Monday, December 9, 2019

Voices: The Final Hours of Joan of Arc - An Audiobook Review and Giveaway

Congratulations to Jo Lynn Worden who won Sandra Warren's book, Obsessed By A Promise.

If you want to read a masterful portrayal of deep POV from multiple perspectives (as well as from the perspective of objects) then I recommend that you get hold of a copy of Voices: The Final Hours of Joan of Arc. Not only will you have a great mentor text for deep POV, but you'll also experience multiple types of poetic forms from the medieval period. Plus, you'll discover what life was like for Joan of Arc

Kudos to author, David Elliott. I can't imagine the research needed to write this short book in beautiful, classical poetry. 




REVIEW


Joan's story is told through herself, her mother, father, different witnesses at her Trial of Condemnation and testimony from the posthumous Trial of Nullification. But that is far from all. Charles VII also has a voice--one that is filled with his embarrassment over a young maid who said he needed her to rescue France from the English. 

Joan was a diligent, virtuous daughter, who could spin and mend better than any other woman in her village. But she was bored by these common, household tasks that bound her. In her fierce loyalty to her king, Charles VII, she believed that she could help him win the Hundred Year War. Around the age of thirteen she reported that she started receiving visions from saints and angels. They were her guides as she left home on her passionate journey to save her country. The archangel Michael has a voice of his own in the narrative. 

The author personifies both objects which Joan encountered as well as concepts. For example, here are parts of the poem from the voice of Joan's needle which she used as a young woman:


In the circle of women, is where I am found. Stitching and hemming and mending. I've been handled by many both maiden and crone...No one could touch her, the girl they called Joan. Ferocious, focus, strong-willed. She was a warrior,  the linen her foe. I was her weapon, her sword in her hand.

Other objects had voices. A pitchfork used by a farmer turned soldier, ("Why did he take me away from the farm?");  a 700-year-old sword she requested be brought to her ("How did she find me? Why did she take me from my rest?"); the alms she gave to the poor ("I felt precious in her hand"); the cattle she cared for ("Why did she see angels?"); her hair ("Cut off to her ears because it was too alluring to men"); the arrow that missed its target; the crossbow that found her thigh; her red dress she always wore and the tunic that replaced it; her virginity, and lust. Dramatically repeated was the somber voice of Fire: burning, soaring, and ready to devour. 

Because of the graphic and intimate portrayal of Joan's life and death, I recommend this for mature teens and adults. It would be a remarkable gift for someone who fits that category of readers.

Outside of Nikki Grimes' books, I rarely listen to a book and recommend that the audio version is the best way to "read" the novel. But in this case, I can't say enough about the dramatization that the three narrators, Saskia Maarleveld, Celeste Ciulla, and Luis Moreno provide. Their voices give a rich depth to the characters and objects that populated Joan of Arc's last years. 


GIVEAWAY

To enter, please leave a comment by December 12 with your email address if you are new to my blog. This is another giveaway courtesy of Recorded Books. Continental Unites States only. 


Monday, December 2, 2019

Obsessed by a Promise: A Review, Author Interview, and Autographed Giveaway

I blogged about the Orphan Train at the time that I reviewed Rory's Promise. When Sandra Warren told me about her new book, I was intrigued to find another book on the subject, this time from the perspective of an adult. 



REVIEW


In this multi-point-of-view "rags to riches" story, the reader meets a young boy, nicknamed Blue, who in 1929 is left in charge of his younger brother, Bo. Blue is devastated when they are separated and he promises that he'll find Bo. This obsession drives Blue (who later goes by his initials, JT) for fifty years. 

Living on the streets of New York City, JT gets a lucky break and is taken in by a storekeeper, Mr. O. The kindly man realizes that JT is smart and responsible and gradually gives him more and more responsibility. At the height of the depression a rich man, Mr. Trasinski, comes to the store wanting to sell apples. JT makes a deal with him that saves Mr. Trasinski and his family--something Mr. Trasinski never forgets.

