Nine curious children who grew up to become scientists. Nine adults who discovered new products, new species, and new ideas. These nine individuals are the backbone of Heather Montgomery's latest book, What's In Your Pocket? (Charlesbridge, 2021). Illustrated by Maribel Lechuga, this STEM book will be an asset to any K-3 classroom.
REVIEW
When you explore the great outdoors and find something strange and wonderful, do you put it in your pocket?
Scientists collect specimens so they can observe the details of natural artifacts.
Immediately, young readers will be drawn into the opening pages of this book. The young girl who is pictured on the cover, is seen stooping down, examining a rock, and then pocketing it.
As she walks off, the reader turns the page and sees a field where young George is examining a seedpod. He must have put it in his pocket because,
The section ends with a repeated refrain,Nobody knew that George would grow up to be the famous scientist George Washington Carver....He discovered almost three hundred new uses for the peanut including soap, glue, and fuel...
In this charming way, children are also introduced to William Beebe who held eggs in his mouth while climbing down a tree... and became the first person to see glowing fish and other deep-sea animals alive in their habitat; to Valerie Jane who put wiggly worms under her pillow...and became the famous primatologist, Jane Goodall.
Mary Anning (paleontologist), Bonnie Lei (conservation biologist), and Maria Sibylla Merian (naturalist and scientific illustrator).
I enjoyed the juxtaposition of the little girl "narrator" as she explores and collects elements from nature, and the nine mini-biographies of scientists who loved the outdoors as children. The text is very child-friendly and I can practically hear Heather Montgomery speaking directly to the reader!
The last two pages are a wonderful spread of the animals seen in the book along with the little girl marveling at one of her discoveries. The text reads:
Throughout history, kids have found all
kinds of strange and wonderful things.
They've created collections.
They've made discoveries.
They've changed the world of science.
Every discovery started with just one thing.
One little thing that could fit in a pocket.
What's in your pocket?
Can't you just picture children checking what's inside their pockets after that last line?
BACK MATTER
I'm a back matter junkie and What's In Your Pocket is an example of one of the best. Four and a half pages are filled with "More About These (Grown-Up) Kids. One and a half pages are delightful notes from the illustrator and author. Readers hear about how nature inspired both Maribel Lechuga and Heather Montgomery and how they researched this book. (Artists and writers: Get ready to be impressed!) I particularly like how Heather included that she respects nature, that she respects the people she lives with by "making sure my artifacts are clean and (mostly) stink-free, and she respects herself. "I don't put my hands where my eyes can't see (like under a rock or log). Field guides and a bibliography complete the book.
AUTHOR INTERVIEW
CAROL: This is a longer picture book than most. How did you and Charlesbridge determine the length?
HEATHER: Originally, I paced this manuscript to be 32 pages; fortunately, in an early discussion about the project, editor Alyssa Pusey suggested expanding it to 40 pages. At that point in 2018, she was looking for longer picture books. I was delighted. It allowed two full spreads for most of the scientists, gave extra space for backmatter, and made room for more of that luscious art.
CAROL: Closely tied to that first question—how did you pick which scientists to focus on? Were there others you wanted to feature who didn’t make it into the book?
HEATHER: Finding just the right stories was the challenge. Researching full biographies, I developed a list of scientists and stories. But those biographies did not showcase enough diversity. I crossed names off my list to make room for others. And that required some creative research (like a Google survey sent to scientists around the world). Not only that, but the anecdotes had to convey the right mix of sweetness and skills. It took careful selection and sequencing to illustrate skill-building.
CAROL: I love the structure of the book where you show the scientist as a child and then the reader turns the page and finds out who they became as an adult. Did you indicate that was how you conceived the book when you submitted the manuscript?
HEATHER: The pause of the page turn can be so powerful. From early on in this project I wanted to make use of the page turn to let readers predict what kind of scientist the young collector might become. It's like an entire biography condensed into two spreads. When I submitted my draft, I used numbers in brackets (i.e. [Page 4-5]) to suggest where page turns might fall. Not every editor wants that, so research before you submit!
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