Showing posts with label To Kill a Mockingbird. Show all posts
Showing posts with label To Kill a Mockingbird. Show all posts

Monday, October 24, 2016

Sure Signs of Crazy: A Review and Autographed Giveaway!

Congratulations to Linda Phillips who won an autographed copy of BE LIGHT LIKE A BIRD on last week's blog.

Several years ago I bought Karen Harrington's book, SURE SIGNS OF CRAZY (Little Brown Books, 2013) at a SCBWI conference. As my bookshelves fill up with newer books, sometimes older ones take a back seat. Deciding it was time to read this debut novel, I sped through it in just a few days. For some fortunate reader of this blog, I bet you will too.

Twelve-year-old Sarah Nelson is haunted by her past. When she was two, her mother tried to drown her and her twin brother, Simon. Sadly, Simon died and her mother was sent to a mental-health facility. Sarah hasn't seen her for the last ten years and hears from her only two times a year. More than anything, Sarah longs to know her mother, to have her mother know her, and to not go crazy like her mother did. 

Recently, I blogged about Jan Cheripko's workshops at Highlights Summer Camp about secondary characters. Since I found the secondary characters in SURE SIGNS OF CRAZY to be so well-developed and adding so much to the plot, I decided to show how they contributed to Sarah's story. 

Early on the reader meets Plant, Sarah's best friend. Plant gets moved from one rental house to another and is the recipient of Sarah's confidences and fears. 
Most days when I water Plant, I have a new trouble word to tell her. All of them are mixed deep in her soil. If secrets were seeds, she could bloom leaves that would make me blush.
And if she did bloom and show the world all my secrets, I just don't know what I'd do. Probably I'd lie and say, "Oh, she was here when we moved in. These are the secrets of another girl." (p.  13)

The book begins with the end of sixth grade. Sarah receives an assignment from her English teacher, Mr. Wister, who is another important secondary character. On the last day of school he hands out composition books with the assignment to write an actual letter or story. When the students complain he answers, "Most people don't know what they truly think until they write it down. Don't you want to know what you truly think?" (p. 39)

Without too much thought, Sarah begins a letter to Atticus Finch, one of her literary heroes.
Dear Atticus Finch,
I am writing to you for a class assignment given to me by the greatest English teacher ever, Mr. G. Wistler. He had the idea that we should choose a character to write to. I can't say for certain, but I think I'm the only one writing to you. That is good for me. Most of my classmates are writing to Harry Potter and Lucy Moon. Maybe you've met them at the library. When I was little, I used to think that when the library closed, all the characters came out of the books. (p. 41)
With that, a "correspondence" between Sarah and Atticus begins in which she pours her heart out to him. Although she tries hard to hide the reality of her mother's actions from the people around her, Atticus (and Plant) are safe. They'll never rat on her and they help her feel less alone. 

Lisa is her best friend ("But when you hardly have any friends, best is relative." p.45) who really doesn't serve as much purpose as Atticus or Plant do--except that Sarah hides the truth of her family from her. Lisa is also the girl who is what Sarah wants to be-- a "normal" about-to-be-seventh-grader that has pierced ears and wants her first French kiss. 

Charlotte is the college-aged babysitter who Sarah stays with while her father is at work. She is like a big sister to Sarah, helping her out when Sarah gets her period for the first time and teaching her about make up. But Sarah is more sensible than her babysitter. When Charlotte can't seem to break up with her loser boyfriend, Sarah tries to convince her that she'd be better off without him.  

Because Sarah spends her summer days at Charlotte's house, she meets Charlotte's younger brother Finn. Despite a big age difference, the two connect over their love for words. One day they're killing time watching The Price is Right when an announcer breaks into the show. 
"This is only the second time in Texas's history the charge has been brought forth, the first time being the case of Thomas Nelson following the trial of his wife, Jane Nelson." And there she is, entering my life announced and unwanted. (p. 157)
Finn handles the news with aplomb and later says to her,
"Anyway, we all have big secrets," he says. 
"Really? What's yours?" I ask. "Do you have a tattoo somewhere?" 
He leans into the door frame, studies his shoes."My dad killed himself when I was eleven." 
Then time waits for him to speak again. That's how big the secret is. It has to come out slow. "Apparently, I look just like him, which is a real problem for my mother," he says. "She still has a big reminder of him, you know, whether she wants it or not. So when he died, I sort of lost both my parents, you know. I was mad at both of them, but that doesn't help. I think that's how it might be with your dad." 
I swallow hard. This is the kind of information you want to run and be alone with, dissect it and break it down to be sure you heard it right. 
"It sucks," is all I can say. 
"I agree with your choice of verbs," he says. 
"At least your secret cannot be announced during The Price is Right.  (p. 190)
Sarah's alcoholic professor father, Thomas Nelson, is a very important secondary character. Although Sarah hates his drinking and even at one point pours out his Jim Beam, he is all the parent she has. Her growth is almost in spite of him. At the end of the book after Sarah sees him passed out on the sofa at his parent's house Sarah announces: 
"I'm going to go see her so I can talk. Just to her. I have things I need to day." 
"Couldn't we talk---" 
"No," I cut him off. 
"Maybe a counselor..." 
"No," I tell him again. I want to cry, but the brave girl won't let me. "You are evading. Atticus says a child can spot an evasion quicker than grown-ups. You are supposed to answer my questions." (p. 253)
Sarah tosses To Kill a Mockingbird at her father, tells him to read it and suggests he might learn something from it. 