Fast forward two decades, and JT is like Mr. Trasinski's son, working hard for his land development company.  Although JT marries Mr. Trasinski's beautiful daughter, Adrianna, his marriage and the subsequent birth of their son, Jake, is marred by JT's incessant search for Bo. Even his business trips become excuses to find his brother. When he realizes that Bo was taken west on the Orphan Train, JT hopes his search is almost over.  It's not until JT risks losing Jake that he realizes the mistakes he made always putting Bo, his "phantom brother" before the people he truly loved. 

Two unexpected twists at the end bring the story to a satisfactory close. This well-researched family saga is full of love, the price of success, grief, and regret. 


AUTHOR INTERVIEW

CAROL: What drew you to the story of the Orphan Train?

SANDRA:  The idea that children, most homeless but not all, could be taken from the streets, put on trains and shipped across country, lined up on a stage and given away, auction style, to couples who asked for them, surprised and horrified me. Even though the concept was developed with good intentions, all I could think of were the pitfalls. When I learned siblings were often separated, the story of Blue and Bo began to unfold. 

CAROL: How did you research and for how long? 

SANDRA: My introduction to the Orphan Train was back in the late 1990’s. The Internet was in its infant stage of development when I began writing the screenplay so I had to rely on the resources listed in a book I found. My research revolved around the basic facts and a few personal accounts as well as information about the era between 1929 and 1979. Twenty-two years later, when the novel finally came together, the Internet was immensely helpful in fine tuning time and place aspects of the story. 

      CAROL: Why did you choose different POV? 

SANDRA: The story was first written and optioned as a screenplay. Having developed it as such, each character had motivations, flaws, and purpose. It seemed a natural progression to write the novel from different points of view. For me, it was the easiest way to weave the basic facts into the story, allowing each character’s side of the issue to come forward. 

CAROL: What were your challenges writing in this manner?

SANDRA: Each character had to appear and behave in a manner different from the others, yet consistent with their role in the story. Having it first written as a screenplay helped tremendously. 

CAROL: Who is your readership? 

SANDRA: The screenplay was written with adults in mind. However, I’ve had two agents tell me it fit the young adult (YA) genre and what is now called a crossover book. 

CAROL: As a self-published author, how are you marketing the book?

      SANDRA: The trick is to be creative in getting the word out.        
  1. Social Media; Amazon, Facebook, Pinterest, my website, podcasts, radio interviews, etc.
  2. Collaboration with other authors.
  3. Personal appearances: exhibits, holiday markets, artists galleries, bookstores, festivals. I use personal appearances to get the word out about my presentations. 
  4. Presentations: schools and local organizations such as Rotary, Kiwanis, Historical Societies, Veterans groups, Newcomers, festivals, church groups, etc. 
  5. Offering workshops and classes. 
  6. Revising the screenplay and pursue options again. Obviously, selling the screenplay will lead to many book sales. 

ONE LAST WORD FROM SANDRA: Writing Obsessed By A Promise made my respect for novelists grow immensely. Previously, the longest books I’d written were non-fiction and military memoirs where I gathered the facts and make them readable. It was super challenging to have to create the scene, give it a sense of time and place without appearing to do so, as well as develop characters that can tell the story I wanted told.  

GIVEAWAY 


Sandra is giving away an autographed copy of Obsessed By A Promise to one fortunate reader. It would make a great holiday gift for the history lover reader on your list. Leave me a comment by December 5 for a chance to win. Double your chances by sharing this post on social media or following my blog. Make sure you leave me your email address and let me know what you did. Continental United States only. 


Monday, November 25, 2019

We are All That's Left: A Review and a Great Audio CD for You

Congratulations to Danielle Hammelef who won BLACK GIRLS LIKE ME from last week's blog.

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always enjoy sharing amazing books and a young adult author who I'm unfamiliar with. That's what you'll find if you read, or listen to, Carrie Arcos' book, We Are All That's Left (Philomel, 2018).  Both narrators, Laura Knight Keating and Elisabeth Rodgers, perform the book with clarity, fervor, and excellence. (Please keep in mind that quotes may not be exact; I took notes as I  did other tasks.)





REVIEW


Told in dual points of view, Ms. Arcos provides readers with an intimate look at the effects of the Bosnian War as well as a very personal experience with modern day terrorism. If you're not familiar with this civil war, you might want to read about it first.

