In my last post I shared Monica Roe's debut middle grade novel, Air. Today you're going to hear why Monica was uniquely prepared to write this book, her path to publication, and why bees and Alaska each have special roles.
In the author note at the end of Air, Monica relates that in her job as a pediatric physical therapist, she looks at what physically disabled children can do--with or without help. Once she was asked to help determine if a junior high student needed a one-on-one aide. Once you read Air, you'll see how coming alongside of that student and evaluating what he could do and what the school needed to provide, helped provide the framework for Air.
CAROL: How long did you think about this idea before you started writing Air?
MONICA: I'm a bit of a squirrel when it comes to ideas. I grab onto bits and pieces (often quite randomly) and sort of burrow them away for later. I originally started thinking about the first bits of the story back in 2014. Other glimmers and scraps came to me for a few years after that, including the experiences I recounted in the author's note.
CAROL: I’m curious—are you a plotter or pantster? Mostly I want to know if you “saw” the story pretty quickly because of working with that student, or did the idea evolve. If it evolved—how long was your brainstorming process?
MONICA: I have to write from a plot outline, I've learned, or else I find myself endlessly writing myself into corners and dead ends. But the bits-and-scraps of idea collecting that I do beforehand generally takes quite a long time---I might jot down notes for months (or years) before I ever sit down to write that first outline.
CAROL: The ending is brilliant and unexpected. Without giving away the ending, did you know what it was when you started, or did that evolve also?
MONICA: Thank you! The ending actually evolved rather unexpectedly to me, as well. I honestly can't remember when or how it came about, but I was pleasantly surprised when it did. I think that nailing down the title helped a bit--as I wrote and revised, it become a sort of repeating motif of sorts, which led me to all sorts of fun little moments of connection that I hadn't expected.
I can only chalk it up to the magic that can sometimes happen when we as writers really let ourselves trust the process--and our subconscious.
CAROL: How long did it take to write?
MONCA: I honestly don't remember how long the actual writing process was. I know that I drafted the last half of the book fairly quickly (over three very intense weeks). But the initial outline and the first half of the draft took a lot longer, I think.
CAROL: How did you find your agent?
MONICA: I'd spent some time in the query trenches back in 2015-2016 with another novel and promptly racked up an impressive stack of close to 50 rejections. Jacqui and I met at VCFA and had been in workshop sessions together while there. We knew one another's writing and had traded pages here and there after graduating. We reconnected after she began agenting and she reached out to me when she was building her client list. I was very, very lucky. It was one of those lightning-strikes moments I least expected.
CAROL: From PW, it seems as if the book is getting published in about a year, which is incredible! Is that true?
MONICA: The pandemic played a bit of havoc with that timeline. I think the book sold back in May 2020 and it was originally slated for a Fall 2021 release. COVID ended up pushing that back to Winter 2022, which ended up being a good thing. As an added bonus, Air is now launching on the ides of March, which is fun.
CAROL: Can you tell us anything about signing with FS&G?
It was a pre-empt--the editor who initially offered asked my agent and me if we'd put a brief hold on considering any other pending offers to allow a window for some negotiating. We were pleased with what FSG came back with and were thrilled and grateful to sign with them.
MONICA: What helped you most in writing this book?
I suppose this book really arose fairly organically over time, drawing upon various facets of my professional and personal life, my research and advocacy interests, my own rural background, and--at the end of the day--just the plain old desire to write a story about an ordinary kid full of big dreams and determination who wants to do things in her own time on her own terms.
CAROL: How did you nail Emmie’s voice?
MONICA: I'm very much a character-driven author (which is why I have to force myself to work so hard on plot!). Quite often, it's a character's voice that comes to me first--long before I have any inkling of a storyline or other more concrete details. It usually comes to me fairly unbidden and I'm often surprised by what my characters have to say and how they say it. I was born and raised in a very rural and working-class community, so rural voices are often the ones that I hear most clearly in many of my characters.
