TRUCKER KID: A Picture Book Review, Author Interview, and Giveaway!

TRUCKER KID  (Capstone, June 2023)

 From Amazon:

"Although Athena misses her truck-driving daddy when he's on the road, she thinks he has the most amazing job in the world. She loves showing off her love of all things trucking. But her classmates don't quite get her or why she calls herself Trucker Kid. Can Athena change their minds and show the other students that it's cool to be Trucker Kid?"

Written by Carol Gordon Ekster with lively illustrations by Russ Cox, this book teaches kids about the life of a trucker's family and is full of trucking similes and metaphors that both kids and adults will enjoy. 

REVIEW

Athena's got a problem. Her truck-driving dad is leaving for a week and she'll miss him!

"When she heads inside, she deflates like a flat tire."

She stays busy playing with her trucks, drawing trucks, and reading about trucks.

But at school, no one seems to understand her fascination with trucks. 

Her answer is simple:

After Athena tells her friends how she holds the mic for the CB radio and sleeps in the truck's cab, they decide they want to be trucker kids too.

Athena's dad is happy to bring his truck to the school and let everyone explore it.

The story ends perfectly on the playground with a "traffic jam of drivers" joining Athena.

AUTHOR INTERVIEW

Carol B.: Can you tell us about your path to publication?

Carol E.: In March 2013 I visited my daughter in Taos, NM and we dined at our favorite restaurant. I couldn't help but overhear a family's conversation at a nearby table. Three-year-old Athena was discussing a trucking trip she took with her daddy. My writing brain ignited, and I immediately had my title, Trucker Girl. I told the family that I was a children's author, and how their discussion inspired a title, and I asked for their contact information.

 I came home and took out library books on trucks and trucking. I knew nothing! About one month later I started e-mailing the dad to ask some questions. A month after that I brought the manuscript to a critique group.

 

There have been so many critique buddies weighing too many revisions to count. It gathered close to one hundred rejections!  But then during COVID, I pulled it out again. I had seen how trucks and their drivers were during this difficult time. I added in back matter to show how we rely on trucks and tightened the manuscript. It ended up being one of three manuscripts that helped me secure my first agent.

That agent sent it out on a small round of submissions. Capstone editor, Chris Harbo, acquired it. He was a dream editor and included me in all aspects of the process. Capstone requested a title change from Trucker Girl to Trucker Kid, and of course, I said yes! Almost ten years after that night at the restaurant, I held the book in my hand. 

I love the mysteriousness of this writing life. What if we had not gone to that restaurant at that time or sat next to that family? Trucker Kid was meant to be! My illustrator, Russ Cox, has a son who happens to be a trucker!

CLASSROOM RESOURCE

Carol has a ton of activities on her website for your K-first grade classroom. Teachers could talk about the figurative language used throughout the story and ask students to create their own. In addition, students could look at trucking routes across the United States.

GIVEAWAY

Capstone is providing two copies for two different blog followers. Make sure if you are a librarian or educator to let me know in the comments; your name goes in twice. Please leave your email address if you are new to my blog. If you choose to follow my blog you'll also get an additional chance. U.S. addresses only. The giveaway ends February 21. 

Congratulations to Kathy O'Neill who won Rosie Woods in the Little Red Writing Hood. 

Q & A with the Author & the Illustrator of THE MEMORY QUILT + A Teen Review + A Giveaway

To follow up on Georgie Bartlett's review of THE MEMORY QUILT, (Monarch Educational Services, 2024) here are author and illustrator interviews, a teen review, PLUS more!

INTERVIEW WITH AUTHOR LORI KEATING

CAROL: What were your hopes for this The Memory Quilt?

LORI:  I see The Memory Quilt as a catalyst that sparks deep conversations about death with children. My hope is that it will engulf them in a world where vivid colors interweave, where soft whispers and tearful laughter coexist harmoniously. Along this journey, they will experience the bittersweet fragrance of memories lingering in the air and feel the comforting warmth and hope that can emerge from the depths of grief.

CAROL: What was your inspiration for writing The Memory Quilt?

LORI: During a dinner with friends, we heard about their son's passing and how his brother repurposed his clothes as memory quilts for the family, which he gave as Christmas presents. This touching story stayed with me for years until I finally wrote The Memory Quilt. 

CAROL: Did you know of a young child who died?

