You Can Read it Here First: Giving Away CRAZY by Linda Phillips

The winner of my my most popular giveaway contest to date, is Laura Kay who blogs at A Novel Review, and who won a copy of Necessary Lies. Thanks to all 21 of you who left me comments. I hope the rest of you will find Diane's book at your library or buy it from your local indie bookstore. Now here is your chance to win a personally autographed ARC of Linda Phillips' debut novel, CRAZY.

As some of you know, I have been chronicling my good friend, Linda Phillips', path to publication. In my last blog about her in March,  Linda shared some of that journey as well as information about bipolar disease; the mental illness that afflicts the protagonist's mother in CRAZY. 

It has been my great joy and privilege to walk alongside of Linda  over the last fifteen years as she has crafted her debut YA novel. From reading the first twenty poems in which Linda poured out her anguish as a teen struggling with her own mother's mental illness; through watching Linda add, subtract, and organize these poems into a story arc at the 2009 Chautauqua Highlights Writing Workshop we attended together; through hearing the up's and down's of finding her agent and publisher; to now actually turning the pages and savoring the poems--it's almost as amazing as watching the birth of a child!

Now I have the opportunity to share with you some of my favorite poems and parts of this book. I've read some of these phrases several times and they still catch my breath for their simple beauty and sensory imagery; others surprise me as if I've just discovered a new treasure. Without further ado, here are some gems from CRAZY. 

In the opening poem, the protagonist, Laura, is humiliated in home ec when the class decides that her best color is brown. This poem not only foreshadows much of Laura's conflicts, but also provides the subtext for the cover of the book:

So the class decided on brown
for my basic color, 
as in mud
rats
rotten bananas
swamp water
and dirty anything.

I ran out the side door after school,
thank heavens home ec was last period,
thinking my cheeks were so hot they must be leaving a trail of smoke.
I stopped by the canal,
swarming with hungry pelicans
and screeching gulls,
and I wondered,
just wondered and wondered
for I don't know how long,
what it would fee like
not to sit and dangle my feet through the slats
and daydream and watch
like I usually do
but instead to climb up on the railing,
and let myself just slip off and down
and down
and down.

I decided against it because, 
of course,
I'm not the crazy one
in our family.  (pp.14-15)

Laura's artistic talents are admired throughout her school. She sees the same talent--now unexpressed--in her mother. Laura wonders how her mother "had drifted from/creating brilliant oil paintings/to slapping paint on molded figurines." (p. 23) She asks,

"Why don't you take up painting again?"
I ask her one day,
admiring the pleasing arrangement she created when she was fourteen.

"Oh, I could never get back to that,"
she says, slamming a window
against the rising storm. (p.24)

Her mother's behavior becomes more erratic, irrational, and bizarre. One day Laura comes home from school and finds:

First thing inside the door
I smell turpentine.
I nearly trip over a wet canvas
propped against the door frame.
I follow a trail of smudgy rags
and scattered paint tubes
into the living room
where I find Mama,
her back to me,
kneeling
muttering
crossing herself
before a dripping canvas.
She's been painting again!

"Hail Mary, Other of God…."

A sickening sense of panic begins
crawling up my spine.
"What's going on, Mama?" I ask 
…………………..
She passes grubby hands absently
through her disheveled hair,
leaving multicolored streaks 
and smudges on her face,
and she begins crawling on the floor,
agitated, frantic,
looking for the missing paint
or who knows what.
……
Then it hits me.
This is my fault.
I caused this.
I pushed her over the edge,
oh my God,
I did this.
It was my suggestion,
"Take up painting again," I'd said--
oh my God….. 

I clean up the mess as best I can,
finally getting Mama to sit down in her rocker.
Still paint-splattered,
she rocks
back and forth 
humming
muttering,
staring past me
without recognition.
I watch her rock
almost in rhythm 
with the ticking wall clock
and I take deep breaths
trying to match the rhythm,
trying to beat down
the panic
surging through
my body.  (pp.65-68)

Here is Linda reading one of the next poems, "Nervous Breakdown."


As the book progresses, Laura wrestles with her own demon: her fear of being as crazy as her mother. With the encouragement of two new friends--a local gift shop owner who "stands out like an art piece herself/in a shift dress full of helter-skelter bright colors,/dangly earrings,/and the most beautiful long gray hair/I have ever seen" (p. 148); and her crush, Dennis, who pushes Laura to "dig for answers/don't run, dig"(p.272);  Laura discovers the work she must do to discover the truth about herself and her family.

**********

There are two things this review of CRAZY cannot do. First, I can't communicate how proud I am of Linda's accomplishment and how wonderful it is to see this book in print. In a previous blog I compared myself to a mid-wife but that's not quite accurate. Linda is like a sister to me. Since CRAZY is her baby, I guess that makes me a proud aunt. 

Second, I can't begin to tell you how Linda's poetry touched a place deep inside of me. When I finished reading her final poem in which Laura asks her mother for forgiveness, I was in tears:

In her typical way,

she brushes it off,

says I don't have need for forgiveness

but of course she forgives me,

and she understands my confusion and frustration

and she doesn't hold anything against me,

and she loves me very much.

I'm not sure if she gets it at all,

what I am trying to say,

but the important thing is

I get it 

and I did what

I needed to do

and it feels as good

as anything I have ever done.

