Showing posts with label Angela Ackerman. Show all posts
Showing posts with label Angela Ackerman. Show all posts

Friday, May 17, 2024

THE COMPANION GUIDE FOR THE EMOTIONAL THESAURUS & A GIVEAWAY

 Although I moved to WordPress for my new website, I'm still having issues with sending out blog notifications. Here's this week's post on the new Emotional Amplifier Thesaurus by Angela Ackerman and Becca Puglisi. There's still time to enter their giveaway--but submit your response today!




My web designer and I hope that you'll be receiving notifications through WordPress rather than Blogger very soon. We're working on it!

Monday, July 20, 2020

Writers, Have You Heard? Angela and Becca have ANOTHER Thesaurus + Giveaway

Congratulations to Erin Ellison who won WOOD, WIRE and WINGS from last week's blog. For those of you who didn't win--you'll get a second chance when I feature Kirsten Larson's publication journey in an upcoming blog.


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As many of you know, I am a HUGE fan of One Stop for Writers  and Writers Helping Writers, the brainchild of Angela Ackerman and Becca Puglisi. (Click here for my behind-the-scenes interview with them.)

You might have thought that seven thesauri would be enough. But not for them! They realized that your character's choice of occupation speaks volumes about him or her. So, of course, they decided to do something about it. The Occupation Thesaurus is releasing TODAY and boy, does it have a lot to offer!


Let's say you are working on developing your protagonist, antagonist, or an important secondary character. A part of what you want to figure out is what your character does to support herself or her family. Their choice of employment will say a lot about who that person is. Here is the list of jobs detailed in this thesaurus; please click on the link and be impressed with the 124 entries! 


Angela and Becca provided a sneak peak into one of those occupations: firefighter



You'll see that each occupation includes training, necessary skills and abilities, useful skills or talents, helpful character traits, sources of friction, people they interact with, how the occupation meets the character's internal needs, how to switch the stereotype, and considerations about why a character would choose that job. Just reading through one entry could give you dozens of ideas for a story as well as insight into your character. 

In addition, amazing writers in our community have put together additional career profiles for you, based on jobs they have done in the past. (Shout out to my friend, Jarm Del Boccio who contributed "Children's author"!) This is a great way to access accurate information so you can better describe the roles and responsibilities that go with a specific job, right? To access this list, GO HERE

If you're like me, you might like all this information at your fingertips. If you join One Stop for Writers, then this thesaurus-- along with all seven others is right there--waiting for you to browse, brainstorm, and create.  

If you'd rather purchase a print or digital copy of the book, here is a list of e-tailers who have it.

GIVEAWAY


To celebrate the release of their new book, Writers Helping Writers has a giveaway happening July 20th to July 23rd. You can win some great prizes, including gift certificates that can be spent on writing services within our Writer’s Showcase. Stop by this site to enter! FYI, although I love your comments on my blog, this is Angela and Becca's giveaway. So leaving me a comment won't qualify you for entering their contest. 




Wednesday, May 13, 2020

What Do Your Eyes Communicate? Answers and a Winner!



Image by Sumanley xulx
Following up on last week's blog showing 21 people in their Covid-19 masks, here is what the subjects self-reported they were thinking or feeling:

#1 Barbara Federlin: Overwhelmed.

#2 Becca Puglisi: Irritation.

#3 Brenda Covert: Shock.

#4 Barbara Lee Bryant: Foolish.

#5 Annonymous Male: Be Positive!

#6 Donna Earnhardt: Happy to have a mask.

#7 Jarm Del Boccio: Peaceful.

#8 Jean Hall: Tired.

#9 Joan Edwards: Surprise.

#10 Laurie Foote: "I must open my eyes wide enough so my droopy eyelids don't make me look 100 years old, while not enough that I look terrified!"  

#11 Melodye Shore: "I felt seen. I felt loved. I felt more protected, of course, but in some ways I felt more vulnerable. And I saw more clearly the vulnerabilities of those with whom I came in contact."

