Showing posts with label critique groups. Show all posts
Showing posts with label critique groups. Show all posts

Wednesday, August 11, 2021

You Heard It Here First: Viviane Elbee's SECOND Picture Book, a Cover Reveal, and a Giveaway!

 I always consider it an honor when a friend asks me to host their cover reveal. In Viviane Elbee's case, this is a double pleasure because "back in the day" we were members of the same SCBWI-Carolinas critique group in Charlotte AND I got to post the cover of her first picture book, Teach Your Giraffe to Ski (which by the way had over 500 views!).

Her second book is I Want My Book Back! and is illustrated by Nicole Miles. It'll be coming out in March, 2022 by Little Bee Publishers. Today you'll get a sneak peek into this clever book, Viviane's path to publication, and some of Nicole's thoughts.  

BOOK BLURB

Daryl loves to play with his favorite library book about dinosaurs. His imagination takes him to prehistoric places, and he pretends to be a triceratops, microraptor, and even a T. rex! But Daryl does not want to share his book, so when he has to return it to the library, Daryl goes wild. Using all of his roaring and stomping dinosaur skills, Daryl tries his best to get his book back. But when a clever librarian notices Daryl's passion, she encourages him to share his favorite book and make some new friends along the way. This playful, silly, funny, tale about reading, books, and sharing is sure to be a hit with any child.


BOOK JOURNEY

One day, back in 2016, I was reading reviews about another library picture book, and one of the reviewers mentioned that she would like to see a picture book about the magic of libraries that did not have any magical or fantasy elements in it - because, as she pointed out, libraries are already wondrous places. Her comment got me brainstorming about library-themed book ideas that would show just how incredibly special libraries are, while remaining mostly realistic. On my brainstorming list about why libraries are special, I wrote "sharing books you love with others." 

Gradually, a story idea grew. I sent the pitch to my agent Natascha Morris, who said this was a winning idea and I should work on it. I revised the manuscript over and over. 

My critique group was very helpful with revisions. An earlier draft of the story was “quieter" and they helped me make it more active. I’m so grateful for my critique partners!

I took it to an SCBWI conference (pre-pandemic) and Tammi Sauer gave encouraging & useful feedback on how to improve it. Finally, Natascha felt it was ready to submit to publishing houses. Little Bee Books came back with a revise & resubmit, so I revised the manuscript some more and we sent it back to them. I was delighted when Little Bee Books made an offer!

I was really excited to see the illustrations and the cover. When I first saw black and white sketches of the book, I was impressed, and with color, it’s even better! I was also elated to discover that the book will have an undie--the illustrations under the jacket are different from the cover. I love it! Nicole is very talented and she did a great job. 

Although I didn’t talk to Nicole directly about the illustrations, LittleBee sent me black and white sketches and I was able to provide feedback. I could also see all the comments Little Bee had - their comments were very thorough and thoughtful. A book is truly a team effort! 

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Thanks, Viviane. I enjoy hearing every author's path to publication. 

And now, a word from Nicole:

THE ILLUSTRATOR NOTES


I loved that this story was a great opportunity for dino-themed fun and lively action. The illustrations flowed pretty easily after reading the manuscript. I quickly fell in love with Daryl and his mum while working on it! I tried to bring the energy and liveliness to the illustrations that attracted me to the story; I hope readers feel that energy when they read I Want My Book Back

Covers are such a tricky thing because they are the visual calling card for the book and when so much happens in a story, it can be hard to decide which emotional note or action-packed moment to put forward. I like to provide as many options as possible to the art director so I submitted seven possibilities at the sketch phase and ended up working up two color roughs. Options ranged from the loud to quiet; and from literal to abstract. In the end, the team liked the energy and expression in the sketch that ended up being the final cover. Since they preferred the colors of the second rough color sketch, I inserted the color palette of the second rough into the first option. I think it works really well to capture the sweet character's quest for dinosaurs! 

