Showing posts with label unwanted pregnancy. Show all posts
Showing posts with label unwanted pregnancy. Show all posts

Saturday, November 4, 2023

WHISPERING THROUGH WATER: Two Reviews of Rebecca Wheeler's Debut Young Adult Novel


In this blog post, I'm trying something new. Teen reviewer Mara Scudder and I both read Rebecca Wheeler's book, Whispering Through Water (Monarch Educational Services, 2023) and we each wanted to share our thoughts about it. Today you get a teen's and a senior's take on a book that is obviously for all ages!



MARA'S REVIEW


Whispering Through Water is a YA summer romance wrapped up in a mystery. The protagonist, Gwyneth Madison, is a high school senior with her eyes set on a college in the far-away city of Boston. Desperate to escape her monotonous small-town life, Gwyn would risk almost anything to get to art school. Her wealthy Aunt Delia, who once promised to pay for her college, is disappointed in her decision and determined to keep her from attending school out of state. When Gwyn finds a mysteriously personal letter addressed to her aunt, she decides to investigate.

The mystery sends her on a series of hunts as she digs through family secrets to discover what really motivates her seemingly pedantic and entitled aunt. Along the way, she meets and falls in love with Isaac, a college sophomore, and grows to understand that there is much more to her family history than she ever thought.

The character arcs throughout this work were well done. Few characters were two-dimensional or static, and many relationships changed and evolved over the course of the novel. These dynamics brought a deeper level of meaning to the themes drawn throughout the book and overall turned the book from a rather dull summer romance into an exploration of what makes a family and what it is worth.

The mystery was also well-written, with the leap from an average high school senior to a teenage detective an understandable one. None of her adventures seemed unattainable or particularly incredible, which made for a more realistic mystery. Her drive to get to the bottom of the family mystery was also understandable, and aside from the romance (which was rushed along a bit too quickly), the plot was well-paced. The character arcs, mystery, and plot were all very well done. Overall, it made for a pleasant read with tangible characters, strong values, and meaningful themes.
Illustration by Terri Moore


CAROL'S REVIEW  (Warning: Spoiler alerts)

As some of you know, Rebecca is my new partner for the Talking Story newsletter. We've gotten to know each other since working together. But as I was reading her manuscript, I kept texting her: "You're not going to believe the similarities between your book and Half-Truths!" In both our books older female foils hold the purse strings to the college education that the protagonists want. Each girl must tolerate tables with fine china, clothes that don't fit their style or taste, and a special luncheon. But most of all--there are family secrets that both teens decide must be brought to light--with serious consequences for the older women. Our stories are separated in time by about 40 years, but both our protagonists learn the difficulties involved in speaking the truth--especially with people they love. 

I particularly enjoyed how authentically vulnerable the characters were portrayed. They made mistakes and sought forgiveness. Even the sweet romance includes conflict as Gwyn and her boyfriend realize that relationships have ups and downs. 

Here are some of my favorite lines from the book:
When Gwyn first confides in Isaac about her struggles with her aunt, she says: 
"It's like in my mind, I feel as if I'm dreaming for her to understand what I want, what I need, but then when the words leave my mouth, I feel as if--"I paused to gather my thoughts--"as if I'm just whispering through water."  (p. 79)
In a very touching moment, Isaac's mother, Brenda, becomes Gwyn's confidant. After Gwyn shares what she has discovered, Brenda says,
"Even the deepest hidden secrets find their way to the surface." (p. 167)
In a soul-revealing conversation when they talk about the child Aunt Delia was forced to abandon, Aunt Delia says: 

"They told me I would forget about him. They promised I would...They were the ones who lied, Gwyn. Because I could never forget." (p. 180)

One of the first times I heard about objective correlatives was from Christine Kohler. I still have our email correspondence about it from seven years ago. When I read this last conversation with Aunt Delia, I thought about how Rebecca skillfully showed Gwyn's emotions. 

My gaze followed a ladybug as she pulled herself over the window ledge and disappeared. A sudden feeling of peace passed through me.
      "So, you're letting me go," I said softly.
      "Yes, dear. I'm letting you go."