#12 Wendell and Linda Phillips: Glad to have masks.

#13 Mary Ellen Stack Pike: Exasperation.

#14 Virginia and Tom O'Malley: "I was thinking that no one knows I am smiling. Virginia was most likely thinking, 'What a wonderful, loving, and caring husband I have.' or, 'What will we do for dinner?'" 

#15 Kathleen Burkinshaw: "I'm at high risk."

#16 John Craig: "Disappointed in cancellations. I wonder who I would have met."

#17 Pat Baldwin: "I'm the oldest person you know who is wearing a mask!"

#18 Tony Reames: "Thankful to have an appealing mask that my neighbor made." 

#19  Kathy Wiechman: Amused.

#20 Jim Wiechman: "This mask doesn't fit right."

#21 Barry Schifreen: "I hope my hair looks OK."



Photo by  neelam279 / 523 images 

Only three brave souls played the game; synonyms were allowed.

First place: Goes to Joan Edwards who guessed seven correct answers (not including her own).

Second place: Goes to Angela Ackerman who guessed six correctly.

Third place: Goes to Barry Schifreen with four correct answers. 

For those of you who were pictured, you may want to look at the comments on last week's blog to see what these three readers thought your eyes communicated.

Angela Ackerman wrote in a Facebook message, "It was tough, lol, but it really made me think!" She and I went back and forth on how writers need to use more than eye expressions to show what a character is feeling. Hopefully, that will be the topic of another blog.

Cathy Biggerstaff commented: "My daughter is a nurse in a Covid-19 unit and one of her patients wrote an article for his local newspaper when he got well. He said he came to know his nurses through their eyes because that's all he could see. I thought that was a powerful statement."


 Anestiev / 1182 images 



Monday, March 25, 2019

Behind the Scenes with The Thesauri Queens: An Interview with Angela Ackerman and Rebecca Puglisi

Congratulations to Sandra Warren who won the 15 minute Zoom Author Interview with Marsha Diane Arnold from last week's blog. She donated it to West Marion Elementary School in Marion, NC.

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Many of you have heard me extol the virtues of ONE STOP FOR WRITERS a rich, on-line writing tool. I've also frequently mentioned the creators of the site, Angela Ackerman and Becca Puglisi, who have co-written and published seven ThesauriI teased them that they are the Thesauri Queens--but you probably know them as two smart, generous women who are being exactly what their website proclaims: Writers Helping Writers.

I bet many of you have used their resources and that's why you're here today--because like me, you're a nosey writer and want to hear how these two women have successfully collaborated for fifteen years.

But first, if you don't know about how Angela and Becca met online, please see Natalie Aguirre's interview. You'll also find out how they developed their unique brand. 


This was taken the first time Angela and Becca met in Disney World!

Now, without further ado-- let's get this interview going!


CAROL: What was it like when you met in person three years after only knowing each other online? 

ANGELA: Because we live in different countries, 99% of our communication is online. However, many years ago I took my family to Disney World, and as Becca lived close by, she agreed to meet us at the Magic Kingdom for the day, just outside Cinderella’s castle. We had traded pictures of one another of course, but as we pulled into the parking lot that day it hit me that a) I’d forgotten my phone at the hotel, and b) MK was huge, and c) 32,000 people entered the park every day that time of year. As this was my debut visit to the park, I began imagining scenarios where Becca would be at one part of the castle and I’d be at another, endlessly waiting for the other to arrive. So, I did what any desperate person might do…I made a sign with her name on it. 

Ironically, I never needed to use it. Somehow despite Magic Kingdom having several ferries and a sky train that transported people to and from the park, Becca and I ended up on the same packed ferry about ten feet from one another. This type of crazy coincidence was only the first of many for us; Becca and I are convinced the universe wants us to be together!

