CLOAKED IN COURAGE: A NONFICTION PICTURE BOOK REVIEW and 2 MINI-INTERVIEWS

Without a bit of shame, I admit it. I'm a Beth Anderson groupie. Ever since I read Tad Lincoln's Restless Wriggle and Franz's Phantasmagorical Machine and discovered Beth's relentless research to discover the heart of each biography--I want to read and study each book she writes.

REVIEW

Deborah Sampson's Spirit was always a little too large. 

Maybe it was the stories of her Pilgrim ancestors seeking freedom. Maybe it was the Revolutionary times in Massachusetts when colonists protested British rule.

Maybe it was just Deborah.

In under 40 words, Beth delivers insight into Deborah Sampson's character, peeks into her background, and establishes the setting. That is masterful.

After the first page turn, the reader is immediately sucked into action and conflict. At five years old Deborah is "put-out." Without enough money to raise her large family, her mother did the best thing she could do--she "scattered her children them to different homes to earn their keep."

In each chore, hardship, and book, Deborah discovered pieces of herself.

Deborah became a servant of Master Thomas and his household of boys. She listened to dinner conversations and discovered that America was in the middle of great change.

She chose independence over marriage and got a job as a weaver. She listened to stories about battles with the British and women who were arrested for posing as soldiers.

She took the risk and signed up.

Before she could join her first muster, she was found out, and in trouble. She signed up a second time under a different alias and drilled "harder and longer hiding behind excellence."

She took a musket in her leg and bore the pain--only to come down with a fever and rash that swept through the troops. The doctor examining her was shocked when he discovered she was a woman. He "whisked her away to heal in private."

Despite fears of being jailed and shamed, her commanding officer, General Paterson gave her an honorable discharge.

She headed east--her boundless spirit ready to discover more pieces of the person she would become. All she needed was a chance.

BACK MATTER

Six pages of back matter provide wonderful insights into both Deborah as well as Beth's research process. Beth explains how she dove into primary and secondary sources--sometimes having to question what appeared to be legitimate primary sources. "My goal was to tell Deborah's story as close to verifiable truth as possible." I'd say Beth did a terrific job--one that Deborah would be proud to read. 

MINI-INTERVIEW with Beth Anderson

CAROL: From reading your blog, I know that finding the heart of your character's story is very important to you. How did you find Deborah's?

BETH: Deborah Sampson’s story started with a focus on her as a mystery. It was structured sort of between research and narrative. While it seemed an interesting way to tell the story, it didn’t pull a reader in. One of the ideas that shone through early on was family. She was removed from hers, and it wasn’t until she served as a soldier and as General Paterson’s “waiter” that she felt like she was part of a “family.” So this brought her “want” for the story—belonging. A hook, too. The pieces were there, but the story felt dead in the water and sat in the drawer for 6 months. 

When I returned to the manuscript, the driving question for me as I wrote was “What makes us who we are?” While this is something I wonder with every main character, Deborah’s history seemed to offer clear building blocks of her life. That driving question was still too general to be the heart, so I kept digging in as I wrote. I went wider and deeper with research on the setting. 

The heart popped out when I explored her being “put out” or “bound out” when her mother couldn't support all her children after her father deserted the family. That fact was a challenge as an inciting incident. It needed to launch the story, not be maudlin. It was the time of “The World Turned Upside Down,” so I tried to flip it. Could I find a positive in this situation? I looked through a mother’s eyes. It had to be an awful realization. But by putting Deborah out, her mother gave her daughter a chance in life. A chance! 

When I used that lens for other scenes, I saw that was the only chance she was GIVEN. (Don’t we all say - “give me a chance”?) With that, “a chance” was drilled down into something more specific. Throughout her life, Deborah RECOGNIZED and GRABBED chances where no one else might have seen them. THAT was the heart. Chances aren’t always given, you have to recognize them. Instead of bemoaning her sad life, she took charge of it, found strength in challenges, and blazed a trail. That heart grew from my initial driving question but it drilled down to something very specific. And with that heart, the ending fell into place.

