The Forgiving Kind: A Review and Audio Book Giveaway

Donna Everhart warned me that her newest book, The Forgiving Kind (Kensington, 2019) had some tough parts.

She was right. 

Like her previous book, The Road to Bittersweet, The Forgiving Kind  also features a young woman coming of age in rural North Carolina. The time is the 1950's and the place is 300 acres of Jones County--cotton territory. Although both books have young protagonists, the serious content of each novel lends themselves more to an adult rather than teen audience. 

REVIEW

Twelve-year-old Sonny Creech loves the land as much as her father and like him, has the ability to dowse water. Although her two brothers Ross (16) and Trent (14) work the farm alongside their father, Sonny's passion runs deepest and Donna Everhart brings this to life through a deep point of view showing Sonny as she runs through the soft mud, inhales the smells of the fields, and experiences the woods like an extension of herself. 

Tragedy strikes early in the book. Sonny father dies unexpectedly and her mother is "layered with sadness" as she and the children shoulder the burden of struggling to keep their cotton farm financially afloat. 

A wealthy neighbor, Frank Fowler, shows up and worms his way into the family by lending them money. From the start, Sonny distrusts him: "Mr. Fowler's work clothes were spotless and pressed. He was the type who lifted a finger only to say, do this, do that." Repeatedly Sonny observed that Mr. Fowler was nice to her mother, but spoke and acted as if she wasn’t there.

Before his sudden death, Sonny's father gave her his willow branch that he used to dowse water. Everhart describes it as, "Tugging on my lower leg muscles. The willow branch dipping to water. She couldn’t have pulled it up if she tried." The branch is a deep connection to her father but Mr. Fowler, and her peers at school make fun of her ability. When Sunny finds the burnt branch in the trash bin outside, Mr. Fowler denies his actions. 

Along the way, Mr. Fowler meets Sonny's close friend, Daniel. He reacts strongly to him and is verbally abusive. Sonny finds herself attracted to Daniel, but her attraction is not reciprocated. The two end up meeting secretly to avoid Mr. Fowler's fury.

Sonny worries about her mother not seeing Mr. Fowler's intentions: "I couldn't explain my worry anymore than I could explain how the dowsing stick worked." When they marry, Sonny's fears and unhappiness increase as she feels like her mother has betrayed her and the memory of their father. 

Through the use of deep point of view, the reader is privy to Sonny's anger, fear, conflicts, and pain. Sonny hears and sees the results of Mr. Fowler's abusing her mother. "Mama's life is getting eaten up." Her hatred towards Mr. Fowler grows when she realizes he and his friends are members of an evil white supremacist group. She and her brothers are forced to observe his gross mistreatment of Daniel and fear what might happen to any of them if they speak of it. Everhart paints a picture of a deeply disturbed antagonist that is gripping and unforgettable. Readers who are in an abusive relationship might resonate with how Sonny's mother tries to be the peacemaker and placate her new husband. 

Some readers will find the way in which Sonny's mother resolves her situation to be satisfactory and they may also be sympathetic to Daniel's plight as a homosexual. Although I thought that The Forgiving Kind is written extremely well, as a committed Christian I am uncomfortable with these aspects of this book. 

Donna was right. This is a tough book to read and digest. But a book worth reading, thinking, and talking about. 

  

GIVEAWAY

I am giving away my Audio CD, which is narrated beautifully by Tiffany Morgan, courtesy of Tantor Audio. Leave me a comment by May 2 and I'll enter your name in the giveaway. 

Here is an audio snippet from the book that will give you a flavor of the book and the narration. 

Creating Mr. Bad Guy

Today, in preparation for the class I am teaching at Central Piedmont Community College,  I am thinking about what makes a memorable antagonist.  All writers are tempted to create absolutely good protagonists or absolutely evil antagonists. But as Robin Hemley points out in Creating Fiction, "Most people are neither all good nor all bad, and even the best are capable of small and large betrayals." (p. 84)


I subscribe to Delanceyplace.com which sends daily selections from a variety of books. Today's e-mail was from Deeper into Movies and shared excerpts from Pauline Kael's 1972 review of Marlo Brando's acting in The Godfather. This struck me as a good example of an interesting and layered antagonist:


"Don Vito could be played as a magnificent old warrior, a noble killer, a handsome bull-patriarch, but Brando manages to debanalize him. It's typical of Brando's daring that he doesn't capitalize on his broken-prow profile and the massive, sculptural head that has become the head of Rodin's Balzac - he doesn't play for statuesque nobility. The light, cracked voice comes out of a twisted mouth and clenched teeth; he has the battered face of a devious, combative old man, and a pugnacious thrust to his jaw. The rasp in his voice is particularly effective after Don Vito has been wounded; one almost feels that the bullets cracked it, and wishes it hadn't been cracked before. Brando interiorizes Don Vito's power, makes him less physically threatening and deeper, hidden within himself." (p. 422-423)


Hemley makes a number of good points in her essay, "Sympathy for the Devil: What to do About Difficult Characters." Here are a few:


"While fiction certainly deals with conflict, it's also about seeing into the true nature of people, uncovering falsehoods and half-truths. Most people (and by extension, most characters) have fatal flaws." p. 88


Interesting characters are complicated. "If we understand why someone feels she has to kill her child....we might be brought to a place of genuine compassion and understanding that would hardly seem possible without the prose writer's magical ability to make us recognize our deepest selves, the ones we try daily to bury." p. 89


How about you? How do you layer the antagonist in your work? Or, what character have you found in literature who portrays this mixture of good and evil? Let me know and I might include your comments in my class on Thursday night!