CAROL: You obviously have the credentials to write this book. But have you wondered/worried if anyone would question you writing it since you’re not disabled?
MONICA: Worried, no. Rather, I'd say that I feel a great responsibility to do this particular story justice. Air takes aim at a lot of tropes, stereotypes, and assumptions that still exist far too widely regarding disability and those who identify as disabled--most of which I've encountered or observed firsthand either in society at large or in my own professional career, research/advocacy, and personal life. I do absolutely feel the gravity of my choice of POV character and I both expect and hope for all the questions and feedback as to why I chose to write Emmie as I did. There are many, many identities and backgrounds which I would never consider myself equipped or appropriate to write and I feel strongly that we as writers must fully embrace and thoughtfully consider the question of which stories we are best (or not) equipped to tell. (Also, any day I get to talk about the social model of disability is a good day, as far as I'm concerned!).
I am very grateful to the two excellent authenticity readers who read the manuscript with a specific eye to my portrayal of Emmie and provided thoughtful and insightful feedback.
I think that sometimes there's a default assumption that all help is helpful as long as intentions are "good." But plenty of clear feedback from within the disability community begs to differ. At its heart, Air is a story about community and accessibility--and how hard it can be to change longstanding assumptions, especially within one's own largely loving community, and how hard it can be to speak up for oneself in the face of well-intentioned ableism. I knew from the start that the main character was a young girl and aspiring athlete who comes to realize that her school's lack of architectural accessibility--and her community's assumptions about her abilities--have actually (if unintentionally) led to her being held to a higher level of scrutiny than her peers. And then she takes action to help them see that! Had I told that story from the point of view of a character who didn't ride on wheels (and therefore wasn't the one directly affected by the school's policies), I think the story would have risked cutting far too close to saviour-ish territory, which I absolutely did not want. It was very important to me that Emmie be the one to both face this unjust (and unfortunately all-too-common) situation--and also that she be the one who gains the agency and the assertiveness to be the change-maker (as opposed to having someone else come in and do it for her).
CAROL: What type of research did you do?
MONICA: I did do a fair amount of research on WCMX, since I--sadly!--do not share either Emmie's athleticism or her passion to become involved in that particular sport. I also brushed up on some of the finer details of the historical timeline of the disability rights movement in the United States, particularly the 504 sit-ins.
CAROL: What did you think of the cover?
MONICA: It exceeded my hopes in every way. I was also quite surprised and pleased with the amount of input I was given on the cover, especially in the fine-tuning stages of the process. Before any illustrations were made, my editor asked me to make a Pinterest mood board for the team with some images and ideas that captured how I imagined the cover might look, which was a lot of fun.
Mallory Grigg (cover designer) and Oriol Vidal (cover artist) were phenomenal to work with. They were extremely responsive to the input I offered on early versions of the cover and ultimately captured the energy, ethos, and place of the story in a pitch-perfect way. I couldn't have been more delighted or grateful for their amazing skill and vision.
CAROL: Why bees?
MONICA: My husband and I have kept bees for about ten years now-- just a small apiary next to the Congaree Swamp. We've kept as many as 24 hives and as few as 2, depending upon the year and what else we've got going on. These days, since we divide our time between Alaska and South Carolina, we only have a handful of active hives and are fortunate to have family nearby who help care for the bees when we're not around.
CAROL: Why Alaska?
MONICA: I wanted to create a character who lived far away from Emmie, yet became an unexpected confidant and mentor. Alaska seemed a logical choice--it seems to have a bit of a mystique, particularly among those who've not experienced it firsthand, and I thought that a fiesty, independent grandma who lived life her way on a tiny Alaskan island would be someone Emmie would find fascinating--and perhaps a potential role model in some ways.
Nice interview. Thank you, Carol and Monica!
Please enter my name for the GIVEAWAY. Thanks!
As if I hadn't been hooked before, now there's an independent gramma - who lives on an Alaskan island. I have to read this book. Thanks for the great review and interview.