The book opens with a view of the River Drina and the bridge that crosses it. The bridge plays an important part in the story and also symbolizes the connection between Zara and her mother, Nadja. 


Quickly, the reader discovers that Zara feels shut out from her mother's life. Although Zara knows that her mother lived through the Bosnian War and she hears the screams from her nightmares, Nadja never speaks about it. Zara doesn't go anywhere without her camera, but her mother can't stand the sound of a camera clicking. Zara concludes, We have nothing in common except our sea green eyes.


Then, a terrorist attacks.

On a summer day, Zara and her brother Benny are at a farmer's market with their mother. Without warning, a bomb goes off, their lives are shattered, and Zara is left holding her mother's yellow ballet slipper.


At that point, the novel switches to Nadja's story in 1992. She's a teenager in love with a Serb teen photographer, Marco. They both plans to study in Sarajevo. And even though they are different ethnically, who cares? They are both Bosnians.


Then, war breaks out


The story flits back and forth between the present in which Zara deals with severe physical, emotional, spiritual, and psychological wounds, and Nadja's heart-rending, horrific story. Nadja is in a coma as a result of the attack and Zara experiences a wide range of emotions. Their silence seems no different than what is normal between them, but Zara fears that her mother will die and they'll never truly know each her. 

Before the attack, Zara had enrolled in a photography class. Although she feels like a freak with bandages across her face, she decides to attend. Each student must create a photo story. The instructor prompts: "What do you want the viewer to feel? Look for stories around you. What story are you in?"

Zara finds a box full of old letters and photos that Marco took. She feels like she's discovered a treasure which leads her to anger and grief over the grandparents (and uncle) she never knew. I’ve peaked over an abyss I didn’t know existed.

The book holds a sense of timelessness. The events are different in time and place, but Zara grapples with the violence her mother experienced and the ISIS attack against her community haunt her day and night. My emptiness is all that's left. 

Zara meets Joseph who is also searching for meaning in suffering. Zara wonders how God allows terrorist attacks. Joseph shares his spiritual journey, but more than anything, becomes a friend with whom Zara can unburden herself. By listening and understanding he helps Zara put back together the pieces of her broken self and her shattered life. 

I listened to this at the same time that I was reading For Black Girls Like Me. Mother abandonment is a theme in both books and both fathers are overwhelmed and not quite sure how to help their daughters. At one point Zara's father tells her: "People fear what they do not know." Even though it is true, that hardly satisfies her emotionally.  

Zara's photography teacher asks the class to consider their photo stories and ask, "What is the character’s narrative and is it true?" Her photography project bridges the gap between mother and daughter and brings healing to their relationship. 

When Nadja comes out of the coma, Zara spends hours in the hospital talking to her and hearing her mother's story. Zara concludes, "Maybe God is love. I have no choice but to use the suffering. Love and forgiveness go hand in hand. I survived and am still surviving." 

Here is an audio snippet so you can sample this powerful book. 



GIVEAWAY

I'm going to give away this book in conjunction with the January issue of Talking Story on Eastern Europe. Leave me a comment (with your email address if you are new to my blog) and I'll add your name to the list. Hang in there--this book is worth waiting for. But if you don't want to wait until then, get a copy now for yourself or the young adult reader in your life! (Continental United States only.) Giveaway ends January 20.

Monday, November 18, 2019

For Black Girls Like Me: A Review and a Giveaway


In 2018 I read Nancy Johnson's article on Writer Unboxed encouraging writers to figure out what their novel's big question is. I saved it on my desktop and went back to it several times as I wrote Half-Truths. That question is in my mind and shaping the sequel.

So, it's no coincidence that after I finished reading For Black Girls Like Me (Farrar Straus Giroux, 2019) by Mariama J. Lockington one of my thoughts was, "What is the big question this book answers?"

I don't know if Ms. Lockington has this in her mind when she wrote this middle grade book, but my question for this book would be, "What does a black girl experience who was adopted into a white family and never knew her birth mother?"