BECCA: One of the things I liked best about this day was the absence of the expected awkwardness that comes when you finally meet an online friend in person. (Well, except for that moment when I realized my car key had fallen out of my pocket on Space Mountain, and I thought we might be spending a huge portion of the day in the parking lot. Luckily, my key was sitting there in the seat, not wedged into a coaster track somewhere, so that was good.) We just picked things right up and enjoyed our day. It was a really good feeling to meet in person and confirm that she was the wonderful, kind, generous, and freaky person I’d always thought she was.

CAROL: How do you work together as a team? How do you figure out who does what?

ANGELA: Luckily Becca and I have writing styles that mesh quite well, but we have different strengths when it comes to business skills. She’s terrific at organization and tracking the million little things that keep us up and running as a business, like knowing book production processes, managing our accounts, making sure bills are paid, and working with third parties (formatters, designers, distributors, etc.). I handle the marketing side of things, our outreach, and steer business strategy. I think our partnership works so well because we trust each other’s knowledge in areas where we are not subject matter experts, and whenever we need to come to a consensus on something, we can talk it through.

BECCA: We assign duties based on individual strengths, which is a pretty simple process because we’re very compatible in our giftedness (or lack thereof). And the rest of it, we just divvy up between us. It’s a simple system, but because we’re each able to look at ourselves realistically and put the ego aside, it’s easy to say, You’re better at this, why don’t you handle it? or You’ve got a ton going on, so I’ll do this one.

CAROL: What have been the bumps in the road to successful collaboration? Do you have advice to other writers who are considering collaborating on a book or project? 

ANGELA: I won’t lie, there are some things we disagree on. For example, Becca hates pickle chips. It’s hard for me to overlook this horrifying flaw, but that’s what you have to do sometimes to keep the peace. Okay, that’s frivolous…but it illustrates the nature of most of the friction between us: superficial. 

However, we have different backgrounds, life views, and comfort zones, so we aren’t twins. Certain content we’re not comfortable writing about might be a sticky point and when this happens, we talk it through and come to a consensus. Another way we differ is that Becca and I have different comfort zones when it comes to risk. But again, it’s fine because we discuss it and challenge the other to convey their point of view better so we can reach an understanding. I love this because it means we always move ahead on the same page, or “on the same page for now,” leaving things open for reassessment down the road. 

My advice for collaborating is to make sure each person is in alignment before jumping into a project. Not only does there need to be a huge amount of trust and respect, collaborators should have complementary communication styles, the same vision and goals, and a strong work ethic. 

BECCA: Yes, to all of this, except the bit about my dislike of pickle chips being a flaw. That’s just a result of having functional taste buds. I would add that potential partners should go into the collaboration with eyes wide open, knowing that, no matter how well you get along, there will be conflict and disagreements. Ironically, this becomes more pronounced if you find success, because success leads to increased complexity, requiring the business to grow and change. Recognizing that choppy waters are ahead can be really helpful in navigating them.

CAROL: What have been the high points of your collaborative work? 

ANGELA: Honestly the best part for me is our friendship; Becca is my better half. I have such tremendous love and respect for her and am eternally grateful for how she helps me grow as a writer and a human being. She’s an advocate for me and everything I do (and I for her), and that’s pretty powerful stuff! 

Another high for me is how we took an idea on how to help writers in a more practical way and helped shape the industry’s ideas of what a writing guide is and isn’t, and what a thesaurus is and is not. This, I believe, has opened the box a bit for all creators as now there are many books-slash-tools called thesauruses (or something similar) that incorporate lists to help writers in some way. Another thing I love is how Becca and I continually innovate, even to the point where we think beyond a book format. Creating One Stop for Writers with Becca and Lee is one of the coolest, most rewarding things I’ve done. In many ways I feel we’ve only scratched the surface of what we can do there, and that’s exciting. Our ability to be more open-minded about what is possible is a direct result of hearing from readers about the impact our books have made. Knowing we’re making a difference is a feeling that can’t be beat. 