LORI: Sadly, I have known multiple children who have passed away at very young ages.

CAROL: Why did you not mention why Jason died?

LORI: To connect with individuals who have experienced the loss of a child, I deliberately omitted Jason's cause of death. Regardless of the circumstances, grief is a universal experience that we must all navigate.

CAROL: Are the children based on anyone you know?

LORI: Grace and Jason are inspired by children who have gone through a difficult experience of loss. However, the two characters are not based on any specific individuals.

CAROL: Can you tell us about your publishing journey? How long did you work on it and how did you find Monarch?

LORI: It took several revisions and ample feedback from critique partners before The Memory Quilt was ready for submission. It wasn't my first attempt at breaking into the publishing industry. It all began with my debut novel, Butterfly Ink, which is scheduled for release in June 2024. Despite facing initial rejections from various agents, I finally discovered Monarch Press through a fellow critique partner who had recently signed with them. After submitting my manuscript, Jen Lowry, the publisher requested a full manuscript and then offered me a publication deal. Two months later, I found out that Jen was starting a new imprint, Caterpillar Books, which specializes in picture and chapter books. After I submitted several stories, Jen ultimately selected The Memory Quilt.

Becoming the first Caterpillar author is an exceptional honor, and the journey of collaborating alongside Jen has been an incredible privilege.

CAROL: What was your experience working with the Alyssa?

LORI: Alyssa is a skilled digital artist and a joy to work with. She even conceived the cover idea that portrays Grace reminiscing about her moments with Jason, clutching the quilt. Her stunning illustrations brought the story to life.

CAROL: How did your Christian faith influence this story?

LORI: My faith plays a significant role in shaping the stories I create. All my stories are designed to meet the needs of children, whether it's to help them deal with grief, provide a moment of levity, impart new knowledge, or allow them to see themselves in a story that relates specifically to their unique experiences.

                                    🦋🦋🦋🦋🦋

INTERVIEW WITH ILLUSTRATOR ALYSSA GRIZENKO

CAROL: Can you describe the process of creating the illustrations?

ALYSSA: I created the illustrations from both the written words of the story and from some notes that Lori had written about how she imagined the scene. Then I worked up the rough drafts and began the process of completing full illustrations for each page. Sometimes I would have a different idea for a scene than what was written in Lori's illustration notes, so I would run the idea by Lori to see which direction the illustration should go.

CAROL: Was the subject matter personal to you or difficult in any way?

ALYSSA: I loved the concept of a memory quilt to celebrate and remember the life of a loved one. My grandma was a quilter and I found myself thinking of her as I worked on the illustrations.

CAROL: As you worked on the illustrations, what were your hopes for the children who will read this book?

ALYSSA: My hope is that children experiencing loss would recognize that they are not alone in their grief. One of my favorite parts of Lori's story is that Grace's mom actively helps her daughter to process these painful emotions.

A TEEN REVIEW

The Memory Quilt is a story about loss.

We live in an age where loss, hurt, war, and general inhumanity are prevalent and on the rise. Because of this, wouldn’t it be wise to acquaint children - the next generation - with these weighty topics? We want them to be prepared.

Lori Keating’s book puts forth the topics of death and loss gently in the character Grace, who makes a quilt out of her deceased friend Jason’s old clothes. She makes the quilt as a gift for his grieving parents.

As Grace makes the quilt, she’s forced to remember the times she had with him, which makes her sad, but she learns to look to the future with hope and joy (giving the gift to his parents).

Overall, the illustrations fit nicely with the book. They are clear and easy to understand and support the story. Thank you, Lori Keating for this book! -Janelle Ekpo

THE TRAILER 

THE GIVEAWAY

If you are interested in winning this book, please leave a comment by December 18 along with your email address if you are new to my blog. If you share this on social media or sign up for my blog, I'll give you an extra chance to win. U.S. addresses only.

Congratulations to Gail Hurlburt who won The Double Crossing from my last giveaway. 

YOU HEARD IT HERE FIRST- HALF-TRUTHS HAS A HOME!

It's been a long time since I've published a "You Heard It Here First" blog post. 

It's been an even longer time since I first began writing Half-Truths. 