Gorgeously written, this story will stay with you long after you've finished reading it.

GIVEAWAY

Please leave a comment by November 8 if you are interested in winning an EPUB of Whispering Through Water, courtesy of Monarch Educational Services. No limitations on who can win it! IN ADDITION: Rebecca is giving away an autographed copy of the paperback!

Please leave me your email address if you are new to my blog. If you are more comfortable, you can email me to enter. 



Monday, February 11, 2019

Behind the Scenes of Bound: Author Interview Part II

On last week's blog, Vijaya Bodach shared her inspiration for her debut YA novel, BOUND. This week she provides insights into her publishing journey and she and I talk shop.


PATH TO PUBLICATION


CAROL: Did you try to publish BOUND through “normal” publishers? If so, was there a pattern to your rejections?  

VIJAYA I tried the trade route for a couple of years, but got tired of even the good rejections. Many loved the writing and the characters but wanted a different outcome! That was non-negotiable. Early on, one agent sowed the seed for self-publishing. He said the industry was shifting and less open to publishing a book that was counter-cultural. When I was down to small presses, I remembered his words and decided to take all the risk to publish BOUND. It’s been so empowering, I feel a certain lightness. I would definitely recommend this as a path to publication.

CAROL: Can you share some of the ups and downs of self-publishing?

VIJAYA: I prayed about this decision for a year, but once I took the plunge (after another good rejection, lol) it was a whirlwind six weeks trying to learn everything necessary to publish BOUND myself. I still have much to learn, but what joy! I was able to use my contacts in the industry to hire a designer. I loved having the freedom to be true to my characters and have control over the entire process. And the best part is knowing that Rebecca and Joy are taking up residence in others’ hearts and minds as well.

But the most difficult part has been growing my readership. All my other books magically found their way into schools and libraries, but BOUND hasn’t been reviewed by any of the journals that librarians read, so they don’t even know of its existence.

I’m learning that to be successful in this business, one has to be good in three areas: writing, publishing, and marketing. I am good at writing, competent in publishing, but dismal at marketing. So this year, I plan to learn how to advertise more effectively. But at this stage, as a novice novelist, I believe my efforts are best concentrated on writing the stories that will make a difference and trusting that impassioned readers (like you!) recommend it to their circles, and so on and so forth to grow organically. I am grateful for each and every one of my readers. By the way, it will help if your readers request BOUND at their local library! 





SHOP TALK  


Vijaya was willing to discuss the choices she made while writing BOUND. Here are two observations I made about the novel and her responses. 

CAROL: I thought that Rebecca’s “conversion” from being against abortion to being pro-life was too abrupt. One minute she was taking Joy to the abortion clinic, the next minute she’s totally changed her mind. I actually found their father’s transformation was more gradual and believable.

VIJAYA: I’m glad you brought this up. Rebecca’s transition mirrors mine and it was like scales falling off my eyes. And speaking of mirrors, Jim Bell, talks about the “mirror moment” at the midpoint of a story. This is where a character is at a transition. She can see who she is and who she’s becoming. She must make a choice. It’s a moment of clarity. And in that scene (which ironically has Rebecca looking in a mirror) once Rebecca understands what’s at stake—the life of a child—she’s able to recall the wisdom of her mother’s words. And she does what she has to do without counting the cost. So yes, it feels sudden, yet natural. 

CAROL: The only parts that I found “didactic” were Rebecca's college interviews. I thought that Rebecca was long-winded and those could have been either shortened.

VIJAYA: I wrote BOUND for the ICL Book Course and my wonderful instructor, Nancy Butts, warned me about this exact danger. But by the third revision I knew that Rebecca had to articulate her position even if it cost her a seat in medical school.  


ONE LAST WORD FROM VIJAYA: Thank you for writing such an in-depth review and your thoughtful questions. I hope your readers feel encouraged to never, ever give up on a story they believe in. God bless all the works of your hands!