BECCA: My gosh, there are so many high points. There’s this exponential thing that happens when we put our heads together; the results are typically way bigger than we originally planned. For instance, I came up with a very basic version of the Emotion Thesaurus back when we were critique partners, but it was Angela’s idea to turn it into blog material. And of course, that ended up becoming such a successful book. We’ve achieved so much more together than I believe either of us would have on our own. There are many, many examples of this throughout our journey together. It’s a beautiful thing.

CAROL: Have you always had the same vision? Do you invest equal amounts of time and energy as the Thesauri Queens? 

ANGELA: I think so--mostly? I’ll have to wait for Becca’s answer to know for sure, haha! I guess maybe a better way to phrase my answer is to say that we each have a huge desire to help others and it drives us. We may have our own ideas on how to best accomplish this but the magic between us is we are very good communicators. Because we discuss everything and make it a practice to incorporate the other’s insight before moving forward, we become flexible thinkers. This helps us choose a path that feels right for us both, one that means we’re helping writers and running a sustainable business. And when we don’t quite agree, if it’s important to the other, we compromise because we have such a strong bond of trust. Resentment or negativity is not part of our relationship.  

BECCA: I think it’s truthful to say that we want the same things and we each give as much as we can in pursuit of those goals. It helps that we also see ourselves with a certain duality: we are individuals with many and varying responsibilities outside of work, and we’re also two parts to a professional whole. Real life happens, and there are times when we each have personal stuff going on. In those moments, the other person steps in to fill the gap. I know that Angela has my back, and she knows that I have hers—both personally and professionally. I thank God regularly for bringing the two of us together.

CAROL: Thank you so much, ladies, for sharing your working relationship and your encouragement to all of the men and women who are becoming more skilled writers because of you!

For those of you who haven't used any of Angela's or Becca's Thesauri, you can begin by reading my blog about their latest book, The  Emotional Thesaurus, Second Edition


No matter what genre you are writing or if you write for adults, children, or young adults, ONE STOP FOR WRITERS is the writing resource you need. It's the first place I go when I'm stuck writing a scene. I haven't begun to plummet the depth of writing helps that are included. By the way, their Pinterest board is pretty amazing too!


Thursday, January 24, 2019

A NEW Emotional Thesaurus Book is Coming!

As many of you know, I am a big fan of Angela Ackerman's and Becca Puglisi's blog, Writer's Helping Writers, their Emotional Thesauri, and their incredible online tool, One Stop for Writers. Not only is this dynamic duo dedicated to helping other writers--their materials are excellent. (See their Pinterest board for a simple of their resources.)

Their new book is coming out on February 19!



This is the Amazon blurb:
The bestselling Emotion Thesaurus: A Writer's Guide to Character Expression (Second Edition), often hailed as "the gold standard for writers" and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!  
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters' feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.  
If you need inspiration for creating characters' emotional responses that are personalized and evocative, this ultimate show-don't-tell guide for emotion can help. It includes:  
  • Body language cues, thoughts, and visceral responses for 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character's reactions.
  • A breakdown of the biggest emotion-related writing problems and how to overcome them.
  • Advice on what should be done before drafting to make sure your characters' emotions will be realistic and consistent.
  • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues.
  • And much more!

The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. Use The Emotion Thesaurus to go deeper to craft compelling descriptions that match each character’s personality and emotional range.
If that's not enough, here's more:

  • Euphoriavindicated, and schadenfreude are just a few of the new entries. You can also browse the Table of Contents to see all 130 emotions in this volume.
  • If you already subscribe to One Stop for Writers this thesaurus will be available to you in February.
  • Angela and Becca are celebrating their new EMOTION THESAURUS (Second Edition) with FREE EDUCATION! Stop in to grab the link to a recorded webinar on showing emotionhttps://writershelpingwriters.net/2019/01/announcing-the-emotion-thesaurus-second-edition/ 
  • The instructive portion of the book has more than doubled and includes new material on how to power up dialogue with emotion, use subtext and other techniques to show hidden emotions, what character development is necessary to determine emotional range so actions are authentic to each person's nature, and more.
You can pre-order on AmazonKobo, Apple Books, and Indiebound. Get read to add it to your stack of Thesauri! 
     
