed one of Rev. De Laine's sons and heard some of his thoughts about this tumultous time period.  In a comment that was repeated at the panel discussion, BB Delaine said, "It's up to today's generation to do something about these issues- so our grandkids can have a better life."

Here is a short video which highlights BB Delaine and the opening of the exhibit:



The issues that were most pressing at the panel were concerns about "resegregation" not only in terms of the African American community, but also with the Hispanic community. In conjunction with the COURAGE exhibit, the Levine Museum is running, Para Todos Los Ninos: Fighting Segregation before Brown v. Brown. This exhibit depicts the 1946 U.S. Court of Appeals case, Mendez v. Westminster School District, which ended school segregation for Mexican Americans.

Athough other issues were raised, the panelists agreed on the importance of providing an equal education to all our nation's students. I agree, but I also know that teachers need to be supported by policy makers and parents in a job that requires a quality that there is never enough of: Courage.

                      * * * * * * * * * * * * * * * * * *

If you live near Charlotte, I am giving away four tickets to the Levine Museum. Become a new follower of my blog and send me an email at cbaldwin6@carolina.rr.com and I'll send you a ticket. If you are already a follower, tell a friend to sign up and I'll send you each a ticket! First four responders win.



THE NIGHT WAR: A MG Historical Novel Review

  By now you should have received an email from my new website about my review of THE NIGHT WAR by Kimberly Brubaker Bradley. (It'll com...