I wouldn't want to say it,

but I think there has been some healing 

in our family

after all.  (p.314)

************

CRAZY's official release date is not until October 20, but you can read the ARC now! There are two ways you can win a copy. Leave me a comment and I'll enter your name for my gently used copy; the drawing will be held on Friday night, June 13. You can also go to Goodreads and enter the giveaway contest there which will run from midnight on 6/10 to midnight on 6/17.  And of course, if you don't win, you can support Linda by pre-ordering her book through Eerdmans or Amazon.

"What Else Do You Have?" A Conversation with Lisa Kline

In the next two blog posts Lisa Kline, author of the Sisters in All Seasons books shares how this five book series was born. 

I imagine that many series first come into being as a proposal with a synopsis for each book. Mine didn’t come about that way.

Several years ago, I wrote a book about two stepsisters, Stephanie and Diana, on vacation at a mountain ranch with their newly married parents. My publisher wasn’t interested. I sent it to a few more publishers, and they weren’t interested, either. With great sadness, I put those characters behind me, wrote some other books, and a couple of years went by.

After my agent sold Write Before Your Eyes, she said, “What else do you have?” And I told her I had this manuscript about two stepsisters. “Send it to me,” she said. I had a rush of emotion.  I wanted the manuscript to have another chance, but didn’t want to get my hopes too high. But after she read it, she suggested I change it from third person to first. I balked. I had so carefully chosen third when I wrote it. But I decided the change was worth a try. This was a fairly extensive process, much more than just changing pronouns. It involved “revisioning” everything and working to differentiate the girls’ voices better. Making that change brought me closer to both characters. It seemed to open channels of understanding for me. Only a few months later, my agent sold the manuscript to Zondervan. But they didn’t just want Summer of the Wolves. They also wanted three more books about Stephanie and Diana. And their schedule called for me to write each of the books in about seven months.

It was a surreal feeling. I was exhilarated and panicking at the same time. I’d never written a book that fast before. Eleanor Hill, my first book, which was historical fiction, took about three years. The others had taken about two years apiece. But wasn’t this what I’d always dreamed of? And the hardest part, the character development, was already mostly done. No matter how intimidated I was, how could I say “no?”

The pub board immediately asked me for ideas for settings and plotlines. I spent several weeks feverishly brainstorming. I knew that I didn’t have time to actually visit locations for the books, so I decided to write about places I’d already been. There was a wildlife adventure in Summer of the Wolves, so I decided each book should have a wildlife adventure. And somehow the idea that the books might take place in different seasons formed. So my editor and I hit on the title for the series – Sisters in All Seasons.

I bombarded my agent and writers’ group with scenarios and they helped me refine them. After I submitted these ideas to the pub board, they chose their top three. My editor then told me that the covers for all of the books would be shot over a two-day shoot so that the girls they’d chosen as models for Diana and Stephanie wouldn’t age too much between covers. So, the covers were shot before I had written the first words of the books. I’ll be honest, I was freaking out!

Lisa will continue her story next week and will also be giving away a copy of the last book in this series, Seasons of Change. 

If you are attending the SCBWI Carolinas annual conference, Lisa and her good friend Chris Woodworth, are co-presenting a workshop on "Characters we Care About."

An Insider's View of Self-Publishing

The following is an interview with Laura K., a graphic artist who designs covers for the largest self-publishing company in the industry. Here she shares some insights which she has learned in the last two years in the business.

Carol: Are there any benefits to self-publishing a book?

Laura:   Yes, it allows the author to keep creative control of her book. Like with  Indie art, music, and film, you don't have a publisher or studio over you dictating what you have to create. There are no deadlines except for what the author sets.

Carol: What is the most successful genre that you have worked with in self-publishing?

Laura: Grandparents who write books for their grandchildren and don't anticipate publishing them in the general market are very successful.   Memoirs have a really good niche in self-publishing. A woman wrote a book about her husband's experiences in WWII for a community of veterans. I expect that book was well-recieved.

Carol: What type of book is less than ideal for the self-publishing world?

Laura: The one that jumps to mind are photography books because print-on-demand printers are not necessarily the highest quality printers. As a result the images do not look as crisp as traditional photography books which are printed on off-set printers. 

Carol: What are some misconceptions about self-publishing?

Laura: From a production standpoint, clients come to us anticipating that we will read their entire book and make comments on it, edit, or proofread it. None of that happens unless they pay for those services. Even then, some self-publishing houses don't offer those services. Clients also antipicate that we will care about their books. I rarely get excited about a book because most that I work on are written poorly.

Carol: Do you have any advice for someone thinking about self-publishing a book?

Laura: Writers often don't understand the process because they're just excited about getting their book published. New writers shouldn't see us like a traditional book publisher; we don't get their book placed in bookstores or win them a spot on a national talk show. If a writer decides to self-publish, his or her book should be totally polished because we're not going to change it at all. 

Carol: Any other advice from your experience as a graphic artist?

Laura: The one service that most self-publishing houses provide is creating the cover of the book. These design professionals know each genre, the trends in design, the technical limits of the printers, and industry standards. Trust them! Remember that a book with a nice cover is more marketable than a book without one. 

******************

Thanks, Laura, for your honest assessment. I hope your insights will guide some writers who are considering this option.

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