Bio: Vijaya Bodach is a scientist-turned-children’s writer, an atheist-turned-Catholic, and most recently, a writer-turned-publisher (Bodach Books). She is the author of over 60 books for children, including TEN EASTER EGGS, and just as many magazine articles, stories, and poems. BOUND is her first novel. To learn more, please visit: https://vijayabodach.blogspot.com/

GIVEAWAY

Leave me a comment if you want to enter to win an autographed copy of BOUND. It's fine if you already entered; I'll put your name in twice. If you are new to my blog, please leave your email address. The winner's name will be drawn on Thursday, February 14. A great book about love--just in time for Valentine's Day. 

Tuesday, June 3, 2014

Necessary Lies- A Review and a Giveaway!

Congratulations to Vida Zuljevic who won the good braider audio recording in last week's giveaway.

I met Diane Chamberlain at WNBA's Bibliofeast in 2013 and purchased her book, Necessary Lies, despite telling myself that I had enough books and wasn't going to buy one more! But when I saw it was set in North Carolina and written from two points of view--I couldn't resist. Another fortunate blog reader will be glad I did. When I confessed to Diane via Facebook that I couldn't part with my autographed copy, she indicated that her publicist would probably donate a copy as a giveaway. Thanks to Katie Bassel of St. Martin's Press, one of you will receive a free copy. Directions for entering this contest follow my review of this thought-provoking adult historical novel.


Necessary Lies documents an important story: the Eugenics Sterilization Program that sterilized over 7000 North Carolinians between 1929-1975. Set in the sixties, Diane Chamberlain does an excellent job portraying the internal and external conflicts her two protagonists face.

Jane Forrester is a 22-year-old idealistic newlywed who is eager to help people in her new job as a social worker. Her life is irrevocably changed when she meets her client Ivy Hart, a poor 15-year-old who is struggling to hold her family together. Ivy's father is dead, her mother is institutionalized; her grandmother (Nonnie) is ailing and doesn't take her diabetes medication; her 17-year-old sister (Mary Ella) is beautiful but feeble-minded; and her two-year-old nephew (William) is often neglected and shows signs of slow development.

The reality of Ivy's world shocks Jane on her first visit to the Hart's home; a shack on the tobacco farm where the girls are day laborers.  In this conversation with Charlotte, the caseworker whose caseload she will be assuming, Jane begins to assess the situation and Chamberlain foreshadows the problems she will encounter:

    "Mary Ella was kicked out of school when she became pregnant at fourteen," Charlotte said. "Once they're pregnant, that's the end of their education."
    "Fourteen!" I said.
    "Fifteen when she delivered."
    "Who's the baby's father?" I asked.
    Charlotte hesitated. "I doubt even Mary Ella knows," she said. "I have my suspicions but that's all they are. Mary Ella's blond as blond can be, but the baby's got very dark, very curly hair. His skin is fair enough, enough. He'll be able to pass."
     "Oh," I said, taking that in.
     "Don't put anything like that in your notes," she warned. "The last thing that girl needs is for people to think she's had relations with a colored boy, and a lynch mob would find out which one it was, you better believe it. Or they'd make a guess, which could be even worse. I didn't even mention my suspicions to the Eugenics Board."
    "The Eugenics Board? For her, too? Are they going to sterilize her?"
     "They already have," she said. "She's feeble-minded. IQ of seventy. But she doesn't know about the sterilization. Her grandmother and I agreed it was best to tell her she was having her appendix out."
     My mouth dropped open and Charlotte glanced over a me. "Sometimes you have to come up with creative ways of helping people, Jane," she said.
     "But it's so...dishonest," I said.
      "It's actually a kindness. You'll realize that soon enough. She can only understand so much, and she absolutely can't handle another child. She's out of control and I worry Ivy's starting to follow in her footsteps. Mary Ella's very pretty and Ivy's a little plainer and she's a big girl. Not overweight, but not lithe, like her sister."
    I instantly related to Ivy. I knew what it was like to be the "plainer" sister.
    "Ivy's still in school," Charlotte said, "and my goal--now your goal--will be to keep her there till she finishes. The main thing is to prevent her from having a baby of her own because that'll put an end to her education."
    "Is Ivy...feebleminded, too?" I asked. I'd rarely used that word.
     "Her IQ's about eighty," Charlotte said. "Low, but not feebleminded, which is a shame because it would make it easier to petition the Eugenics Board on her behalf." (p. 65-6)