                  No photo description available.

If you preorder, send a screenshot of the order to this special email address and you’ll receive a bonus PDF of entries that Angela and Becca completed but chose not to add to the 2nd edition.


The dynamic duo, Angela and Becca, presented together at
the CARWA workshop in 2016.



Monday, April 9, 2018

Men Who Hate Women and the Women Who Love Them: An Audio Book Review

As most of you know, I generally review books for children or teens. But every once in awhile I share books for adults. This time, I'm tackling a serious topic in a book by psychologist, Dr. Susan ForwardMen Who Hate Women and the Women Who Love Them.



Before listening to this book, I had never heard the word misogynistic and had no idea that it meant "reflecting a distrust, hatred, or mistreatment of women." Nor did I have any idea how prevalent this syndrome is today.

Originally published in 1986, it was re-released as a paper back in 2002 and is now available in audio format through Tantor Media. The narration by Randye Kaye was clear and easy to follow. 

REVIEW

In Part I, Dr. Forward describes the symptoms of a misogynist relationship through family histories of her patients as well as stories she heard time and again as a talk show host. The women find themselves the recipients of ridicule, are always seen at fault if conflicts arise (and what marriage doesn't have conflict?), and are frequently afraid of the men in their lives because they are threatened either verbally or physically. As a result, these women walk on eggs; not wanting to upset their partner, and often give up important relationships, activities or even their jobs in order to not rock the boat.


Many women ignore early warnings that their relationship has serious problems and fantasize about how they can make things better. Not wanting to ruin romantic dreams, the reality of the trouble these women experience frequently gets shoved into the background. It takes great courage and strength to face these problems--or if the problems go on long enough, the woman becomes desperate to receive help. 

The second part of the book is devoted to advice to women who are in these types of relationships. This comprehensive section includes
clarifying relationships to remove oneself from self-blame, recognizing when a man is emotionally unstable and wanting a woman to be dependent on him (and why), understanding how a woman can't change a man's basic personality but how she can set limits and respond to his threats. It also included reflections on what leads a man to becoming a misogynist. Questionnaires and visualization exercises give the reader opportunities to examine herself, her relationship, and how to create new responses to the man in her life. Dr. Forward handles many tough topics, including how to handle physical threats to the woman or her children.

As a Christian, I thought Dr. Forward made many valid points about setting boundaries and parameters. Her advice to women not to try to fix the other person but instead to acknowledge her own emotions, negative thoughts, and behaviors, frees a woman to take responsibility for herself. I disagreed with Forward's negative use of the word submissive. Although the concept can easily be misused, within the contest of a Biblical and loving marriage submission takes on a positive meaning and direction. 

A NOTE TO WRITERS

As I was listening to the book, I thought how it would be a great resource for writers who are exploring the effects of abuse on men and women. As I have mentioned before, One Stop for Writers, the brainchild of Becca Puglisi and Angela Ackerman, is a collection of helps for writers including all of their thesauri. I thought particularly of The Emotional Wound Thesaurus, and how it digs deep into many wounds related to destructive female/male relationships. If you are writing a book that includes a misogynistic relationship, I would encourage you to read this book to deepen your understanding of what your characters have experienced.

RECOMMENDATION 

This is a must read for anyone who is involved in a relationship with a man who is very controlling and threatening. No giveaway this time; my copy went to a friend.


AUDIO SNIPPET

To hear a snippet from the book, click here.








Wednesday, November 8, 2017

A Customized Emotional Wound Created for Half-Truths!

I don't typically blog twice in one week, but I couldn't wait to share some news with you. Remember when I posted about Angela Ackerman and Becca Puglisi's new Emotional Thesaurus two weeks ago?