REVIEW

Using free verse poetry and poetic prose, the novel provides powerful insight into eleven-year-old Makeda June Kirkland's reality. Readers are immersed into the life of a girl whose hippie mother named her after an Ethiopian girl who died in a famine. Makeda's response: "I like Keda for short. I am not a dead girl." (p. 8)

The book opens with Keda, her older sister Eve, and her used-to-be-concert-violinist mother driving across country to New Mexico to meet their father who has taken a job as the principal cellist in the New Mexico Symphony. "Mama is up front with one hand on the wheel. Her violin in the passenger seat. The neck tipped down like a bottle being emptied into the seat." (p.3) This image poetically foreshadows  Mrs. Kirkland's battles.

Music, according to their father, is their legacy. Forced to play piano, but loving singing more, Keda wonders if she sounds like gibberish when she sings since her father outlaws the gibberish of  rap, hip-hop, and R and B. Keda's constant question is, "Where do I belong?" 

I love Ella and Billie Holiday and oh I just can't get enough of Nina Simone. These women sing and I feel like they are talking to me. Like we are speaking the same language. Like they know what it is to feel loved and lonely all at the same time. (p. 18) 
Although Keda realizes her parents love her, that knowledge doesn't stop her from wondering about her birth mother. "Even though these days I can't help feeling like I'll never be whole. That somewhere out there is a woman with my face. Another mother. Missing me the way I miss her." (p. 33)

Keda's voice is in the songs she makes up. 

.... I try to imitate different instruments with the sound of my voice. I don't sing any real words. I just open myself to the sounds and sing what I feel. I close my eyes and sway back and forth. I like to think about notes as colors and shapes. I like to swish the notes around in my mouth. Taste them on my tongue. Then I try to fill the whole world with my breath. With my sound.

In Albuquerque, Keda misses her best friend Lena (who is Haitian and was adopted by a white family) and has problems at her new school. Although Keda is used to people staring at her parents and then at her, trying to figure out where she came from, this time it is particularly painful. A teacher assumes she is from Africa, a fellow sixth grader calls her the N-word, and Keda's fragile new world breaks apart.  

A brief stint of homeschooling is followed by a disastrous summer. Her father goes on tour, her mother pulls away from the girls and into her own world, and Keda stops hearing from Lena. In a manic turn of events, her mother suddenly decides to take the girls on a trip to Colorado which ends in her attempted suicide--for which Keda blames herself. 

The end of the book is a symphony of clashes between the sisters that climax with new empathy and forgiveness. The ways in which the family pulls together after Mrs. Kirkland's hospitalization are painful, tentative, and yet authentic. 

I loved one of the final scenes when Keda's mother's violin-playing invades Keda's dream--and she realizes that it's not a dream. After her mother ends her impromptu concert, the two speak honestly about her mother's mental illness and her mother suggests that Keda take formal voice lessons. That night Keda sleeps better than she has in months. In the morning her fantasy friends who she calls the Georgia Belles, sing their last song to her ending with:

Peachy girl

You are ripe

You are

Your own magic

You don't need us to be free

All you need is a song

Diddlee-do-ee 

So I fling my blinds open, I open my mouth. I smear my ripe voice all over the morning. And let it ring. (p. 316)

GIVEAWAY

I am giving away my autographed copy of this book. If you are interested in receiving it, please leave me a comment (with your email address if you are new to my blog) by November 14. Want an additional chance? Post this on your social media of choice or start following my blog. Please let me know what you do and I'll add your name twice. Continental United States only. 




Monday, November 11, 2019

Meet My New Experts: Four Korean War Veterans

Congratulations to Jo Lynn Worden who won an autographed copy of "God's Blessings of Fall." Thanks to everyone who entered this popular giveaway.

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I've been plotting and thinking about my next book, which is tentatively titled, TOXIC. It will be a sequel to HALF-TRUTHS with Kate's younger brother, Woody, as the main character. In the beginning of HALF-TRUTHS, Kate and Woody's father (Ben) leave for the Korean conflict. One of the ways that Kate connects with Lillian, her grandmother's housemaid, is that Lillian's brother, Isaac, is also in Korea. 

TOXIC take places a year after the Korean War ends, after Ben and Isaac return home. I realized that I needed to better understand what Korean soldiers experienced during the war and when they returned. Following Joyce Hostetter's apt advice, I went looking for some Korean vets. Here are my new experts who generously shared their experiences.