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I hope you will connect with both Viviane and Nicole here: 
Twitter- @VivianeElbee and @NicoleMillu  

COVER REVEAL!





GIVEAWAY 

Please leave me a comment with your email address (if you are new to my blog) if you would like to win a copy of I Want My Book Back when it is available February, 2022. If you want an extra chance, share this post on social media. Let me know what you do and your name will be entered twice. The deadline to enter the giveaway is August 13 at 6 PM. I'll also be reviewing the book closer to the book's publication so you'll have another chance to win the book then. 

Saturday, November 28, 2015

You Heard it Here First: Kathy Wiechman's Path to the Grateful American Book Prize- Part I

To Kathy Wiechman's Ohio, SCBWI,  and Facebook friends, this two-part series will come as no surprise. But since many of my readers are from North and South Carolina, I can safely say this will be news to many of you. I hope everyone will enjoy hearing how Kathy, like Jo Hackl, persisted on her path to publication and is now reaping the rewards.

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I first "met" Kathy through reading and reviewing her debut middle grade novel, Like a River. In our correspondence, she has jokingly referred to herself as the "poster child for perseverance." When I heard she had received the first Grateful American Book Prize, I asked her to share her journey. 

Kathy with her husband Jim
and her award winning debut novel.

CAROL: At one point you said it took you 39 years before you published your first book. What were the highlights of those years? What sacrifices and choices did you make? How did you balance life (raising kids, teaching, etc.) with writing? Most of all, how did you keep going?

KATHY: There is no short answer. It was thirty-nine years between my first novel submission to an editor (1974) and the day I was offered a contract for my novel, LIKE A RIVER (2013). I actually began writing poems when I was five years old.

 In the late 1970’s, I took a series of classes from author Stephanie Tolan. She taught me the correct way to submit a manuscript and encouraged me to keep at it. She read a couple versions of an early manuscript and gave me feedback. Having Stephanie tell me I had talent was a definite highlight. 

During the 1980’s, I joined SCBWI (which was still SCBW). I wrote, submitted, and received a lot of rejection letters. The slow turn-around from editors taught me how quickly manuscripts became dated. That’s when I combined my love of writing with my other passion, history. Historical fiction was always my favorite read, so why not write it?

As I headed into the 1990’s, I wrote mostly historical fiction. In January, 1990, I joined a critique group in Newport, Kentucky. It has been the source of not only good criticism, but also great friendships. I attended conferences. I craved being with other writers, people who understood the struggle and shared the drive, people I could learn from. In 1996, one of my short stories (MALL MAGIC) won a prize from Children’s Writer. What a highlight that was!

My critique group told me about the Highlights Workshops at Chautauqua. I told them I couldn’t afford it, but I applied for a scholarship. The highlight (from Highlights) that changed my writing life was when I was offered a partial scholarship to attend Chautauqua, 1999. That workshop was fantastic, magical, and my introduction to the Highlights Foundation and their incredible workshops. It was definitely life changing, and an opportunity to make more writer friends.
     
The writers group Kathy has been
meeting with for almost 26 years.
In 2002, I was invited to join a second critique group in which nearly everyone was published. I felt quite out of my league initially, but they extended a warm welcome. MY FACE, a poem, was published in Ladybug magazine in 2002. That year, Meadowbrook Press ran another of my poems (NO RETURN) on their website. In 2011, another of my short stories (ONE YEAR AFTER) won a prize from Children’s Writer. In 2012, another poem (IMAGES OF 9/11) was published in an anthology from a small press that no longer exists, and in 2013, ONE YEAR AFTER won a prize from the Center 4 Writing Excellence. In the context of writing novels, these may seem like small victories, but they were confidence-building. And a victory is a victory.
Kathy's second critique group which she joined in 2002.
When I was writing that first novel I submitted in 1974, I was expecting my third child. (In 1977, I added a fourth.) I worked in part-time sales in those days to help make ends meet. Money was tight, but I learned how to be frugal. I taught beginner French and Creative Writing. I tutored Language Arts and helped prepare eighth graders to take their high school entrance exams.