A few days later I received this email from Angela:

I am thrilled that you've won a Custom Description Thesaurus Entry from Becca and I for the Emotional Wound Thesaurus. So basically, you can pick any wound we haven't covered in our book or at One Stop for Writers, and we will write it for you. This is perfect if you have a character that you want to dig a bit deeper into.  Just follow the link to see which ones we have, and if there's one you would like us to explore for you, we will. 


I immediately returned her email with backstory about Half-Truths and some ideas. The following week the equally amazing Becca Puglisi (honestly, I don't know if this pair ever sleeps!) posted this on One Stop for Writers. How cool is this?

DISCOVERING HIDDEN INFORMATION ABOUT ONE'S ANCESTRY 


NOTES:
Like all wounds, this one can have varying effects on the individual depending on the circumstances. In some cases, the person may discover something that isn't a bad thing (such as the truth about a racial or cultural heritage) but it rocks their world due to how it reshapes their identity. This could be especially challenging if they grew up being taught specific racist beliefs and now they must reconcile with this new information that places them within that same group. In other instances, they may discover something unethical or unconscionable in their family history that they'll have to come to grips with. Another factor to consider is how the character discovers the information. Was it deliberately kept from them or simply an unknown? Do they stumble upon it unexpectedly or was there suspicion in their minds all along? Do they discover it on their own or is it uncovered by someone who goes public with it, forcing the character to process the information before they're ready to do so? As always, examine the event from many different angles to ensure it has the proper impact.

EXAMPLES:
Learning that...
  • One descends from a different race than one has always associated with
  • One's family was never part of the heritage or culture it was supposed to have belonged to
  • One is part of the family because of an unsavory act (through adultery or rape, when a forebear blackmailed or bought their way into the family, etc.)
  • One's ancestors played a part in a genocide (such as the Nazi holocaust or the Khmer Rouge Cambodian genocide)
  • One's ancestors were responsible for the oppression or enslavement of others
  • One's ancestors were part of a far-reaching political cover-up

BASIC NEEDS OFTEN COMPROMISED BY THIS WOUND:
love and belonging, esteem and recognition, self-actualization

FALSE BELIEFS THAT COULD BE EMBRACED:
I'm not the person I thought I was.
My entire life is a sham.
I don't belong anywhere.
If others find out about this, they'll reject me.
If this part of my life is a lie, then nothing is certain.
My blood makes me guilty by association (if notoriety is discovered in one's family roots).
If I reveal what I've learned to my family members, it will destroy us. So it's best to keep it secret.

THE CHARACTER MAY FEAR:
Losing their sense of identity; not knowing who they are
Being condemned because of their ancestors' actions or beliefs
The family being torn apart by the information
Being ostracized by the family if one shares what one has learned
That, genetically or ideologically, one will become like one's notorious ancestor(s)
That more identity-based falsehoods exist
Rejection by the family when they learn the truth about one's heritage

POSSIBLE RESPONSES AND RESULTS:
Sitting on the information until one can figure out what to do with it
Choosing to protect the secret rather than reveal it
Refusing to accept the truth; living in denial
Becoming conflicted when asked by family members to keep the information to oneself
Rebelling against one's heritage or culture as a way of separating oneself from it
Making excuses for a notorious ancestor's actions
Withdrawing from the family
Feeling confused about one's identity
Examining one's physical features or those of one's family members looking for signs of the hidden heritage
Pulling away from anyone clearly associated with a certain ancestry; preferring racial or cultural ambiguity
Questioning other valued parts of one's ancestry
Lashing out at anyone who knew about the secret
Harboring resentment against family members one believed should have known the truth
Shunning former passions or interests associated with one's family or heritage
Becoming apathetic; losing interest in one's hobbies or activities
Adopting the belief that there is no absolute truth
Becoming skeptical of everything
Falling into depression
Changes in appetite due to stress; rapid weight losses or gains
Difficulty sleeping
Avoiding the truth through drug or alcohol usage
Rejecting everything about one's heritage to distance oneself from the thing one can't come to grips with (throwing the baby out with the bathwater)
Thinking and acting prejudicially against people from one's former heritage or culture
Becoming obsessed with the notorious figure(s) from one's past
Seeking wise and impartial counsel to help one make sense of the situation
Attempting to make amends or restitution for any wrongdoings by one's ancestors
Studying one's true heritage to begin to understand it
Recognizing that one can be proud of one's heritage without accepting the actions or ideology of some of its past members
Empathizing with and reaching out to other people who share one's circumstance
Realizing that one's heritage is only one part of a person's identity

