Monday, January 15, 2018

You Heard it Here First: Jean Hall's Dream Comes True!

Congratulations to Connie Saunders who won The Pursuit of Italy from last week's blog. She definitely is my all time highest winner! 

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This week I am happy to share publishing news from a dear and long-time friend, Jean Hall. Take it away Jean!

Jean and I at a writing retreat.
April, 2011

AGENT QUESTIONS

CAROL: How did you meet your agent, Cyle Young? Was he one of many agents you subbed to? 


JEAN: Six or eight years ago I tried sending proposals to several agents for my picture books. I received no responses and I was crushed. It’s a difficult truth to learn about the publishing business that agents and editors are too busy to respond to every proposal or submission. They receive hundreds, thousands of submissions and most of the time only respond to the best of the best and to those which fit into their philosophies, mission statements and current needs.

After that I continued to write and pray about my writing but didn’t have peace from the Lord to seek representation from any agency. Then, in 2016 I was introduced to Cyle by another author who is also his client. I eventually met Cyle face-to-face at another writer’s conference.

What you’ve heard is true. The best ways to make contact with agents and editors is either at writer’s conferences, or through personal introduction.

I emailed Cyle and asked if I could send him a sample manuscript. He agreed. Afterwards we arranged a phone call during which he explained how their representation works, then we agreed to pray about the decision. Later we agreed it was the Lord’s will to work together. I signed with him in June, 2016.

CAROL: Why do you think he signed you on?

JEAN: I think he decided my writing had reached a marketable level and because I was ready to make a commitment to work hard to get my stories published and to do a lot of work toward marketing them myself. He also believed it was God’s will.

And from Cyle's point of view: "Jean is an amazing writer with a great voice. I am honored to represent her." 

CAROLWas this the project you originally subbed to him, or were there others? 

JEAN: The first book of this set (of four) was the first thing I sent him. Cyle suggested that I make that book part of a series, so I redid the proposal for a set of four and worked on the second book. He's an extremely involved and innovative agent. He pushes me to stretch myself and try new things.

CAROL: How long did it take before you received an offer?

JEAN: One year later, Cyle and Little Lambs Books started discussing the contract. I actually signed with them in September, 2017.

BOOK QUESTIONS


CAROL:  What process did you go through in writing these four books? How long did you work on them? 

JEAN: I enjoy the changing seasons, especially fall. About ten years ago I was working on a lot of poetry. I was trying to improve my skill with using poetic devices. One such poem was about fall. On the twentieth or so revision I saw it could become a picture book. I polished it and sent it to a contest with ICL (I think). I got positive feedback from the person who critiqued it. But she insisted to be a story it needed a main character. So, after weeks of struggle I developed a boy six or seven years old to walk through the story scenes.

That isn’t the best way to do it, however. It’s a bit backwards. Most of my story ideas start with a strong main character.

CAROL: What was the inspiration behind the Four Seasons stories? 

JEAN: My inspiration was the beauty of every season of the year. The pastels of spring, the vibrant colors and sights of summer, the rapidly changing palate of fall, and the stark contrasts of winter are all beautiful to me. I wanted to share that beauty and the One who created it all with children and the adults who read to them. I wanted to show the love of God to children through the everyday scenes and events of their lives.

CAROL: What input did you receive from critique buddies? 

JEAN: Nothing I write would be worth publishing without my critique partners. I’ve learn to trust their various skills and areas of expertise. I have about twelve children’s writers whose suggestions and questions I trust. I weigh what they say, try the things that might work, and use those that make the stories better for my audience—children in preschool, kindergarten and first or second grade.

I tip my hat here to the amazing writing friends God has brought into my life the past fifteen years. They encourage me, teach me, reel me in, make me think in new ways and consider new possibilities. Here’s an example.

The editor at Little Lamb Books who liked my first two manuscripts in the Four Seasons series sent Cyle a message to ask me how soon I could finish all four. I asked, “When do you want them?” She replied, “By this weekend.” That was on a Tuesday. I prayed a 911 prayer, took a big breath and said I would give it my best. They had been floating around in my head for months, but I had nothing on paper or screen.

I immediately emailed the writing friends who have helped me for years, and a few that I had recently connected with. I explained my situation and asked for their prayers. All replied that would be praying! I also asked if anyone could be “on call” to respond to emails from me for critique and input. Six or seven replied that they could.

And they did. I sat at my computer for ten hours a day Wednesday through Saturday. With every change I’d send an email to these terrific friends. And they responded. Without them I could never have completed those manuscripts at all, much less in a few days.

Late Saturday night the manuscripts reached a point where I felt they were the best WE could make them at that time. So, I hit SEND. The editor liked all four stories.