DICK RIDLEY

Dick Ridley, October, 2019

When I contacted Dick, he told me that his story was boring and that he had it "soft."  He was in the artillery and helped man a howitzer that was 4-7 miles away from the front line. 

As the picture below shows, it wasn't easy work and the noise was intense and caused hearing loss in later years. But, as Dick said, "We didn't feel a sense of danger. We were young and stupid. I never saw any wounded." 


Dick Ridley, 1951

One of the eight men in his gun crew refused to pull the lanyard. He would load and aim it, but never fire it. 



This was a letter which Dick received many years later, along with the medal hanging around his neck in the top picture. 

Dick worked as a senior designer for Ford and Pontiac in Michigan and then at Freightliner Trucks in Charlotte, NC. In his retirement Dick volunteers in the Carolina Room at the main library. He enjoys scanning documents, maps and pictures and wonders what the story is behind the images. 


JOE CURTIS GLOVER


Joe had hoped to go into the Army because he'd heard the Marines were rough and tough and he wanted accounting training. But when he enlisted, they needed more men to fill a Marine platoon and the decision was made for him.  

Although he reported that he was generally treated equally as whites, he could tell by the way in which the drill instructors spoke to him and the four blacks (out of 64 men in the platoon), that they were prejudiced. He was assigned to the Motor Transport along with many other black soldiers. His job was to bring men, ammunition, troops, and supplies to the front and take back the wounded or the dead. 

"When I wasn't driving, I was in a fox hole." Joe told me about a time in which he hid in a fox hole when the enemy was attacking, along with another soldier. Like other accounts I have read, much of the fighting took place at night. "There were explosions of light. I couldn't see anything and would just shoot towards the sound. I didn't know if I hit somebody or not."

Later, he realized that his fellow Marine in the fox hole got shot. "I didn't know he was dead until I felt his blood."



This letter of commendation hangs on the wall in his den.

Joe stayed in the Marines and was in the Motor pool for several years. He kept pushing to take accounting classes but was often told that the classes were full. His wife Dorothy added that he was not treated with respect when he returned to the States. Joe's persistence paid off. He received the training he wanted, worked his way up, and became a fiscal officer in charge of a large budget, reporting to a Major. 
Dorothy and Joe Glover, October, 2019
Joe retired from the Marines, worked for the Postal Service, and is now retired in Travares, Florida. He and his wife have 27 great grandchildren.


PRESTON WOODWARD

Preston Woodward, November, 2019
Preston Woodward's family estimated that he had 100 pieces of shrapnel in his body--many of which were never removed because the surgery would have damaged his body. Unashamed, Preston told me to feel the 2-inch bump in his arm and showed me scars on his legs. 

Preston joined the Marines right out of high school. "It was the right thing to do," he said. "They needed people and the Marines was the roughest outfit."

When he was unloaded off the ship in Korea, the men were marched straight to the front. It was the middle of the night, the men were hungry, and the terrain was difficult. He was a part of a nine men fire team; he carried the BAR (Browning automatic rifle).

"They wanted us to confront civilians and jump off to take a small hill. It took so many casualties to accomplish what we were supposed to [do]. It was all mixed up with people coming and going. Wounded going out and new Marines coming in. We weren't trained right, we thought we were ready, but we weren't. Seeing the real Marine Corps changes you."

When Preston got hit in his leg from an explosion, he bandaged it himself. "Small fragments would scatter and hurt you. The corpsmen were busy and I was no wimp. I kept going  and prayed it would cease." As far as he could see, the war had grown on either side of him. "I used to think, 'Why do people line up on two sides and kill each other?'"

As we talked, Preston's shoulders, neck, and legs jerked and twisted. He still has a lot of pain from the shrapnel and some of his memories were jumbled. As far as I could tell, after a severe bombing, he laid out on the field wounded for 4-5 days. If he moved, the enemy would lob more grenades. The force of the explosions from the concussion grenades flipped him over. 

Preston was captured and taken to a Chinese medical station.  After that he was a prisoner-of-war for "one year, ten months, and sixteen days" until the war ended. Although Preston doesn't remember much about that imprisonment, he relayed that he was interrogated and threatened with death. He didn't have the information they were looking for, but they attempted to brainwash him. 