My first blog was in 2007 when I wrote about attending a SCBWI-Carolinas conference and finding my character's voice. Since then, I've written over 100 blog posts about this writing journey. The list includes the books I've read, 

a few of the over 100 people I interviewed, the workshops I took, and some of my major revisions. I applied for several SCBWI WIP grants and queried agents and publishers. Although I never won a contest or received a bite (although a few rejections were encouraging and personal), my vision for my book became clearer. 

One of my special interviewees, Price Davis.
He is standing in front of his childhood home in Cherry, NC.

Ask me how many drafts I've completed and I can't answer. Officially, I have ten drafts in Word and fourteen in Scrivener. Each of these drafts was revised countless times. 

One way of visualizing where scenes would go.

Sixteen years is a long time to be working on one book, but as I soon realized after beginning this task, I didn't know what I didn't know. There were times that I took breaks and worked on other projects too. Each time I returned to the manuscript, I still loved the characters and the plot. 

In the beginning, I had an idea about a white girl (Kate) who moved to the Myers Park neighborhood of Charlotte, NC from a farm in either South Carolina or North Carolina. She would feel like an outsider as she tried to figure out where she belonged in the world of 1950s debutantes. Soon after moving to her grandmother's home, she would meet a Black girl, Lillian. They would have an off-and-on friendship but would eventually bond over finding a remedy for Kate's goat's ringworm. There would be betrayal, the uncovering of long-buried family secrets, and clandestine trips to a funeral home and a cemetery. 

All that has stayed the same. But, so much has changed. 

I wrestled with how to begin the story and rewrote the beginning at least 50 times. I put in the murder of Lillian's brother and then took it out. I gave each girl a boyfriend and then, based on Rebecca Petruck's advice that I was getting too far away from my theme, I took them out. I spent two years writing it from both girls' POVs and then abandoned that idea. I made up a fictional town named Crossroads, NC until my mentor, Joyce Hostetter, convinced me that there was real history in Tabor City, NC that I should use. I changed the names of characters, deleted scenes that I loved, battled confusion and discouragement, and tried to figure out if this was a middle-grade or young adult book.

Until I found Monarch Educational Services in July. 

My Talking Story newsletter partner, Rebecca Wheeler, published her debut YA novel, WHISPERING THROUGH WATER with Monarch in January. She recommended querying the publisher, Jennifer Lowry. Despite being afraid of another rejection, within thirty minutes of sending my query, Jennifer responded that it was stellar. A few minutes later she asked for the full manuscript. That was beyond my craziest dream!

In September Jennifer provided detailed editorial input. One of her first reactions was that she saw Half-Truths as a young adult book and not as middle grade. Monarch is committed to clean reads and provides content ratings for all of their books. Since Half-Truths includes a reference to a sexual encounter between a slave owner and his slave, Jennifer felt strongly that it is a young adult novel. Since I've debated this issue so many times I'm happy to identify it as YA and for this conflict resolution! By the way, I've seen this book as upper middle-grade and expect that it will interest readers from 12 and up. 

Finally, after years of writing, rewriting, planning, and proofreading, I'm thrilled to announce, that Half-Truths will be published in June 2025. 

If you're my Facebook friend, you may have wondered why the picture of Blue Willow china has been my profile picture for all these years. If you want to be one of the first to find out its role in Half-Truths, leave me a comment (including your email address if you think I might not have it) and I'll send you a digital ARC (Advanced Reader's Copy) about six months before the book releases. The only qualification is that you post a review on Goodreads, Barnes & Noble, or Independent Book Review.  (Amazon won't allow you to post a review until the book's release.)

Thank you for joining me in this publication journey. 

IT'S NEVER TOO EARLY TO START: An Interview with author, 5th grader, Brooke White and her "agent" mom, Colleen

I honestly can't remember where I read about Brooke White, but when I did, I knew she was someone I wanted to showcase on my blog.

Brooke is a fifth grader at Charlotte Preparatory School in my hometown of Charlotte, NC. You can read her first interview here when she was featured on her school's blog. Besides having self-published two books, Brooke is an avid reader, an animal lover, a competitive swimmer, and a Girl Scout. Her books include  Cupcake the Lying Unicorn (2019) and Cookie Cat and The Tagalongs (2023).

Brooke at her recent book signing at
Park Road Books, Charlotte

INTERVIEW WITH BROOKE

Without further ado, let's get to know this young author.

