We are All That's Left: A Review and a Great Audio CD for You

Congratulations to Danielle Hammelef who won BLACK GIRLS LIKE ME from last week's blog.

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I always enjoy sharing amazing books and a young adult author who I'm unfamiliar with. That's what you'll find if you read, or listen to, Carrie Arcos' book, We Are All That's Left (Philomel, 2018).  Both narrators, Laura Knight Keating and Elisabeth Rodgers, perform the book with clarity, fervor, and excellence. (Please keep in mind that quotes may not be exact; I took notes as I  did other tasks.)

REVIEW

Told in dual points of view, Ms. Arcos provides readers with an intimate look at the effects of the Bosnian War as well as a very personal experience with modern day terrorism. If you're not familiar with this civil war, you might want to read about it first.

The book opens with a view of the River Drina and the bridge that crosses it. The bridge plays an important part in the story and also symbolizes the connection between Zara and her mother, Nadja. 

Quickly, the reader discovers that Zara feels shut out from her mother's life. Although Zara knows that her mother lived through the Bosnian War and she hears the screams from her nightmares, Nadja never speaks about it. Zara doesn't go anywhere without her camera, but her mother can't stand the sound of a camera clicking. Zara concludes, We have nothing in common except our sea green eyes.

Then, a terrorist attacks.

On a summer day, Zara and her brother Benny are at a farmer's market with their mother. Without warning, a bomb goes off, their lives are shattered, and Zara is left holding her mother's yellow ballet slipper.

At that point, the novel switches to Nadja's story in 1992. She's a teenager in love with a Serb teen photographer, Marco. They both plans to study in Sarajevo. And even though they are different ethnically, who cares? They are both Bosnians.

Then, war breaks out. 

The story flits back and forth between the present in which Zara deals with severe physical, emotional, spiritual, and psychological wounds, and Nadja's heart-rending, horrific story. Nadja is in a coma as a result of the attack and Zara experiences a wide range of emotions. Their silence seems no different than what is normal between them, but Zara fears that her mother will die and they'll never truly know each her. 

Before the attack, Zara had enrolled in a photography class. Although she feels like a freak with bandages across her face, she decides to attend. Each student must create a photo story. The instructor prompts: "What do you want the viewer to feel? Look for stories around you. What story are you in?"

Zara finds a box full of old letters and photos that Marco took. She feels like she's discovered a treasure which leads her to anger and grief over the grandparents (and uncle) she never knew. I’ve peaked over an abyss I didn’t know existed.

The book holds a sense of timelessness. The events are different in time and place, but Zara grapples with the violence her mother experienced and the ISIS attack against her community haunt her day and night. My emptiness is all that's left. 

Zara meets Joseph who is also searching for meaning in suffering. Zara wonders how God allows terrorist attacks. Joseph shares his spiritual journey, but more than anything, becomes a friend with whom Zara can unburden herself. By listening and understanding he helps Zara put back together the pieces of her broken self and her shattered life. 

I listened to this at the same time that I was reading For Black Girls Like Me. Mother abandonment is a theme in both books and both fathers are overwhelmed and not quite sure how to help their daughters. At one point Zara's father tells her: "People fear what they do not know." Even though it is true, that hardly satisfies her emotionally.  

Zara's photography teacher asks the class to consider their photo stories and ask, "What is the character’s narrative and is it true?" Her photography project bridges the gap between mother and daughter and brings healing to their relationship. 

When Nadja comes out of the coma, Zara spends hours in the hospital talking to her and hearing her mother's story. Zara concludes, "Maybe God is love. I have no choice but to use the suffering. Love and forgiveness go hand in hand. I survived and am still surviving." 

Here is an audio snippet so you can sample this powerful book. 

GIVEAWAY

I'm going to give away this book in conjunction with the January issue of Talking Story on Eastern Europe. Leave me a comment (with your email address if you are new to my blog) and I'll add your name to the list. Hang in there--this book is worth waiting for. But if you don't want to wait until then, get a copy now for yourself or the young adult reader in your life! (Continental United States only.) Giveaway ends January 20.

REFUGEE- A Review and Giveaway- Part I

This is a busy week on my blog. TWO giveaways running concurrently! 

WARNING: Reading this book will make you stay up late and the characters will haunt you long after you finish reading it.

Readers of my blog are no strangers to Alan Gratz's books. You're a click away from seeing what I thought of Prisoner B-3087, The League of Seven, and Samurai Shortstop. And believe it or not, I still have Dragon Lantern on my TBR shelf. It's no use. I can't keep up with this t-shirt and jeans-always-in-a-hat favorite of SCBWI-Carolinas and now a NY Times Bestselling author!

Review

It's difficult to know how to review a book that takes the lives of three young people from three different periods of time, who are escaping from atrocities in three different countries and weaves them into one volume. Each chapter tells a different part of each refugee's story and each (see warning above) ends in a cliff-hanger. Masterfully written and entwined together, the reader never loses track of who is speaking and the events that character faces.