I'm eager to discover this unexpected ending - and, of course, all that comes before it! Carol please enter my name again.
Monica, I have a feeling you're in for quite a ride. Catch some air!
Thank you Lauis, Joyce, and Gail for your comments. You are all in 3x!
Thanks, Lisa. You're in 3x too!
Great interview! I'm looking forward to reading this book!
Thanks so much for the lovely interview and review, Carol. It was such a pleasure to talk with you about the book and your current writing projects. :)
Carol, thanks so much for the lovely interview and review--it was so much fun to talk with you about the book and your own current projects, too. :)
Thank you for the interview! Now that you've mentioned the excellent ending and how the author even surprised herself, I need to read this book to find out for myself. I like that this author had readers authenticate her portrayal of Emmie.
You've got to read it, Danielle!
It's been fun, Monica!
Thanks for leaving comments on all 3 blogs, Jilanne.
Very interesting and inspiring interview. I'm looking forward to reading this book. It's a tough topic to write about. Authenticity readers have to be a great help. Thanks for the post.
Carol, I'm always amazed at the ease you seem to have with interviewing. I'm such an introvert I think it often hinders my ability to connect with others. Great job!
Thanks, Gail. It's born out of nosiness/curiosity!!
Thanks Carol and Monica for that great interview. I would love to win the drawing
You are in, Gwen!
Thanks, Rosi. YOu're in twice!
Loved the interview--posted on part 1 of your blog about the book, I think. Then could not find the place to post for part 2. Hope this is it--would love to win the book
No problem, Gwen. You posted twice on this post but that's OK--I entered your name twice!
Great interview. I loved learning how Monica got her agent and her writing process. Wish I could totally outline before I write too.
THANKS, Natalie. I learned from this interview too!
I really enjoyed reading this author interview! I appreciated how Emmie is her own savior as she fights for change in the story, and I also loved the point about writing from one's subconscious—I think that can be really powerful! I'll pass on the giveaway, since I have too many books to read as is, but thanks so much for the great interview, Carol!
Thanks for your comment, Max!
What a great interview with the author. I relate to this story in many ways, so I'm eager to read her book. I was born legally blind in my right eye, but had a perfect left eye. I didn't understand the fuss, because I didn't know any different. But teachers put limits on me even though I could do anything other kids could do. At 53, I had a serious brain injury that forced me to retire early, because of the neurological issues that occurred. Had to laugh at the author's love of bees, because my CNS was compromised and I feel like I live with a beehive inside me and my job is to keep the hive smoked so I function well. Doubt you will see my message, but will try again. For some reason your website never allows me to leave a comment or recognize my google acct. I'm with WP. And I do comment every week.
great interview! I always like to get an inside look at writing process. I definitely need to read this book, now!
Excellent interview. There are so many hills and valleys in writing and publishing. I'm glad Carol finally got her book out there. I will read this eventually but will let someone else win who doesn't have a teetering stack of books waiting to read and review. Thanks for featuring your post on MMGM.
And thanks for hosting me, Greg. But it was Monica who got her book out there--I'm still working on mine!
You're in twice, Sue!
Patricia--I bet you can relate to this book. Your comment came in loud and clear!
I have this on my TBR list and am looking forward to it! Thanks for a great interview.
You're welcome! I'm sure Monica will be thrilled to have you read it.
Book sounds great, and fascinating interview. Sadly, I am outside the US and can't enter the giveaway!!
Thanks for your comment, Valinora. The giveaway is over but I hope you get to read this book! Thanks for stopping by.
Wonderful interview. I am really looking forward to reading this book. No need to enter me in the drawing. Thanks for the post.
I'm a pediatric OT and author-wanna-be. This interview and your spotlight with Non-Clinical PT were both quite inspiring and insightful. I feel like I now have some heartfelt guidance as to how to start my own writing journey. Thank you and God bless you as you strive to give back to the world through your work!
Thank you, Natalie. I'm so glad you found my blog and this book! Best wishes, Carol
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