CAROL: I assume you’ve always wanted to be a writer, is that correct?

BROOKE: Not fully, but I did start my passion at the age of 5. In kindergarten, an author came to share her book with the class, and she discussed the story behind writing the book. That was my first spark of interest!

CAROL: What led you to write your first book, Cupcake the Lying Unicorn?

BROOKE: In first grade, a classmate told the teacher something I did that was irresponsible.  Even though what the classmate said was true, I lied to the teacher and said that I didn’t do it. I was too afraid of the consequences if I had told the truth.

CAROL: That's interesting that you used something from your own life in your very first book. Authors are often told to write what they know, and you did!

CAROL: How was writing and publishing Cupcake different than writing Cookie Cat four years later?

BROOKE: Since Cookie Cat was my second book, it was easier in the aspect of planning, but actually putting the book together was harder. The planning was harder with Cupcake, but the execution was easier. 

CAROL: What did you learn in your first publishing adventure that helped you with your second book? 

BROOKE: I learned that it takes patience because the process of publishing took a long while. It helped me to have realistic expectations.

CAROL: What age is your typical reader?                             

BROOKE: My target readers are 5 to 10-year-olds.

CAROL: How many drafts did you go through? 

BROOKE: I did a lot of drafts with the illustrations, but I didn’t really change the script too much. We did a few edits, but the illustrations were the hardest part for me.

CAROL: Who is your editor? 

BROOKE: Mr. Caleb edited the entire book.

CAROL:  Have you considered a traditional publisher, or were you set on self-publishing?                                             

BROOKE: I let my mom focus on that part. I just focus on the writing, illustrations, and editing.

CAROL: Please tell us more about your decision to have a blank cover.    

BROOKE: I’ve always loved the phrase, don’t judge a book by its cover. I don’t enjoy it when people get judged based on how they look on the outside. I truly believe it matters more on their character traits. I think that is an important message to be understood by everyone.

CAROL: Are you planning on marketing the book outside of Charlotte, if so, how?   

BROOKE: I’ve already started by using Amazon. I believe Amazon is a good place to start because it gives me time to plan what to do later on.  My goal is to get my book into schools, international bookstores, and libraries.

CAROL: Have you been pleased with the sales of your book? 

BROOKE: It does feel like an accomplishment when I get a sale. I’ve sold 120 copies so far. Thank you to my readers! 

CAROL: What are your favorite books?  

BROOKE: Books by Sharon M. Draper are always some of my favorites. A book series I enjoy is the Emmie & Friends series by Terri Lebenson. 

CAROL: Are you planning your next book? 

BROOKE: I have started some drafts, but I am still thinking of other ideas. My main focus right now is school, studies, and time with my family and friends. Sometimes, those things inspire me to write.

CAROL: What is your advice to other young writers? 

BROOKE:  Have the courage to put yourself out there because you deserve for your voice to be heard.

CAROL: Have you read any books on writing that have been helpful to you? 

BROOKE: In writing class, we have read and discussed books about grammar.  While reading sometimes I focus on the way other authors portray their story.

INTERVIEW WITH COLLEEN (Brooke's Mom)

CAROL: What role have you taken in Brooke’s writing career? 

COLLEEN: Generally, my goal is to support Brooke, in whatever area she needs. I haven’t defined what that looks like in her writing career just yet, but wherever there is a gap or there are dots to be connected, that’s where I fit in. I help her bridge them. That’s my goal as a mother. And yes! I created her website. 

CAROL: How have you supported Brooke’s efforts? 

COLLEEN: 

At age 6, Brooke said she wanted to become a published author. I somewhat disregarded her at first, assuming that she meant, in the future, but then she started to put stories together with passion and consistency. It was easy to realize she had a natural knack for writing. When she was happy, she carved out time and wrote complete stories. Stories that were well articulated, had a compelling narrative, and were ready to be edited. In times of sadness, she jotted down story ideas. Writing became the thing she did when she was happy and her comfort token in times of sadness. It became very difficult to ignore. It was easier to encourage and support her than it was to disregard her. I decided to accept that writing was something Brooke was serious about. I started to really pay attention to her habits, listened, and trusted her words. And then helped her connect those dots.

CAROL: What advice would you give other parents of young writers? 