Meanwhile, Ivy's world revolves around Henry Allen, the tobacco farmer's son. When they secretly rendezvous at night, they listen to the radio and look at books about California. Again, the reader sees life through Ivy's eyes and what's in store for her:

     We went through all the pages. There was trees as big around as the tobacco barns and foggy cliffs called Big Sur and rocks in the ocean covered with seals and big black birds. There was actual palm trees. How could one place have so many different beautiful parts to it? I felt that ache in my chest again as he turned the pages. I wanted to step inside the book and live that beautiful life. Henry Allen said everybody in California was rich and had swimming pools in their own yards. I wished California was right next door to Grace County and I could walk over there tomorrow.
    "Which place you want to live?" Henry Allen asked.
    "Any of 'em."
    "No, get serious. Let's pick our top place from these here pictures."
    "Someplace by the water."
    He turned the pages and I stopped him. "There, I said, pointing to a pretty little tree standing all alone, way out on a cliff above the ocean. "This place."
    "Monterey," he said. "Okay, then. That's our destination. Monterey, California."
    "What about you, though? Which place do you want to live at?"
    "Wherever you are," he said.
     My throat got tight. "What if I'm here, Henry Allen? What if I can't never leave?" Me and Henry Allen used to say we'd run off after we finished school, which meant three more years for me and two for him, but I couldn't see how I'd ever be able to leave Mary Ella or Nonnie or Baby William. Everything would fall to pieces without me. I felt sad all of a sudden. All me and Henry Allen had was the dream. So we didn't talk about the when no more. Just the where.
.........
    All day long, I worried about other people. Was Nonnie going to have to start getting shots for her sugar? Was Baby William ever going to say more words than "mama" or would he be one of them dumb goys other kids picked on? Would Mary Ella get herself in trouble again? Worry worry worry. But when I was with Henry Allen like I was right now, him slipping my nightgown over my head and pressing his body into mine, so gentle and sweet, I could forget about everything except him and me and our dreams about the future. (p. 31-32, 33)
   
Jane works hard at gaining Ivy's trust, but their tenuous relationship explodes when the Department of Public Welfare presses Jane into submitting a petition for Ivy's sterilization. When
Jane defies her employer's orders and bring Ivy into her own home, Ivy discovers Jane's secrets--thus changing Ivy's life too:

    "Yes." It was her turn  to put down a card, but she just stared at the cards in her hand like she wasn't really seeing them. She looked up at me. "I lost both my father and my sister," she said. "Just like you."
    I couldn't believe it. I thought of her as a lady with a perfect life, especially now that I seen her house.   I felt like anybody could look at me and know I lost too much. I never would of guessed she had, too....
    ......
    "I looked at the picture another minute. Mrs. Forrester and her sister was both smiling. Both of them happy girls. Maybe happier than me and Mary Ella ever was. "You and me," I said, "we both go the same kind of hurt inside us."
    She nodded, and suddenly, just like that, I knew I could trust her with my life. (p.290, 292)

Since I am writing historical fiction set in North Carolina in 1950, I was interested in how Chamberlain used vernacular to give her characters voice and make them true to the time period and setting. I work at understanding my character's core values and knowing what makes them tick. Ivy and Jane's core values ring clear throughout the book: people should be free to make choices that will effect them and their futures.

There is much that one can say about this outstanding novel. But if you are a writer and are familiar with Blake Snyder's beats from Save the Cat, you'll be impressed with the opening and final images. Like bookends, a third narrator, Brenna, brings the book full circle.  
*******
I could say more, but I don't want to include too many spoilers! Instead, here's your chance to win this book and read it yourself:

1. Leave me a comment. PLEASE leave your email address if you are new to this blog.
2. Become a follower to this blog and/or share the blog on your favorite social media site. Let me know what you do, and I'll add your name an additional time for each time you share it.
3. Enter by Friday night, June 6th. 

  





THE NIGHT WAR: A MG Historical Novel Review

  By now you should have received an email from my new website about my review of THE NIGHT WAR by Kimberly Brubaker Bradley. (It'll com...