After the war, Preston returned to Florida and had multiple operations. "I was fearful of loud noises like a shotgun. I'd jump up and think someone was coming at me." He had nightmares and drank too much. His parents taught him to be courageous, his father told him that his anxiety would end, and his friends advised him to go back into fearful situations. Seeing what alcohol did to his buddies helped him to quit; he did resume hunting and got over his fear of loud noises. 

Preston had difficulty staying on the job because of his physical limitations due to his injuries. He was widowed three times and now lives in an assisted living facility in central Florida. Parked out front is his Ford black pick-up truck that he would love to drive. 



After we talked, Preston carefully tucked his cap inside his belt. "That's what we used to do," he told me with a smile. 


CURTIS KOJO MORROW


My last expert to highlight in this post is not someone who I have interviewed. Rather, I "met" Curtis Morrow in the pages of his memoir, What's a Commie Ever Done to Black People? (McFarland & Co., 1997). 

Curtis was 17 when he enlisted in the Army and joined the 24th Infantry Regiment Combat Team. This unit, originally known as the Buffalo Soldiers, was the Army's last all Negro unit; it was deactivated in 1951 when black soldiers were officially integrated into the other units in Korea. 



I will most likely review this book, so let me just say that it is raw, authentic, gritty, and memorable. It is not for the faint of heart, but it illuminates the Korean conflict through a young, vulnerable, and courageous black teenager. The word pictures that Mr. Morrow painted have stayed with me long after I read them. 

Photo from Facebook, taken in 2014

Mr. Morrow is an author, artist, and freelance photographer who lives in Chicago.

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These men sacrificed more than I can imagine. Now, their stories will inform mine. As I write TOXIC, I'm thinking about the horrors which Woody's father, Ben Dinsmore, saw in Korea and how that will shape Woody's life.  What did Isaac Harris see and experience? When he comes back to Charlotte, what will his life be like, and how will he influence Woody?

I'm using One Stop for Writers to explore these characters' backstories. I hope you hang in there with me as I build a new story. 

Stay tuned. 

Monday, November 4, 2019

Life as a Published Author: A Guest Post by Jean Hall

For over ten years Jean Matthew Hall and I have encouraged each other as writers. I was delighted when she received her first publishing contract for Bountiful Blessings Series with Little Lamb Books. I hope you take a minute to read my review of her first book in the series, The Blessings of Fall. Jean's words are lyrical and the illustrations by Olya Badulina's are beautiful. 



In this post, Jean shares what it's felt like to enter into the world of being a published author. 

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BRING IT ON, JEAN!


Becoming an official author is an emotional roller-coaster!
My family thinks I’m up there with James Patterson and is celebrating my “fame!” I love them and their enthusiasm for this time in my life.
I feel excited to be in the spotlight right now – no matter how small that spotlight is!
Gratitude to God swells up in me each time I read the book, God’s Blessings of Fall on real paper with real ink. God does give us dreams in our lives, and He helps us make them a reality sometimes. This experience is a dream come true for sure.


Writing friends are high-fiving me on social media, at conferences, via email. It’s fun to have a tribe ya-hooing with me. 
Current friends are excited to think they know a REAL author! My Sunday School class have no small children, but they are rushing to Amazon and Barnes & Noble to order copies of the book.


I especially enjoy my visits to kindergarteners, first and second graders in Christian schools. The kids are excited. The teachers are excited. I’m excited. So much enthusiasm for what the Lord has done.
And for a few moments I feel like a celebrity.
The school visits are tiring for this old lady, but I love them. Such wonderful memories rush back as I stand or sit in front of dozens of adorable kids glued to the pages of the book. Many thanks to Olya Badulina and Little Lamb Books for creating gorgeous artwork to bring the text to life. 