COLLEEN: Hold tight.  First, you will need to buy a lot of sketchbooks, and writing materials. If they like to illustrate, add some Posca markers to the mix. Secondly, remember that your primary responsibility is to listen and examine the needs of your writer. Don’t focus on parents who think you are pushing your kid too hard. That’s their way of saying it’s hard to believe. But the truth is, it’s hard to believe for me too. Some things, however, whether hard to believe or not, are undeniable. Brooke’s ability and passion for writing are just that--undeniable.

CAROL: Any cautions for parents to heed? 

COLLEEN: Remember it’s their passion, let them do the hard part; the writing is theirs. As long as they continue to do the hard part, then you know they’re serious. If they're committed to working, then we need to get serious about meeting them where they are, supporting them, and advocating for them. Bridge the gaps for them, including building a website if you need to!

CAROL: Did you encourage Brooke to consult other writers? 

COLLEEN: No, I did not. I didn’t know that I should--it didn't come to mind.  By the time I realized just how serious she was, she had finished her first book! When my daughter handed me a completed manuscript at 6 years old, I had no real idea what to do with it. I sat on it for months! She kept asking “Mom, is my book published yet?" Then I realized she was not letting this go. I started to witness her passion begin to fade. It was heartbreaking! Her writing slowed down drastically, and there was an underlying feeling of disappointment that she carried around with her.  To avoid the repeated questions and to uplift her spirit, I found an editor and began the publishing process. I decided to support and encourage instead of silencing and dismissing her.

CAROL: There are a lot of books out there for young writers, have you consulted any? 

COLLEEN: No. Now that Brooke has completed book two, I may just have to do that. I plan on making sure she’s plugged into some good resources.  We will start with the resources you have already provided. 

GIVEAWAY

Brooke is giving away an autographed copy of Cookie Cat and the Tagalongs. In the comments, please leave a personal message to Brooke or a question you'd like to ask her. Since Brooke is a fifth-grader, any parent or teacher of a fifth-grader, or a fifth-grader herself or himself, gets two chances! The giveaway ends October 4th. U.S. addresses only. If you prefer, you can email your comment or question to me. If you are new to my blog, please leave your email address so I can contact you if you win.

Congratulations to Barb Seregi who won Scary-O-Typed from last week's blog.

Don't forget to check out Greg Pattridge's Marvelous Middle Grade Monday blog!

The Button Girl: An Interview with Author Sally Apokedak and Autographed Giveaway Part II

 Last week I reviewed Sally Apokedak's young adult fantasy, The Button Girl. This week, I'm happy to provide an interview with her about the story behind writing this thought-provoking novel for Christians, non-Christians, young women and adults.

INTERVIEW

CAROL: How did you come up with the ideas for this book?  

SALLY: I had a hippy friend who had named her children things like: Glory Ofgod, Selah Praise, Faith Alone, and so on and so forth. And then my pastor told me that Naomi's two sons were named Disease and Famine. And that gave me the idea to set up a society where people are named for what God is doing in the lives of the moms. 

 

My daughter had just become a teenager and I wanted to write a book that would help girls see something I did not know as a girl--there is a big difference between lust and love. Kevin DeYoung said in one of his sermons that men want to see porn and women want to BE porn. But I think that most women don't really want to BE porn. They want to be loved and, when they are young, they don't understand that lust does not equate with love.  

 

So I painted a very bad villain and a very good hero. They are so black and white that they may seem almost cartoonish. But they were painted that way with intent—to show that lust is selfish and love is selfless. 

 

But many things are not as black and white as lust and love are. The world is messy. There are a few gray areas and there is a lot of foggy thinking. 

 

People are complex. So in the book the tutor was rightly opposed to slavery, but for the wrong reasons. The king was not opposed to slavery, but he was a more honorable man than the tutor.  

 

So I set up a book full of contrasts with a mountain and valley, and with slaves and masters, and with fog and sunshine. I wanted to show the difference between not only lust and love but also to examine contentment and apathy and idealism and integrity. Does civil disobedience mean we are complaining against God? I looked at my own life to find places where I struggled to know how to obey God. In the end, Repentance is very much a picture of my sixteen-year-old self.   

 

 

CAROL: How long did it percolate before it became a book?  

SALLY: I started in 2006. Wrote about five chapters and then ran out of story. I didn't write any more on it, because  . . . writing novels is hard work. And I struggle with rough drafts. 