For other great interviews with Beth, click on these links.

http://deborahkalbbooks.blogspot.com/2022/12/q-with-beth-anderson.html

https://kathytemean.wordpress.com/2022/11/03/book-giveaway-cloaked-in-courage-uncovering-deborah-sampson-patriot-soldier-by-beth-anderson/

Click here for a comprehensive discussion guide.

MINI-INTERVIEW with Illustrator, Anne Lambelet

CAROL: Can you speak about the research you did to create the illustrations?  I am also curious about your palette and style choice.

ANNE: When I started working on the art for CLOAKED IN COURAGE, although I obviously wanted my own personal style to come through, I also wanted the illustrations to feel authentic to the period and the subject matter. I looked at a lot of 18th-century paintings depicting scenes from the revolutionary war, and I ended up borrowing a lot of my color palette and many of my stylistic choices from those. For example, in The Battle of Bunker Hill by Winthrop Chandler or The Battle of Germantown by Xavier della Gatta (at the Museum of the American Revolution here in Philly!), you can see how the soldiers, buildings, etc. are drawn as if viewed at eye level while the rest of the scene is tilted upward as if viewed from above. You can also see in these paintings the pea soup greens and grey blues that I used in the grass, trees, and sky. 

As for specifics regarding the “costumes” and the “props” in every scene, I had a lot of help from Beth and the historical expert that was brought onto the project. There were so many little details that I never would have even thought to double-check. For example, in the spread where Deborah is serving the general’s dinner, I originally had a plate of fish on the table. The expert caught that and informed me that beef and potatoes would be more accurate fare. I never would have been able to catch mistakes like that on my own so I’m really grateful for how collaborative the vetting process became. I can be totally confident in the end that we’re giving readers an accurate look at Deborah’s life down to every last button and bayonet. 

                                ****

No giveaway this week--I'm keeping Cloaked as a mentor text for the biographies I'm writing. If you are a writer, I encourage you to follow Beth's blog in which other Kidlit authors share how they found the heart of their stories.

Teddy, Let's Go! A Debut Picture Book Review, Author & Illustrator Interviews, and a Giveaway!

 Today, I have the honor and delight to introduce a fellow Matthews, North Carolina writer, Michelle Nott. Michelle is celebrating the publication of her debut picture book, Teddy, Let's Go (Enchanted Lion Books: December 2022). After the review, make sure you read my interviews with Michelle and Nahid Kazemi, the illustrator. It'll make you want to pass this sweet multi-generational book along to your child or grandchild.

REVIEW

I have reviewed hundreds of picture books, but I can't remember any that open with three wordless pages. These pages depict Teddy's "birth." 

Here is one of the spreads:

Following these sewing scenes, the reader meets Teddy's creator. "The wavy-haired woman with love in her eyes pulled me close and whispered in my ear."

Teddy "floats" into his new home and is introduced to his owner. "This...is Teddy," the wavy-haired lady says. 

A nose as small as mine rubbed against my cheek.
We were made for each other.

Teddy goes everywhere with the little girl.  They eat mushy vegetables together and both need a bath. They celebrate their first birthday with cake and party hats. When she begins to talk, Teddy names her.

She soon had a name for everything. "Here's my Rabbit and my Giraffe
and my Teddy and my...my...my."
So I called her by her favorite word: My.

No matter what they did together, Teddy always listened for his name and knew what would come next, Teddy, let's go."

My grows up and...

One summer, I climbed into My's backpack
and we rode a bus to camp.

Teddy was often left behind in the cabin (which he guarded) and tried to figure out what he was supposed to do next. He watched and the screen door sprung open, and laughter blew in. (I had to include that line because I love it!)

Teddy and My return home after camp and Teddy hiked to the top of her dresser. 

Some days I didn't see much of My. 

But when she noticed me alone, she always

 reminded me how strong I was 

and how high and how far I could go.

And when it was time to settle down, I listened.

"Teddy, let's go!"

After their seventh birthday when "Teddy whispered happy dreams in her ear," he felt something different. Days and nights passed. He listened. Then one day, A small voice cried. My went still. I stretched out my arms and legs so My would know I was still there.

My scrubs Teddy and sews some loose stuffing back inside of him. Then she says, "Teddy, let's go!" She closes one door and opens another.

"This," she said ,"is Teddy."

I floated down to our first bed and to a new baby. This was our moment. 