I might sing a childhood hymn with the little ones as they keep rhythm (“All Things Bright and Beautiful” or “This Is My Father’s World”). Or we might make paper plate owls together. I help kindergarteners cut large paper leaves and string them up. Teachers get the fun of figuring out how to suspend them from the ceiling.
It’s all fun! And that is what reading is supposed to be. I am glad for every class, every school, every opportunity to share with children:
  • The beauty of God’s creation
  • The language of art
  • The beauty of words
  • The joy of reading
  • The fun of sharing


If you write books for young children find some schools that will let you in!
There’s a lot of work and preparation for each visit, but it is so worth it. If you write for older kids, you can share the fun and hard work of writing and creating with students. Most of them are hungry to learn. And they are fascinating by the writing and publishing process.
Teachers are, too.
So, dive in! Hunt down the schools in your area. Make a spreadsheet of contact info. Spend a few hours on your phone and email. You can do it. 
Then you, too, can feel like a celebrity.
And share God’s blessings with the next generation of readers and writers. 



GIVEAWAY

Jean is giving away a copy of God's Blessings of Fall to one fortunate blog reader. Leave me a comment (make sure you leave your email address!) and I'll enter your name. For an additional chance to win, post this on social media and let me know what you did. Giveaway ends November 7. Continental United States only. 

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Jean Matthew Hall has spent most of her life singing songs, reading books, playing games, cutting, coloring and gluing with children of all ages. And, she loves it! Creating encouraging board books and picture books is her idea of fun, but her favorite times are spent with her eight grandchildren. 
Contact Jean or learn more about her here:
Website/Blog               www.jeanmatthewhall.com
Facebook                     Jean Matthew Hall Author
Twitter                         Jean_Hall
Pinterest                      JeanMatthew_Hall


Monday, October 28, 2019

"Small With Big Dreams" at SCBWI-C 2019 Conference

On a spur of the moment I decided to attend a panel discussion with Lisa Kline, Robin Kirk, and Katie Pryle; I was glad that I did! Lisa and Robin are both authors who have been published by Blue Crow Publishing, a traditional small press which Katie co-founded with Lauren Faulkenberry.

Katie Pryal, Lisa Kline, Robin Kirk

LISA KLINE



My blog readers are no strangers to Lisa's work. I was privileged to host her cover reveal of her most recent book, One Week of You, wrote about Summer of the Wolves, and blogged about her first book, Eleanor Hill.

Lisa has published ten books with publishers of varying sizes including Carus Publishing, Delacorte Press, Zondervan, and now Blue Crow. Her books have been both agented and non-agented. She submitted to Blue Crow without an agent and was impressed with their prompt response; an offer of publication followed within weeks of her requested revisions. This was very different than the long wait she had sometimes experienced with the larger publishing houses. 

Lisa said she has enjoyed her personal connection with Katie and Lauren. "Publishers who are writers know what it’s like to write and publish a book. Katie and Lauren’s comments inspired me to make my book better.” 

Lisa acknowledged that when your book is with a smaller publisher it may be more challenging to get reviews. Although all the publishers have given her marketing assistance and submitted her books for awards, the downside of a large publisher is that after six months the publisher sometimes must turn to the next book they need to promote. 

Blue Crow continues to promote One Week of You on their site and at conferences. In addition, they promote whatever she does. Lisa finds that she has to do a good deal of her own marketing, but all authors in today’s publishing atmosphere must market. Lisa received a larger royalty than most publishers offer, but not an advance. 





ROBIN KIRK

Robin Kirk's debut novel The Bond, is a young adult post-apocalyptic story that is much different than the nonfiction titles she has previously published. 



In her presentation, Robin recommended researching all publishing options. Her nonfiction books have been published by Duke University Press, The University of Massachusetts Press, and others. She suggested I consider contacting the Charlotte Historical Society as a potential publisher for HALF-TRUTHS.

She discussed the pros and cons of hybrid publishing which often demands a large investment of time and money. Robin recommended reading what Lyn Miller-Lachmann had to say on the topic if you are interested in pursuing it. Forming a co-op with other authors who publish similar books is another option. Here is an article by Jane Friedman on that. Authors can create a website, form imprints, share resources and even purchase ISBN numbers this way. Here is a link to Jane Friedman's popular chart on different publishing paths. 

Robin also recommended joining the Authors Guild as well as a Facebook group in your writing genre. Finally, she also recommended Zotero, which is a free online bibliography manager that is awesome. Thanks to Robin, my next WIP already has a budding bibliography!