POSITIVE ATTRIBUTES THAT MAY RESULT:

NEGATIVE TRAITS THAT MAY RESULT:

TRIGGERS THAT MIGHT AGGRAVATE THIS WOUND:
A festival, parade, or other celebration of the heritage one thought one belonged to
Learning about other lies—even those with good intentions—told by family members (about the severity of an aunt's illness, covering for an uncle's drunken binge, the existence of Santa Claus, etc.)
A reunion or holiday gathering where the family heritage will be honored
Hearing news stories about a regime or corporation covering up the truth
Seeing others struggling with important facets of their identities (i.e., cultural, sexual orientation, religious, etc.)

OPPORTUNITIES TO FACE OR OVERCOME THIS WOUND:
Seeing someone of the heritage whose people were oppressed by one's ancestors and wanting to help him or her
Being asked by one's child about their ancestry and having to decide what to tell them
Having a chance to right a wrong by telling one's story though it means making it known to the world
Uncovering a secret at work or in a trusted organization and having to decide what to do with the information.
Didn't Becca do an amazing job? Trust me, I'll be pouring over this entry and mining every nugget!  By the way, if you haven't checked out One Stop, here is my blog post giving you a window into how I use this comprehensive writing resource. 

Wednesday, October 25, 2017

The Emotional Wound Thesaurus + Three Stories of Perseverance

Today I have a special post as part of the Writers Persevere event that authors Angela Ackerman and Becca Puglisi are running for the next few days to celebrate their newest book, The Emotional Wound Thesaurus: A Writer’s Guide to Psychological Trauma. This book looks at the difficult experiences embedded in our character’s backstory which will shape their motivation and behavior afterward. 

To help them celebrate this release, many of us are posting stories about some of the obstacles we’ve overcome as writers. As we all know, this isn’t an easy path. Writing is hard and as writers we tend to struggle with doubt. Sometimes too, we don’t always get the support we need to follow our passion, or we have added challenges that make writing more difficult. Because people are sharing how they worked through challenges to keep writing, I decided to share three friends' stories. I trust their perseverance, in the light of discouragement, pain, and rejections, will encourage you as much as they've encouraged me.
 


Kathy Wiechman

I started writing when I was five. I loved putting words on the page. My mother, a published poet, encouraged me.

When I was an adult, I decided to try to get published. I had no idea how difficult that would be. Or how long it would take me. Novels were my passion, but I also wrote poems.

I submitted my writing. And I received rejections. I took classes, went to conferences and workshops, wrote, and submitted. Many people encouraged me, told me I had talent, but publishers kept turning me down. Some of my friends thought I was “out of my mind” to keep trying.

I finally sold a poem in 2002, but my mother did not live to see that success. She died in 1998.

I struggled with health issues, and the older I got, the more often I felt discouraged, thinking I wouldn’t live long enough to achieve my dream of a published novel. My sister advised me to think about how much I enjoyed writing and how many friends I had met along my journey. If I had to decide between being published or having the friends I had made, I would choose the friends in a heartbeat. That realization changed my attitude.

I changed my focus from the drive to get published to loving the process. My new attitude made me a happier writer. I don’t know if my change in attitude improved my work, but my dream came true.

I had written and submitted novels for 39 years before my first success in that genre. I was offered a contract for what was the eleventh novel I’d completed. I still focus on enjoying the work, and now I am a happy—and published—writer. 
Kathy Cannon Wiechman is a former Language Arts tutor and teacher. Her debut novel, Like a River, was honored with the inaugural Grateful American Book Prize. Both Like a River and her second novel, Empty Places, are frequently used in classrooms. Not on Fifth Street is her third book. She lives in Cincinnati with her husband.