Of course there will be edits. Some major. Some minute. I’m confident that just as God used my team of fellow writers, just as He used my agent, He will use the staff of my publishing house to make these four books the best they can be so they will bless children and their parents and caregivers.


I’m grateful and humbled by this opportunity.


Jean celebrating her publishing deal--
twelve years after learning to write for publication.
Look for the Four Seasons series in 2019. I'll plan to review at least one book and give it away on my blog. Meanwhile, Jean is continuing to revise the books and is working on a book about deserts and a picture book about a child inventor. 

Monday, January 8, 2018

The Pursuit of Italy: A History of a Land, Its Regions, and Their Peoples- An Audio Book Review and Giveaway. Part II


Please see last week’s blog for the first part of my review of the audio CD of The Pursuit of Italy: A History of a Land, its Regions, and the People. What follows is only a sampling of what Gilmour covers in this comprehensive history of a country he obviously loves. You have to read (or listen) to the book to glean all that I’ve left out.



The glorious revolution of 1848 marked a new beginning for Italy. General Giuseppe Garibaldi, a self-declared freedom fighter who is considered to be Italy’s George Washington, was one of Italy’s “father of the fatherland.” Along with Camillo Benso, Count of Cavour, Victor Emmanuel II and Giuseppe Mazzini, this generation of giants carried out the unification of the eleven states, kingdoms, and duchies. Although the revolution was lost and Italy continued to be divided with Austria dominating the north, the stage was set to build a nation. Under Garibaldi and Mazzini, attempts were made to improve the lives of the poor, provide secular education, and give freedom to the press. Interestingly, Garibaldi declined the invitation to fight for the Union when he realized he wouldn’t be made commander-in-chief and thus could not abolish slavery. 

Italian nationalism was not easily won and actually came about after the state was formed. In 1899 Giustino Fortunato declared that unification was “A sin against history and geography” because it ruined the south. “We are too long a country! The head and the tail will never touch each other. If made to do so, it would mean the head biting the tail.”

Verdi became a symbol of Italian aspirations. Although he was acclaimed as the great unifier, this was only a mystic fusion of his music with longed for unity of the nation. In fact, this was political revisionism: Verdi was not the great hoped-for unifier.

Gilmour is convinced that liberals, Catholics, and socialists underestimated fascist Mussolini. As prime minister, he ruled the country from 1922-1943 and didn’t need a revolution or coup to gain power. He took it constitutionally. No one seemed to take notice when he started taking over positions and squads began beating and killing political opponents. Fascism was like a religion which became equated with Mussolini. It was a technique to acquire power, and along the way, promote virility and maternity. Having just learned the word pastiche, I was interested in Gilmour’s description of Mussolini’s architecture as a pastiche of classism and fascism. 

No history of Italy is complete without the inclusion of the Mafioso. Begun in the mid-1800’s as a secret society in Sicily- an island that wanted autonomy for centuries--no one wanted to admit that the Mafia existed. Under Mussolini, he declared that the Mafiosi was destroyed. As a result, the press couldn’t report their rampant murders and robberies. Mussolini didn’t realize that the Mafia was a way of life, not just a sinister organization that could be extinguished through oppression.

During the latter part of the 20th century, the Mafioso grew stronger as their tentacles reached further into the government. Laws to criminalize the Mafioso were difficult to enforce. The Cammora rivaled the Mafia in its scale of violence. Between the two of them they were murdering on average over 500 people a year—lawmakers, journalists, and anyone who got in their way. “The Italian state had helped make its citizens prosperous, but it failed to provide security or to protect its officials. Politics, prosperity, and corruption seemed to mix very easily.”

Industrialization in the second part of the 20th century made Italy as prosperous as in the Middle Ages, exporting furniture, clothing, glass and ceramics. But it left scars of deforestation, cementing over olive and citrus groves, and damaging the landscape of the country which the author quite obviously deplored.

Silvio Berlusconi, who served as prime minister from 2008-2011, was a self-created politician. He did not help the economy as he promised, ignored Parliament, used his own television stations as his pulpit, and surrounded himself with a gaggle of young women. The Italian people forgave his sexual indiscretions because, after all, he was Italian. He advised women to marry someone as rich and seductive like him. He advised Italian men they could be like him if they tried. He routinely laughed off criticism and blamed everything that went wrong on the communists. He bowed to Rome although he was neither chaste or observant. Uneducated about Italian history or philosophy, he denied Mussolini’s terrorism. It was no surprise that the Mafia’s resurgence in the early 21st century coincided with Berlusconi’s ascendency as it became more invisible, but more invasive.