KATIE PRYAL

Katie Rose Guest Pryal is the co-publisher of Blue Crow Publishing. Here were some of her observations:

  • She has yet to hear positive experience about hybrid publishing by which she means publishers that require you to pay to get your book published while also requiring you to surrender your rights. On the other hand, she strongly supports self-publishing and author co-op groups.
  • Traditional publishing thrives on keeping authors in the dark. She and Lauren founded Blue Crow with the intention of being transparent, honest, and available to their authors. (Check out their mission statement.)
  • Blue Crow receives unagented submissions and publishes about five books a year. 
  • Referral via one of their authors is the best way to connect with her. 
  • The landscape of trade reviews is changing. It is hard for small presses to get picked up by the trades. At the same time, however, book bloggers are becoming more and more important, even more important than trade reviews, when it comes to marketing a book to a wide audience. 
That final note was music to my ears! It reminded me of my experience at Highlights Summer Camp in 2016 when assistant editor, Cherie Matthews, announced that Carol Baldwin's blog was one that she followed--without knowing I was in the audience! Both times I felt validated--all my blogging work is paying off!



Speaking of small with big dreams, I think my friend's son was the smallest attendee at the fall conference. He has been "reading" for months! 



Monday, October 21, 2019

Two Picture Book Workshops at SCBWI-C

Most of my faithful blog readers know that I've been working on a novel for many years. What you might not know is that novel started as a picture book. Although that is another story, I continue to love picture books.

Recently, I've reviewed a number of nonfiction picture books  including some biographies. It appears to be a growing (perhaps limitless) trend in children's books. As I wrote HALF-TRUTHS I came across two historical figures that became mentor figures to Lillie and Kate. As I mentioned here, they each could be an inspirational subject for a picture book. 

With that in mind, I attended two workshops on picture books at the SCBWI-Carolinas conference. Here are some of my takeaways:


Tara Luebbe



Picture Book Workshop #1

Tara Luebbe spoke on "Mining Nonfiction for Fiction Picture Books." Each of her books, written with her sister, Becky Cattie, started with a real fact. Although this isn't exactly what I have in mind to write, her workshop was informative and inspirational.  

Tara brainstorms as many unusual facts as she can find and then digs deeper. She tries to marry different ideas together and thinks, "What can I add to make this marketable and kid-friendly?" She researches to make sure that the idea hasn't been taken, does more research into the subject, and even finds jokes related to the topic. Her wide range of picture books are a testimony that this process works!

She mentioned submitting back matter with your manuscript and to use art notes as needed, particularly for action. "Don't overuse them. If the script doesn't make sense without them, then it's okay."

Picture Book Workshop #2

The second picture book workshop I attended (there were others, these were the ones I selected) was, "Bringing Your Voice to Nonfiction" with Lina Maslo and Alice Ratterree. Lina is the author illustrator of Free as a Bird and an upcoming biography Through the Wardrobe: How C.S. Lewis Created Narnia. Alice has illustrated several books but focused on Dangerous Jane, the biography of Jane Addams. 


Lina Maslo


Alice Ratterree

Lina and Alice stressed that the person you are writing about inspires you. And as you write, remember to:

#1 Discover! Learn something new! Play!

#2 Cross pollinate as you write. Draw from other areas of your life. 

#3 Always ask yourself,  "Who am I creating for?"

All three of these points resonated with me. It is easy to lose the sense of play and discovery when we're writing so I appreciated the reminder. 

I   Writers are also encouraged to consider the character's natural environment, his or her time period, and the city, town or village where your character lives. Nonfiction biographers must constantly consider what influenced their character. I was particularly interested in how Alice demonstrated that the color palette she used in Dangerous Jane reflected the colors in Jane's life.


Speaking of nonfiction, here's one more slide from Vicki Selvaggio's intensive:




She told me, "This varies for picture books as you usually don't need a proposal for a nonfiction picture book. This information applies mainly for middle grade and young adult books." Depending on the topic of book, Vicki always determines what to send in her proposal based on the publisher's submission guidelines and the type of nonfiction project. 

Is there a nonfiction picture book in your future? If so, I hope these tips will help you on your journey. Keep me posted on your progress--we can compare notes along the way!

Next Up: Small With Big Dreams




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