 

Life happened. My husband died of cancer. I took care of my mother and my father after that. My dad died. 

 

I finished the book in 2009, so the book took four years to write from conception to completion. But actual writing time was probably five months.  

 

I burned through three agents and got a few offers from smallish houses, which we turned down. And in the end, I published the book myself in 2017. So eleven years from conception to publication.  

 

CAROL: How much did your faith affect writing it? 
 

SALLY: God was uppermost in my mind as I wrote. 

 

Sober is a type of Christ in his love for Repentance—in the way her sin cost him and in the way he still loved her—and in his substitution of himself for Comfort.  

 

But I have always wanted to write a character who is a type of God the Father. I’ve wanted to show the sacrifice that the Father made when he ordained that his Son would die. God the Father gave up the One he loved most to save a sinful rebellious people who set themselves up as his enemies, so I had a character make that same sacrifice. 

 

But mostly, I wanted to write a book that would make girls think about a few things. Is there a God who created us? Is there a God who allows slavery? If God allows slavery—or any sin—without striking the sinner dead, does it follow that he is in favor of the sinners/slaveholders? Is such a God unfair? 

 

I left up in the air who was saved and who was not. I ended the book with Repentance coming to see Providence was blessing her, whereas in the beginning of the book she felt cursed. But I didn't go farther than that because her world is not our world and people there aren't saved the same way people here are saved. 

 

Providence was not meant to look too much like our God. The god in the book was a simple metaphor that showed one aspect of our God. He was the provider—and he was more than a clockmaker who wound up the clock and ignored it. He was a god who cared about Repentance and was working things together for her good. But he was not a god who sent his son to die for sinners. This book was not meant to lead people to Christ. It was meant to make them ask: Is there a God? Do the unfair circumstances in this world prove there is no loving God watching over us? And if we wait long enough, will we see that everything will, indeed, come out right in the end?  

GIVEAWAY

Leave a comment if you would like to be entered into the giveaway. If you left a comment last week, then you will be entered twice. A winner will be chosen on July 2. Continental U.S. addresses only. PLEASE leave me your email address if you are new to my blog. 

                                                    ******

Sally is an author, agent, and speaker. You can find out more about Apokedak Literary Agency on her website. 

Two years ago I was fortunate to attend a
writer's retreat led by Sally.

You Heard it Here First: Dorothy Price signs with Agent, Miranda Paul

It's always fun to share publishing news with my blog readers--particularly if it's news from one of my own writing friends. I first met Dorothy Price 10 years ago when she joined my SCBWI-Carolinas critique group. I've read her manuscripts and she's read mine. Today I'm thrilled to share her story of how she recently signed with an agent. 

Take it away, Dorothy!

*****

I am so excited to share my agent success story, after 11 years of writing kidlit!

This story began in October 2018, when I got a nudge from my writing friend, Tara Luebbe. She suggested I apply to the 2019 We Need Diverse Books Mentorship Program, to which I had zero interest. I was at a place in my writing career where I had gotten discouraged by rejection, and simply planned to stop submitting, to everyone and everything. But something about Tara’s nudge forced me to apply anyway, on October 31st—the very last day to submit. 

Two months later, I received an email from WNDB that I had been selected as a picture book winner, out of more than 100 entries! The amazing Samantha Berger became my mentor, and beginning in January 2019, we edited and revised three of my PB manuscripts.  

In November 2019, I decided to participate in NaNoWriMo, even though I had failed to finish three times before. On November 30th, I finally completed my first middle-grade novel. 

Armed with three completed PBs and a finished MG, I was confident this would attract an agent. In January 2020, I began agent submissions. I had a list of six agents, but one, in particular, was by referral only. This agent was also on the WNDB team, so she had seen my PB submission that won the contest; however, her agency only accepted referral submissions. Enter Samantha Berger, who graciously referred me, which opened the door for me to submit to Miranda Paul with Erin Murphy Literary Agency. 

Although I had two other agents to consider, when Miranda emailed me back a couple hours later and said she was happy to receive my query and asked to speak two days later, I knew she was the agent for me. Her intensity, energy, and passion were something I truly wanted in an agent.

Before we ended the call, Miranda offered representation, and after praying on it, a few days later, I accepted. If it hadn’t been for Tara’s nudge to enter that contest, I’m not sure I would have an agent today. The plug for that is, contests DO help, and I strongly encourage writers to submit! 