Gilmour often questions if Italy is truly a nation. As recently as 1994 the two main political parties- Communist and Christian Democracy--dissolved and in 1996 there was a short-lived attempt by northern Italy to secede. In recent years Spain’s GDP surpassed Italy. In 2010, China rivaled Italy in the production of spectacles, glass, shoes and clothing. Lethargy often predominates a country where, in 2008, only 16% of Italians trusted their politicians. In 2011, the 150st celebration of unification, the division between the poorer south and the rich north was still present. 

Despite bureaucracy and corruption, Gilmour admits that there is a distinct vibrancy to Italy. His last chapter, “Resilient Italy” discusses the ever-present importance of the family and the provincialism of small towns where Italians still enjoy their local piazzas and churches. 


Gilmour concludes that Italians have created some of the world’s greatest art, architecture, music, and one of its finest cuisines, but it has never been as good as the sum of all its parts.

The narrator, Napoleon Ryan, has an authentic British accent which fits the book, since David Gilmour was British and lived in Italy for many years. Ryan pronounced the Italian names perfectly which added authenticity to this audio book. Click here for an audio clip of the book.

Leave me a comment by January 12th (with your email address if you are new to my blog) to enter the giveaway. 

Tuesday, January 2, 2018

The Pursuit of Italy: A History of a Land, Its Regions, and Their Peoples- An Audio Book Review and Giveaway. Part I

Thanks to so many of you who visited last week's blog on Joyce Hostetter's cover reveal of DRIVE. The post had  1067 opens--which makes it the third most viewed post on my blog!

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If you are a secret Italophile or dream of touring Venice, Florence, and Pompeii like I do, then this book is for you. Although the talented author, Sir David Gilmour, says that this is not an academic work and is suitable for tourists and amateur historians, the depth and breath of this work is stellar. Almost 20 hours of audio (480 pages) provide the listener with everything you ever wanted to know about "the peninsula." As mentioned before when I review audio books, most of this material is paraphrased.


Audio book provided by Tantor Media

The author opens with the geography of the peninsula providing insight into the role the mountain ranges and rivers (which are less navigable then France or England) to the country’s agriculture and economy. 

From there he delves into mythology as well as ancient Italy including Cicero, Anthony, and other political leaders in the years before Christ. Immigration from other countries brought a variety of peoples to the peninsula including Greeks and Celts.

The Roman Empire was brutal in conquest but granted privileges of Roman citizenship, protection, tax advantages, and the right to stand for office. Around 91 BC the army was the chief agent of the process of Romanization of Italia with the hopes of creating a peaceful, united country. In fact, Italy was a land of city states, not a federation with a national ethnic identity. Empire building was the priority resulting in slavery, corruption, crucifixions, and commonplace murders.

The barbarian and Byzantine period which stretched from 330-1453, was colored by the presence of foreign rule, the memory of the pagan past, and the overwhelming force of the Catholic tradition. This era was marked by wars over territories, vying emperors, the territorial dominion of popes, and struggles for power and control between popes and emperors. Secular rulers who disobeyed the pope were commonly excommunicated. One example was Emperor Henry 4th who dismissed Pope Gregory and called him a false monk. In retaliation, the pope excommunicated the emperor and encouraged subjects to rebel. Although Gilmore didn’t spend much space on origins of papacy, he did comment that the papacy “didn’t care about religion until the reformation.” 

In Gilmour's opinion, Italy's system of city states was predestined to fall. Although the town centers were well preserved, small towns that were close together led to suspicion, anxiety about spies, and large predatory neighborhoods. Fears led to alliances and endless progression of little wars and "endemic factionalism." 

Conflicts with the Hapsburg Empire during the Middle Ages was a history of wars, conquests, divided republics and states. Italy tried to be a great nation and made alliances with France, Prussia, and Austria in attempts to be great.  

At the end of the 18th century, Napoleon led several campaigns to conquer Italy. Although Napoleon successfully carried off many works of art, he was  unsuccessful in conquering the country. Instead, Italy became more unified because the people were disillusioned with his unmet promises. 

Gilmour discusses the origins of words and organizations. The word ghetto was used in Venice to put Jews and other races in separate parts of the city for their protection. Jew wore particular clothing, but were bankers and doctors in a city known to be tolerant of various ethnicities. Caesar led to the Russian word Czar. The International Red Cross was founded because Henry Dunant’s reaction to a bloody battle in Solferino, Italy in 1859.

Gilmore incorporates Italy’s long history of love for written, visual, and musical arts. Virgil’s poetry had impact on Dante and Milton. In fact, Virgil’s description of the Italian countryside has had an enduring visual impact. Over time, art was often a window into politics. 1848, Italian operatic tradition gained a reputation no one would have predicted. The re-emergence of Italian opera was accomplished almost single handedly by Rossini.  


It is difficult to review a book of this length all in one post. Leave a comment this week as well as next when I post Part II and I'll enter your name twice. I'll pick a winner on January 12th.