I listened...and whispered happy dreams in his ear. 

                                                    ****

I love so much about this sparsely written and beautifully illustrated picture book. I love how the author brings the story full circle in the same way that Bevan, A Well-Loved Bear did. I love Michelle's lyrical language, her use of repetition, and the threads that connect the grandmother to her granddaughter and then connect My to her baby brother. And as a daughter who learned to sew on my mother's Singer sewing machine and has made her share of stuffed animals and pillows with my own daughters and granddaughters... I love how My sews up Teddy just like her grandma. 

As a special treat, you are going to hear how both Michelle and Nahid drew from their own childhood experiences to write and illustrate Teddy. AND you'll also hear how their vision for the wordless pages was exactly the same without ever consulting with one another. 

AUTHOR INTERVIEW

Carol: What was the inspiration for Teddy, Let's Go!

Michelle: I was inspired to write this story by the teddy bear that my grandmother hand-made for me when I was born. I still have it right here on a shelf in my office. But I was sitting in my children's bedroom, when they were around kindergarten age, with them and Teddy when I started to think about all the adventures this bear has been on through my childhood. I then envisioned different scenarios that he may experience with my own children. Although the book is not autobiographical, it is heavily inspired by childhood imagination, milestones, and intergenerational love. 

Carol: What was your path to publication?

Michelle: As mentioned, the idea for this story occurred when my children were quite young. At first, I wrote it as a bedtime story for them. Once I discovered SCBWI and CBI, I revised and shaped it in hopes of publication. After querying it for  a couple years, I often read that it was lovely but "too quiet." So, I put it away. 

Fast forward to my daughters in high school, I queried Essie White with a middle grade novel who really liked my writing and asked if I also wrote picture books. I sent her three --two that were more commercial and Teddy Let's Go! She signed me for Teddy. A couple years later, she sold the manuscript to Enchanted Lion Books with Nahid Kazemi as the illustrator. I could not have been more thrilled!

In a very early draft, I had paragraphs describing the grandmother sewing and stitching Teddy together. All that description was lovely for an oral story at bedtime, but entirely too much for a book. Nor would it be necessary. I cut it all before submitting it to agents. I didn't even add an illustration note. And then, I saw the PDF of the final art by Nahid. She had brilliantly illustrated in the first wordless spreads just what I had imagined in my head.

ILLUSTRATOR INTERVIEW

Carol: What medium did you use? I love how the images are soft and almost pastel-like. How did you achieve that effect?

Nahid: I use chalk pastels in a way that looks like watercolor. In order to get this effect, I've made them powdery. For the red, I used cotton instead of a brush. When I illustrate, I use stuff like cotton, brushes, tissue paper, and cotton swabs.

Carol:  Out of curiosity, why did you picture the grandmother with a very old Singer sewing machine? The story appears to be a contemporary story except for the hand-turned machine. (Reader: this illustration is not pictured in my review.)

Nahid: Your question about a hand-turned Singer sewing machine is very good. This machine belonged to my mother when I was a kid and we made a lot of creative stuff with it. 

Carol:  I was wondering about the wordless pages in the beginning. Was that something you and the art director came up with?

Nahid: It was my suggestion. I wanted kids to know how Teddy was born. Indeed, I wanted to depict giving birth to Teddy so that it might be a metaphor for giving birth to the baby. This book was a very challenging book. It took a few years to work on the illustrations and I changed most of them a few times in order to get the best result.

                                                    *****

Now you know some of the layers that went into creating this special book.

PREORDER! AUTHOR SIGNING!

As I have mentioned in previous blogs, you help authors when you preorder their books. You can find Teddy, Let's Go at your local bookstore or here and here. 

If you live anywhere near Charlotte, NC, come meet Michelle and purchase a copy of her book at Park Road Books on November 19. 

GIVEAWAY

If you are interested in winning this book (and who wouldn't?) please leave a comment by October 27. This time, if you are a parent or grandparent OR are expecting a baby or grandchild in the near future, I'll put your name in twice. U.S. addresses only. Remember, if you are new to my blog, don't forget to leave your name and email address! 

Congratulations to Emily Weitz, a new subscriber to my blog, who won Bug On the Rug from last week's blog.