You Heard it Here First: OOTHAR THE BLUE by Brandon Reese and a Giveaway!

Congratulations to Linda Phillips who won the ebook copy of Rebecca Petruck's new book, BOY BITES BUG.

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You know how I love sharing fellow writers good news--particularly for those who are debut authors. When I read on the SCBWI-Carolinas Pals group that Brandon Reese's first picture book was coming out in May (Lion Forge) I knew this was a story I wanted to share here. Since Brandon is the author/illustrator--you get to hear about his publishing journey AND see some of his great illustrations!

CAROL: What was the inspiration for OOTHAR THE BLUE? I love his name! How did you come up with it?

BRANDON: As with most of my stories, Oothar started out with a sketch. I keep a sketchbook and try to draw in it everyday. If I’m lucky, those drawings become the seeds of a story. 

To be honest, I’m not really sure how the name Oothar came about! I wanted something fantastical and Scandinavian sounding and Oothar just popped into my head.

CAROL: This is your debut picture book, but you have illustrated others. Can you share about how you went from illustrator to illustrator/writer? 

BRANDON: Being an illustrator/writer has always been the goal. I knew I needed to strengthen my writing. So I worked on it by regularly attending SCBWI conferences and just making myself work through a story. 

CAROL: Tell us more about your path to publication. 

BRANDON: I drew constantly as a kid. My mom read somewhere that if you wanted to foster creativity in your child you shouldn’t give them coloring books. Instead you should give them blank pieces of paper to draw and color on. So, blank sheets of paper were never in short supply!

I went to the Art Institute of Fort Lauderdale where I took some art classes but not a lot. The focus was on graphic design. After graduating I eventually got a job art directing and designing a small children’s magazine. I would assign myself illustration jobs for the magazine. It’s there where I honed my illustration skills... or at least started to. 

OOTHAR with Fettle the Wizard

CAROL: What role did SCBWI have in your life?

BRANDON: SCBWI is a great organization. I wish I had joined years ago! It wasn’t until after attending my first conference that I started to get some traction in the publishing world. 

CAROL: What role has your critique group played in your development as an author/illustrator?

BRANDON: The most beneficial thing I’ve done to help my writing is join a critique group. You know right away if something is working by the reactions. Nothing is better than hearing a critique partner giggle their way through your manuscript. Well, a humorous book, that is! I suppose it would be a bit of a nightmare if a reader is laughing their way through a serious project. Illustrating and writing are mostly solitary endeavors. It gets lonely. It’s great to have a group of artists who understand your struggles and cheer your successes. 

Brandon created his artwork using digital painting in Adobe Photoshop

CAROL: What was the process of getting your publisher?

BRANDON: Connecting with Lion Forge and ultimately selling Oothar to them was a bit of a surprise. I had some down time and I was looking for comic book illustration work. I worked up a mock Oothar cover and sent it to a list of publishers I found online. Andrea Colvin, the executive editor at Lion Forge, wrote back right away and said that unfortunately she didn’t have any illustration work at the moment but wanted to know if I had any manuscripts she could read. 

I’m still thinking she wants comic book or graphic novel stuff, so I sent her three stories I thought would translate well to that format (Oothar being one). It wasn’t until she wrote back to say she loved Oothar and wanted to take it to an acquisitions meeting that I found out she was looking for picture books. So I quickly sketched up some extra sample art for her to take to the meeting.
 

The poster Brandon sent to publishers.

CAROL: When did you get your agent? Did you query several before signing?

BRANDON: I signed with Jennifer Mattson from Andrea Brown Literary in February. I still have that new client smell! I queried maybe 15 other agents. I had other offers but I ultimately felt Jennifer was the best fit for me.

CAROL: What are you hoping your young readers will take away from OOTHAR?

BRANDON: Feeling blue or depressed is a normal emotion. It is an indicator of something askew in our lives. If something isn’t bringing you happiness anymore, you can make a change!

Remember what I said last week? One way we support authors is by preordering their books. Click on over to Amazon and preorder OOTHAR now!

To enter the giveaway for your copy of OOTHAR, please leave a comment along with your email address if you are new to my blog. Share this on social media (please tell me what you do) or become a new follower of my blog and I'll enter your name twice. Winner will be chosen on March 16.

TAKEAWAYS from SCBWI-CAROLINAS 2017

Congratulations to Connie Saunders who won Sheri Levy's Starting Over ARC.

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Teresa Fannin and Bonnie Adamson, the SCBWI-Carolinas Regional Advisors, co-ordinated another great annual conference. For those of you who were unable to attend, here are some of my takeaways:

From two time Newberry Honor award winner Gary Schmidt's breakout session on Narrator and POV:

• Make a conscious decision about who your narrator is. If you're stuck, switch POV (even to an inanimate object or animal). Even if you don't use that narrator, your story will be informed by what you discover. 
• Use long vowels to slow your story down. Short vowels speed things up.

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From my critique of Half-Truths with agent John Cusick (my reactions in red):

• "Writing is polished and accomplished." (Woohoo!)
• "Love the family relationships."
• "Prose is solid, tight, and evocative."
• "Characterization and dialogue feels a bit generic in places." (Fixable. I have to think harder, dig deeper)
• Develop Kate's unique POV. (Ditto)
• Sounds more middle grade than young adult. (I have received this feedback before. Middle grade, here I come.)

John had other suggestions as I go forward. The shift to middle grade will take some switching around in my head and on the page, but as I'm in the middle of another draft this is the time to do it. Since I tend to read middle grade more than young adult, I think that ultimately I'll be happy with this decision.

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From my breakout session on "Wiki's 101": 

• Be ready to improvise when technology doesn't work the way you expect. Thanks to my gracious attendees who made my moment of "Oops, the LCD isn't projecting the online wikis as I expected," less of a panic situation and more a learning experience. 

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From agent, Jennifer Mattson's breakout, "Putting on the Architect's Hat":

• There are several different narrative structures besides a straight linear one (Beginning, Middle, End.) The one that most interested me was pastiche. When I read Kathleen Burkinshaw's debut novel, The Last Cherry Blossom, I was intrigued by her use of headlines and snippets from radio broadcasts as part of her chapter headings. In fact, last week I was glued to the microfilm machine at the Charlotte public library searching articles from The Charlotte Observer, Charlotte News, and The Carolina Israelite for that purpose. Since I'm also including free verse and letters in Half-Truths, I'm glad to find a name for this type of novel!

From THE LAST CHERRY BLOSSOM
Example of a pastiche novel.

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From John Cusick's breakout, "Pacing- What to Cut. What to Keep and What Order to Put it In":

• Physical description must reveal character.
• Character should be revealed through ACTION. Not a decision to act.
• Cut rhetorical questions.
• "Start as close to the end as possible." Kurt Vonnegut.
• Open with scene, not summary. 

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From the bookstore:

5 grandchildren = going a little crazy in the conference bookstore!

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From the first pages session:

• Be careful of inner monologue that's not authentic.
• Hook your reader with emotion first.
• If you're writing historical fiction, make sure there is a good reason for placing it in the past. 
• Be in the moment with your characters and scenes.

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And last, but certainly not least, from my friend Donna Earnhardt:

"You are tackling a story that is not easy, yet you've made the effort to get feedback that was probably not easy to hear... and still, you keep on going. I am so proud of you and I think that you should be proud of yourself, too. Your tenacity encourages me to keep on keeping on - even when it's hard."

I confess to fighting discouragement over how long it has taken to complete Half-Truths. But Donna looks at my journey and sees perseverance. Which goes to show that often--in life and in books--there are two points of view.