Showing posts with label writing and revising. Show all posts
Showing posts with label writing and revising. Show all posts

Tuesday, February 18, 2014

The Other Half of My Heart: An Interview and a Giveaway!

In my last blog I reviewed Sundee Frazier's contemporary novel, The Other Half of My Heart. Now Sundee shares the story behind the story, and a chance to win a personally autographed copy.

Carol: I'm curious as to why you chose to write your book from Minni's point of view.

Sundee. I know this point of view best. As a biracial African-American with light skin, I have often been labeled “white” like Minni. I “get” what it feels like to blend in with and be accepted by whites, and yet have this deep, abiding sense of being psychically and emotionally connected with black people. Over the years I learned, like Minni, that I could align myself with my darker sisters, use my voice to speak the truth, and have a beautiful heart, no matter what my color. Telling the story from Minni’s point of view required less effort, in that it’s substantially my point of view, but also required more transparency and emotional vulnerability.

Carol: Did you consider telling the story from both girls POVs?

Sundee: Not while I was writing it. After the fact, I received feedback that some readers would have liked to hear Keira’s perspective.

Carol: I think you did an excellent job of showing your readers what Keira thought and felt through her words and actions. How did your own growing up years influence writing this book? Did any of your experiences make it into the book?

Sundee: I’m glad you asked this, because while Minni and I have similar racial experiences, Keira is certainly a part of me, too! I enjoyed performing as a kid, like Keira (although I can also be shy and performance-averse like Minni), and experienced my share of “achievement programs” as a teen. (See my website for pictures of me wearing ridiculous pageant gowns and outfits—or maybe don’t!) In terms of racism, as a young person I was only a direct target of racist comments a few times. I’ve never been followed in a store or asked not to handle goods, as Keira. I know that in our society’s messed-up paradigm of race, I’ve been afforded a certain protection by the lightness of my skin. But I also know that being African-American has sensitized me to racism and that’s why I write about it: because I know it’s real.

One of the experiences that informed her book was Sundee's
experiences in scholarship pageants.
Here she is as Miss Washington's Junior Miss First Runner-Up in 1985.

My black grandmother’s experience directly influenced Grandmother Johnson’s character, particularly the pain Grandmother Johnson carries related to skin color. My grandmother was essentially raised by her grandmother. (Her mother was a domestic worker who traveled with the white families she served.) This woman (my great-great-grandmother) was the daughter of a slave and a master, and had very light skin. My grandma told me about visiting the South with her grandmother, and how shocked she was when they had to go to the back of the bus. (In the Northwest, where she was born and raised, there wasn’t legal Jim Crow, although there was still plenty of prejudice and socially enforced segregation.) This anecdote inspired the story that Grandmother Johnson tells about her white-looking grandma taking her on a bus. I never experienced my grandmother as someone with internalized racism—to me, she was extremely proud of her ethnicity, and passed that along to me.

Carol: Can you share some of the backstory about writing this book, getting an agent, and getting a publisher?

Sundee: I am fortunate to be represented by the inimitable Regina Brooks of Serendipity Literary Agency. My final advisor in the Vermont College of Fine Arts MFA program, Carolyn Coman, introduced me to Regina after I graduated and she has been a force on my behalf. When Regina sold my first novel, Brendan Buckley’s Universe and Everything in It, which also happened to be my MFA creative thesis, to Delacorte Press (Random House), she garnered a two-book contract, although I didn’t yet have a second book written! When it was time for the second book, I pitched an idea that I’d hatched and drafted during NaNoWriMo. My editor rejected that manuscript, but then told me about a news item she’d seen out of the UK about twins who’d been born to a multiracial couple: One looked black and the other white. She pondered aloud, “I wonder what their lives will be like when they’re 12.” Then she asked, “Do you think you could write a story about that?” Eager to please, I responded with, “Uh . . . sure!”

I always believed I was uniquely poised to write such a story, but I have to say, it was an extremely challenging process getting from beginning to end. I had the pressure of a contract for a book I hadn’t written, and subject matter that I cared about passionately and wanted to get just right.


Sundee's parents married one year after the Supreme Court
outlawed the remaining laws against inter-racial marriages.