Easily the most important secondary character is Sarah's mother, Jane Nelson.  The reader mostly meets her in Sarah's thoughts about her, but despite her father's protests, Sarah decides to visit her at the hospital. On the bus trip to the hospital, Sarah writes a moving letter to her mother, pouring out all of her hopes for the relationship they never had. Sadly, Sarah never gets to say what she longs to tell her.  

But her letter writing to Atticus has changed her. Before visiting the hospital they stop by Simon's grave. Afterwards her fathers asks Sarah:
"What did you put on Simon's grave?"
"A page." 
"From the book?" 
"The part where Atticus describes courage. What it means to have it." 
Dad tells me I'm the most courageous person he's ever met. It goes straight to that secret place inside of me where I keep my favorite words. (p. 272)

To win my autographed copy of SURE SIGNS OF CRAZY, please leave me a comment by October 27th. If you decide to follow my blog or post this on social media, I'll enter your name twice. Just let me know what you decide to do and PLEASE leave your email address if you are new to my blog!




Tuesday, November 16, 2010

Mockingbird

If you want to teach your child or student what the word "empathy" means, then read Mockingbird together. The author, Kathryn Erskine, takes you inside the heart, mind and body of 10-year-old Caitlin who has Asperger's syndrome. The recent recipient of the 2010 National Book Award for Young People's Literature, this book well-deserves the award.

Caitlin's brother Devon was just shot and killed in a random shooting at his middle school. Caitlin and her father are left with a huge weight of grief as well as Devon's incompleted Eagle Scout project, a wooden chest draped in a gray sheet that sits in the middle of their living room. In Caitlin's words it looks like a "...bird that is trying to fly but never getting anywhere. Just floating and falling. Floating and falling." (p. 2) A description that applies equally to Caitlin and her father.

In the world of Asperger's, the reader discovers how difficult it is for Devon to not only make sense of her overwhelming grief, but also how to function in school and relate to other 5th-graders. When her counselor suggests she learn social skills by befriending a younger student, Caitlin is drawn to a first-grader who she figures out is sad. This is Caitlin's first step towards healing and empathy as she befriends Michael whose mother died in the same tragedy.

There are so many wonderful parts of this book that I find it difficult to share just one selection. But since I appreciate how Erskine skillfully used one of my favorite books, To Kill a Mockingbird, in this book; here is a section where Caitlin is remembering watching the movie with Devon, who nicknamed her "Scout."

The first time we watched To Kill a Mockingbird I waited through the whole movie for the dad to shoot a mockingbird. He'd already shot a dog. And he was a good shot. No one shot a bird for the whole entire movie. At the end I said it was the stupidest name ever for a movie. Devon said I didn't know what I was talking about. This year he reads it in English and he said the title makes perfect sense and this is what it means:

It's wrong to shoot someone who is innocent and was never going to hurt you in the first place.

I still don't Get It and said, But you told me the dog was sick and he WAS going to hurt them.

And Devon said, "It's not about the dog! It's about people! You shouldn't hurt innocent people Scout. That's what it means.

I guess the evil school shooters didn't listen in English class because they did not Get the meaning of that book at all. (p. 80)

Typically children read books in which the protagonist is older than themselves. That would put this book in the hands of young elementary students and in Caitlin's own words, I'm not sure they'd "Get it." But like The Boy in the Striped Pajamas that also has a young protagonist, perhaps this book will be read at many age levels--from children through adult--and that each reader will take away something different from the book.

As long as part of what each reader takes away is empathy--then I'm good with that.

THE NIGHT WAR: A MG Historical Novel Review

  By now you should have received an email from my new website about my review of THE NIGHT WAR by Kimberly Brubaker Bradley. (It'll com...