In 1938, Josef Landau is a twelve-year-old German Jew who's family barely escapes the concentration camp. In 1994, Isabel Fernandez is an eleven-year-old who is hungry, musical, and afraid.  Castro has been making life difficult for her and her fellow Cubans for years. In 2015, Mahmoud Bishara is a twelve-year-old stocky Syrian who prefers to stay invisible so that he can survive artillery shells and bombs.

Although they are worlds and cultures apart, their stories intermingle. Their stories include broken glass, threatening soldiers, harrowing escapes, unbelievable obstacles, bodies of water which swallow family members, music, close-knit family ties, and heroism on each character's part.

Here are a few bits and pieces to entice you to read this book:

After Mahmoud's apartment building is bombed and crumbles his father says, "We should have gone long ago. Ready or not, if we want to live, we have to leave Syria." (p. 55)

This scene takes place soon after Isabel's family escapes to Florida in a makeshift boat their neighbors built.

They [the fathers] kept arguing, but the engine and the slap of the boat against the saves drowned their words out for Isabel. She wasn't paying any attention anyway. All she could think about was the ninety miles they still had to go, and the water pouring in from the gunshot hole in the side of the boat. (p. 65)

Josef turns 13 onboard the MS St. Louis. Like other Jewish boys, it is time for him to have his bar Mitzvah, which the men on board arrange. His father, who was tormented in Dachau, refuses to attend believing that the Nazis will snatch him away.  Here is Josef in this sad yet foreshadowing scene:

Josef felt like someone had yanked his heart from his chest. In all the times he'd dreamed of this day, his father had always been there to recite a blessing with him. But maybe this is what becoming a man is, Josef thought. Maybe becoming a man means not relying on your father anymore. (p. 75)

While Mahmoud's family meets one obstacle after another as they seek to get to Germany, they meet a Palestinian refugee who left his home in 1948 during the first Arab-Israeli war. Since I was listening to Blood Brothers, the story of the displaced Palestinians (to be reviewed and given away soon)--this man's help to the Bishara family added another dimension to the history and plight of refugees. 

On their cobbled-together boat Isabel thinks about her beloved music.

This journey was a song, Isabel realized, a son cubano, and each part of it was a verse. The first verse had been the riot: a blast of trumpets, the rat-a-tat-tat of a snare drum. Then the pre-chorus of trading her trumpet for gasoline--the piano that gave the son its rhythm--and then the chorus itself: leaving home. They were still leaving home, still hadn't gotten to where they were going. They would return to the chorus again and again before they were done. (p.155-6)

Floating on a dinghy in the Mediterranean Sea with his mother, Mahmoud is hoping to be rescued. In the dark he hears a boat, but can't see it. 

But the sound of the motor stills stayed frustratingly, agonizingly, far away. If only whoever was on the boat could see him, Mahmoud thought. All his life he'd practiced being hidden. Unnoticed.  Now, at last, when he most needed to be seen, he was truly invisible. (p.192)

Josef contemplates joining nine other men who plan to storm the bridge of the St. Louis and demand that the ship be run aground in America instead of being returned to Germany. As much as he wishes he could return to childhood he thinks,

But he wasn't a kid anymore. He had responsibilities. Like keeping his sister and his mother safe. Papa had told him what the concentration camps were like. He couldn't let that happen to Ruthie and his mother. (p. 253)

Alan expertly wraps up the three refugee's stories in an unexpected ending. This is a timely book that both adults and readers from ages 12 and up will enjoy; it is also be a tremendous curriculum resource.

Trailer

Giveaway

I am giving away a copy of REFUGEE in conjunction with the fall issue of Talking Story. Leave a comment here to enter once. Leave a comment through Talking Story and you'll have another chance! Come back next week for a look behind the scenes of writing REFUGEE. You'll have another chance to win the book! Giveaway ends September 28. 

The Secret Sky:A Novel of Forbidden Love in Afghanistan and A Giveaway

This new young adult novel by Atia Abawi, a foreign news correspondent stationed in Afghanistan during the war, has all the elements of Romeo and Juliet: young lovers from families of different social status and backgrounds, parents who disapprove of their relationship, a jealous cousin, deaths of innocent secondary characters, and a clandestine marriage performed by a sympathetic priest.  Except this story takes place in modern day Afghanistan and (spoiler alert!) it does have a happy ending.

Abawi lifts the veil into a society that will shock most Westerners. She portrays a modern world set in a remote Taliban-controlled village where not only are marriages arranged by parents, but teenage girls and boys can’t talk privately without being accused of sexual immorality and girls risk death by the hands of their fathers for meeting a boy alone. Add to this that girls don’t attend school and upper-class boys go to school to become Taliban soldiers—and you have the key world building components of The Secret Sky.

Into this world step childhood friends, Fatima, who is Hazara and Samiullah who is  Pashtun. Samiullah has just returned from the Taliban controlled school and Fatima doesn't know why. The two meet surreptitiously and confess their love for one another. Stakes are raised when Rashid, Samiullah’s jealous cousin, sees them and reports their meeting to the couples’ fathers.  Believing that the only way to save Fatima’s honor is by declaring his intention to marry her,  Samiullah actually digs a pit so deep that they must escape. 