I had over 600 pages of draft writing, just trying to find my way to the characters and the plotline. For the longest time Minni’s name was actually Serenity and her family lived in Seattle; Grandmother Johnson lived in Atlanta; there was a garbage collector named Lester, a friend they made in Atlanta with synesthesia, and a little fatherless boy named Marcus (none of whom appear in the final novel). The parents were on the verge of getting a divorce and the twins were always at each others’ throats! The breakthrough for me came when my agent asked whether I wanted to write a story about “sisters against each other” or “sisters against the world.” And that’s when I knew: the girls would be indefatigable and their common enemy would be Grandmother Johnson. It still took many drafts to get to the finished product, but that was the crystallizing moment for me.


Carol: It’s great hearing how your book evolved, Sundee. That gives me hope for my own WIP! It’s also interesting to discover how much your own life experience informed your writing; you were definitely in a unique position to write it.
*********
Sundee is giving away a personally autographed copy of her book to one fortunate reader! Here is how you can win it:

1. Leave me a comment with your email address, if I don't have it. For every time you share this post on a social media site, I'll enter your name an additional time. Make sure you tell me what you did!
2. If you are a new follower to this blog, I'll enter your name another time.
3. Winner will be drawn on Friday, February 21--so enter soon!

Wednesday, July 10, 2013

So, What's Next?

Last week I completed the second major draft of Half-Truths and sent it off to my writing coach, Rebecca Petruck

Ta dah!

I didn't quite realize the significance of this accomplishment (that has taken almost two years) until my writing friends congratulated me and I read several posts on the YA Muse blog about how momentous it is to press "Send." 

But I felt empty. What was next?

Rebecca recommended taking a break from the novel while she read it. One month from now I expect to receive her comments and "big edits." Things like "this scene doesn't move the story along" or "you need to add depth to Kate's personality" or "I think you should try writing this in first person point of view" You know, little things like that. 

My draft is full of questions. For example, in this scene Kate is worried about who she will meet in downtown Charlotte when she's shopping with Lillie: 


Kate breathed in deep to calm herself down. Her imagination was getting the best of her. Probably the worst that could happen would be seeing someone from the luncheon or school.  How bad could that be ? [need different language?]

Who was the worst person she could run into? Hands down, it would be Shirley Wright. She imagined Shirley sashaying down the aisle toward them. First she would see Kate, then her eyes would shift to Lillian. Shirley’s eyebrows would go up in shock—she wouldn’t have time to try and conceal her surprise.  [is this too long?]

Kate would be as dead as a rabbit caught in one of Uncle Milton’s metal traps. She swallowed hard. What would she do? What would she say? [good simile?]

I'm hoping that Rebecca will answer some of these questions...but that might happen in the next round of edits and revisions. Because  as I teach in my writing workshops, writing and revising happens in a cycle, over and over again. 

Until it's the final time to hit the send button. 
Which probably won't happen for another 6-12 months.

So, what is a writer to do while she waits for feedback?

Plenty. I've been...
  • Working on a teen writing workshop at the Matthews Library on Friday, July 12. Writers in grades 6-9 will learn how to write science fiction and fantasy stories. There's still room and you can register your child here
  • Developing my fall Writing Fiction Workshop at the Levine Campus of CPCC. This is the first time I'll teach intermediate writers and I'm looking forward to helping students delve deeper into characterization, plot, and scenes. 
  • Preparing the SCBWI-Carolinas blog. If you write or illustrate for children and live in North Carolina or South Carolina, our fall conference is the place to be. 
  • Preparing next week's guest blog from my fellow writing judge, Kim Van Sickler. She'll be sharing her positive experiences entering writing contests. 
  • Reading The House at the End of the Road. For those of you who enjoyed the series on Dear Senator: A Memoir by the Daughter of Strom Thurmond, I think you'll enjoy another series about a multi-racial family in the Jim Crow era in Alabama. 
  • Finishing the July issue of Talking Story. As always, Joyce Hostetter and I will have several books to give away, so if you don't subscribe yet, you can do so by pressing the "Subscribe" button here. New subscribers automatically are entered in our giveaway contest. 
  • And last, but certainly not least, my oldest daughter is getting married in three weeks. 
I guess that's enough to keep me occupied while I wait for feedback on my manuscript. Don't you think?




THE NIGHT WAR: A MG Historical Novel Review

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