Carol: How did you decide to write this in the omniscient point-of-view? Or maybe it’s the narrator’s POV—I’m not sure. All I know is that it works incredibly well. As I struggle to write a book from two POV I wonder about the process you went through in writing this story. How did you determine that you would write it in such a way that you showed the thoughts, motivations, and fears of all the characters? You must have created intricate backstories for each, yet you convey them all in such simple sentences.
Interesting that you mention doing back stories for the characters. I didn't. I worked out a chronology of how old they were and when, since the novel moves back and forth in time, and I may have made some notes about their physical appearances, but I tend to carry the back stories in my head, which is not something I recommend. It would be to my benefit to write down the back stories, but that takes time I'd rather spend working directly on the novel.
For your information, I gave Guardian to a black editor first. She wouldn't even present it to the publishing editorial board because she knew they'd turn it down. What disappointed me was that she wouldn't even fight for it. But, interestingly, the next editor who read it and accepted it was of Asian descent.
For more information about Mr. Lester, see this interview. My review of Incognegro portrays another view of lynching. The art exhibit Without Sanctuary is a chilling exhibition of postcards about lynching in the United States.
Guardian's "Author's Note" includes statistics on lynching (plus an interesting note about the etymology of the word); how that threat lived in Mr. Lester's consciousness as a young boy; how he was impacted by Emmett Till's brutal murder; and the history of how he came to write and publish Guardian (Harper Collins, 2008).
Here is a line from a letter Mr. Lester wrote to George Woods, the children's book editor in the New York Times Book Review in 1970: "White writers are so dishonest. Seldom have they written what they could have and should have, which is the white side of racism. I'd like to see a children's novel about a little white boy who goes with his father to a lynching." (p. 125)
Lester goes on to say, "While the subject matter is a lynching, on a deeper level, this is a novel about identity. Whom and what we identify ourselves with determines our characters, determines who we are, and what we do. Whose opinion matters to you the most? When you know that, when you know whom it is you most care about pleasing, you know who are. We make choices every day that shape the content of our characters." (p. 127)
|Mr. Lester's most recent|
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Besides being a prolific writer, Mr. Lester
is also a photographer and musician.