Told from three points-of-view, each character’s journey is full

of external and internal conflicts. If Fatima leaves her deeply-loved family she will surely cause them shame. Samiullah constantly wrestles with his responsibility to Fatmia. Can he ask her to give up her family to go to Kabul where they know no one but could be together? Will Rasheed’s jealousy and own painful backstory fuel his loyalty to the Taliban and betrayal of his cousin  and Fatima? These questions propel the story forward. 

The secondary characters in The Secret Sky round out the story. Fatima's best friend's grandmother who is teaching the girls how to read, remembers a time when women were freer and bemoans the direction of her country. The Taliban soldiers, the main characters' family members, and the priest who marries them are portrayed with in-depth accuracy. 

As I listened to this audio CD I was reminded of The Good Braider, another contemporary book depicting another culture. I label both as contemporary historical fiction and recommend using them in middle and high school classrooms.  

Here is a short video clip in which Abawi gives an overview of the novel: 

I would like to pass along this audio CD courtesy of Recorded Books. Leave me a comment by 6 PM on January 15 and I'll enter your name. Become a new follower of this blog or share this on your social media of choice and let me know that you did, I'll put your name in the hat twice. 

PLEASE leave me your email address if I don't have it. If you don't, you will be disqualified.  U.S. postal addressed only.  

Dangerous Skies

As part of my research for Half-Truths, I am reading as many books as I can which probe the relationships between African Americans and whites. By now I am less surprised by stories of segregation and prejudice in the 20th century, but Dangerous Skies is an exception. Readers may be shocked that this story takes place in 1991--just twenty short years ago.


At twelve years of age, the friendship between Buck Smith and Tunes Smith developed since infancy. They grew up together along the shores of the Chesapeake Bay where their families' lives intertwined. "[Tune's] daddy, Kneebone, was manager of my father's farm, like his father and his father's father before him, all the way back to the time when they were freed from slavery, which was how they first came to work the Smith land." (p. 6)


The two were highly respected fish finders, but the summer that they were to turn thirteen the watermen not only asked where the fish were biting, but where Buck and Tunes had been together. "I didn't think much about it at first, but before long all the looks and questions were getting on my nerves." (p.9) Buck says, foreshadowing the book's main conflict.


When Buck and Tunes discover a dead body floating in shallow water, events unfold which baffle and anger Buck. As he doggedly tries to discover who killed him, Buck has to face his own lies as well as long-standing alliances within the white community which breed condemnation for Tunes. 


The publisher recommends this book for readers from 8-12. I disagree. There are references to forced sexual intimacy between Tunes and a white man. Although these are written in a very subtle manner, I recommend this book for upper middle grade students and higher. 


Prejudice, deceit, hypocrisy, love, and loyalty-- this book has it all. But a book set in 1991--is that historical fiction or not? What do you think?

The Day of the Pelican: Contemporary Historical Fiction

In 1998 Kosovo was a country divided between the Serbs and the Albanians. In this coming-of-age story, Albanian Meli Lleshi grows up in the context of persecution and ethnic cleansing that is reminiscent of Nazi Germany.



The Day of the Pelican opens with Meli’s older brother, Mehmet, disappearing on the way home from school. The family fears he has been kidnapped or killed by their Serbian oppressors. When he finally returns weeks later, Baba (their father) decides they all must seek safety outside of their beloved Kosovo. The family lives in exile in a KLA (Kosovo Liberation Army) camp, then with relatives, and finally in a refugee camp. Meli faces the humiliation of having her home, her family’s jewelry, identification cards, money, and finally the family farm, ripped from her family’s hands.


Despite losing all of their possessions, the family sticks together and Baba decides that their best chance at survival is in America. Only the children know English and the reader gets a painful glimpse into the difficulties of immigrating into a country where the language and customs are vastly different.


Even after this Muslim family achieves a small measure of success and security in rural Vermont, they experience a new type of persecution following the terrorist attacks on 9/11. Both Memet and Meli become targets of racial prejudice from their soccer teammates and their old angers and fears resurface. In a poignant scene at the end, Baba tells their coaches, “Tell [the teachers] my children wish to be respected as fellow teammates and not despised because of their heritage. This is the way of the old country. This is America, tell them. In America, everyone has a new beginning.” (p. 135)


Although this is a contemporary story, it is tied to real historical events and people during the war in Kosovo in 1998-1999 and the bombing of the twin towers on 9/11. As a result, I categorize the book as contemporary historical fiction. Like The Kite Runner, which takes place in Afghanistan at the end of the 20th century and into the beginning of the 21st, these stories dramatize true, contemporary events that are now a part of world history.


Katherine Patterson based this story on interviews with a refugee family from Kosovo who were sponsored by her church in Vermont. This well-written novel concludes with historical notes which inform the reader and give the facts that lay behind this story. This book would be useful in middle school and high school classrooms as a starting point for a discussion about racial prejudice, ethnic cleansing, and problems which immigrants face both now, and in “past” history.

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