Things have been going well so far and I am enjoying every minute of the process. I can honestly say, if you put in the work, believe in yourself, and never quit, dreams will come true. 

*****

Dorothy H. Price is a long-time member of SCBWI Carolinas. Two of her nonfiction stories were published in Teaching Tolerance’s 2019 Teaching Hard History: American Slavery series. Her first picture book, Nana’s Favorite Things was published in 2016. You can connect with Dorothy on Twitter. 

I Finished My Book, Now What? Some ABC's of Being Between Books

Congratulations to Theresa Milstein who won Tomorrow's Bread from last week's blog.

********

One of the television shows my husband and I enjoy is Chopped. Besides watching the incredible creations the cooks come up with out of their mystery baskets, I like the final second when the cooks' time is up. They throw up their hands and step away from the plates. There is nothing more they can do.

That's how I felt last week when I typed "The End" on HALF-TRUTHS, tweaked it a few more times, and pressed SEND.

After over eleven years, my young adult historical novel was on its way to an agent. 

NOW WHAT?

I step back, but I'm not about to throw my hands up in the air.

Instead, here's a peak at what will keep me busy--and keep me from checking my email every minute of the day as I wait for an answer. 

A is for agents. I'll continue to work on my list of agents who I'll query next. I have a folder in my email box in which I've been saving agents I've read about who are interested in YA historical novels; most of them from Kathy Temean's excellent blog, Writing and Illustrating. (If you are serious about writing or illustrating for children or teens, you need to follow this blog.) I'll study each agent's wish list and if I think they're a good fit, I'll move their name and agency information to my list on Query Tracker. For $25.00/a year you get the premium membership with many benefits. 

B is for brochure. Mine is out of date and it'll probably take hours for me to come up with a new design template. Not my favorite thing to do. 

Old brochure.

C is for clean up my computer. I keep running out of room on my hard drive! Time to move photos and files. 

A little old-school, I know. But I still like them!

D is for dentist. Overdue.  

E is for EQUAL.  

Joyce Hostetter sent me the manuscript for her last book in the Baker Mountain Series several months ago. She has given me a tremendous amount of feedback and input into HALF-TRUTHS. Time to return the favor. 

F is for the Federlin files.

One of Henry Federlin's genealogy lists.

I inherited many things from my father, Henry Federlin, including his desire to document his life. I have two folders full of papers that he saved which I promised to copy for my brother and sister.  

I is for Instagram. 

Apparently Instagram (not Facebook!) is the way to connect with teen readers. I have an account, but have only a smidgen of knowledge how to use it. 

L is for lunch with friends.

via GIPHY

 (my friends are less furry but I couldn't resist this!)

M is for Marguerite Higgins.

While researching HALF-TRUTHS, I came across Marguerite Higgins, a journalist who covered WWII, the Korean War, and the Vietnam War. She becomes Kate's heroine and perhaps, my subject for a non-fiction picture book biography. 

M is also for Dr. Marie Maynard Daly.

I also discovered Dr. Marie Daly, who becomes Lillian's heroine. I think she would make an excellent subject for a non-fiction picture book biography. 

S is for Scrivener 3.  

See comment on Instagram above about learning something new. Except that I've begun my next book in both Scrivener 2 and 3. First off: figure out how to import one to the other.

T is for Talking Story.  Our fall issue is on Native Americans and First Nations. 

T is also for THREADS. The working title for my sequel to HALF-TRUTHS.  

Charlotte textile industry roots
Image courtesy Bank of America.
https://about.bankofamerica.com/en-us/our-story/charlottes-textile-industry-roots.html#fbid=oK529mgLEX0

The textile mills are as much a part of Charlotte, NC's history as the Jim Crow laws. The story will take place in 1954, involve the textile mills, and revolve around Frank, Kate Dinsmore's younger brother, and Isaac, Lillian Harris's older brother who has just returned from his service in Korea. 

W is for Write2Ignite. Our annual conference is less than two weeks away and I need to finish getting ready. I'm giving three talks for teens and am excited to encourage these burgeoning authors. There's still time to register!

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How about you? What do you put off doing until you've completed a project? 

Which item on my "to do" list will I tackle first? Let me know your thoughts in the comments!