Linda Phillips

My high school counselor told me I’d never make it as a writer.  I’ve come to determine she really meant to say, “be sure you keep your day job” not, “you stink as a writer.”  But I heard the latter, and thus delayed my writing career until well into my adult years as wife and mother.  Up to that point my writing life consisted of a growing stack of journals, desperate attempts to make sense out of growing up with a mother suffering from bipolar disorder. The unresolved questions from my formative years began surfacing in the form of poems, and to my delight and surprise, a number of them were published in adult literary journals. That was the beginning.  It took a dear friend’s suggestion that the scattering of poems seemed destined for a novel, and it took another seven years for the refining fires of editing to produce a publishable book. Today, I am thankful for all the bumps in the road that led to Crazy, and for the doors it has opened to encourage persons whose lives have been touched by mental illness.  
Linda Vigen Phillips is the author of Crazy (Eerdmans/2014), a YA novel in verse about a teenage girl coming to terms with her mother’s mental illness. While she awaits the release of her second book, Heart Behind These Hands (October 2018), she volunteers at NAMI (National Alliance on Mental Illness) and counts the days between grandkid visits.   



Kathleen Burkinshaw

The Last Cherry Blossom’s writing journey began in 2009.  My daughter asked me to speak to her seventh-grade class about the people under the famous mushroom clouds on August 6th- like her grandmother. I had never spoken publicly about my mom surviving the atomic bombing. I had only learned details of that day 8 years earlier. I was seriously ill, hospitalized for a month, and diagnosed with Reflex Sympathetic Dystrophy(RSD).  RSD is a neurological disorder of the sympathetic nerves causing debilitating, chronic, burning pain.  I couldn’t walk on my own and had to endure grueling physical therapy.  During that time, my mom shared her heart-breaking memories of August 6th.  I now realize that she didn’t tell me, just so I would know; but to encourage me because as bad as things were, I shouldn’t give up hope.   All along I thought it was therapeutic for her, yet it ended up also being therapeutic for me. 


My mom agreed that I could discuss her experience in Hiroshima because she felt that the seventh-grade students might relate to her story since they were the same age that she was that horrific day. I started writing about life in Hiroshima during the last year of WWII through the eyes of a 12-year-old girl. Finding information about daily life in Japan written in English, took time and patience. Every step on this journey doubled in difficulty because of my RSD pain. There were days my hands hurt so much I couldn’t type, but I was blessed with wonderful friends and family who typed for and encouraged me. Shortly after I received my publishing contract, my mom passed away, overshadowing any other obstacle I had or would encounter. I became determined to honor her by creating through my pain and writing her story.


Kathleen Burkinshaw is a Japanese American author residing in Charlotte, NC.The Last Cherry Blossom, is a SCBWI Crystal Kite Award Finalist (southeast region), 2016 Scholastic WNDB Reading Club selection, and recently nominated for the NC Sir Walter Raleigh Fiction Award. 

Want to add more depth to your stories? Check out The Emotional Wound Thesaurus here. And here's a link to a sample entry. Want all the thesauri at your fingertips? Check out One Stop for Writers. It's my go-to writing resource for checklists, tips, and timelines. It should be yours too!



Do you have a story to share, or some advice for others? You can join Becca and Angela at Writers Helping Writers from October 25-27th, where they are celebrating writers and their stories of perseverance. Stop in, and tell them about a challenge or struggle your faced, or if you like, write a post on your own blog and share it using the hashtag #writerspersevere.  Let’s fill social media with your strength and let other writers know that it’s okay to question and have doubts but we shouldn’t let that stop us. 

GIVEAWAY ALERT!
There’s a prize vault filled with items that can give your writing career a boost at Writers Helping Writers.


The giveaway is only from October 25-27th, so enter asap. And don’t forget to share this using the #writerspersevere hashtag so more prizes will be awarded!

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