We couldn’t afford expensive vacations, so we went to places where we had friends or family to stay with. We took short trips to nearby locations. We visited Hodgenville, KY (where Abraham Lincoln was born), Shaker Village (KY), Mammoth Cave (KY), Conner Prairie (IN) and much more. My kids might disagree, but I never felt those trips to be sacrifices. They were family time and experiences that fueled my historical interests.
Toby Wiechman, 1989, exploring Mammoth Cave
I wrote whenever I could snatch a bit of time. When my kids played outside in the yard, I sat at the picnic table and wrote. When they played games in the family room, I worked at my desk in the corner. I also wrote late into the night after everyone was asleep and the house was quiet. I often stayed up until 4:00AM. I was younger then and could manage on less sleep. You might say I sacrificed housekeeping, and I was much too willing to skip that.

What kept me going was my passion for words and stories. I truly love writing! The person who made it possible for me to keep going was my wonderful husband, who bore the financial burden for all those years. He was also always ready for a road trip so I could do research. He took an interest in all the places I needed to go.

In short, the highlights were the writing itself, small victories, workshops, family trips, and making friends.

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I hope you'll come back on Monday, December 7 to read about the people in the industry who helped Kathy, her thoughts about receiving the Grateful American book prize, and her next book, Empty Places. After her next post I'll give away a copy of Like a River. If you leave a comment on both posts (with your email address if you don't think I have it) I'll enter your name twice. Share it on your social media of choice (and tag me!) and I'll enter your name accordingly. 

Monday, February 9, 2015

Writing Resources Part IV- Critique Groups

Congratulations to Joan Edwards who won an autographed copy of In My Brother's Shadow by Monika Schroeder. Thanks to all who entered.
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Since I moved recently I wanted to find a new writers' group. I visited a children's writers group and one devoted to historical fiction. In both groups I perceived a greater emphasis on self-publishing than on developing one's writing craft, so I decided to keep looking. 

The co-ordinator of the third group I visited caught my attention when he announced the group's goal: every writer should get better each week. In addition, writers did not read their own work so they could hear it the way a reader hears it; they couldn't defend their work, they should bring work they wanted to refine, and they should be ready to spend time and effort helping other members improve their work. 

I knew I'd found a writers' group after my own heart.

This is my first critique group in which men outnumber women 3:1 and where members write romance, memoir, historical fiction, short stories, and fantasy. This group takes writing seriously and I'm enjoying a brand new audience for my fourth draft of Half-Truths.

Entering a new writers' group has made me consider what are important components of a critique group. Although this post is not offering a giveaway, I'm include observations from three other writers on what they have gained from critique groups.

Gretchen Griffith, author of Lessons Learned, Wheels and Moonshine, Called to the Mountains, and When Christmas Feels Like Home says, "I most appreciate the honesty and professionalism I get from my critique partners. When I walk away from a session I am confident not necessarily that I am right, but that I have the tools to work through a manuscript. I realized recently that the revisions I'd made caused me to stray from my intended theme. I went back and looked at it through their perspectives and made adjustments."

Vijaya Bodach, author of numerous science books for children and a new picture book, Ten Easter Eggs writes, "There is no comparison to an in-person group. Make the effort to find a couple of trust-worthy folks to be a support to one another. Remember to be kind and honest in your critique. The point is not to impose your view, but to make the manuscript better. I find that a cold reading is very beneficial. Let another person read aloud and let the writer listen. It engages a different sense and allows you to perceive your work from another angle. Do not defend your work, listen, take notes, and return the favor."

Shannon Wiersbitzky, author of The Summer of Hammer and Angels and What Flowers Remember says, "I’ve been with the same group for 10+ years. Given the length of time, the trust is absolute. These are the first folks that should be alerting me I have spinach in my teeth! There is time for kindness after a critique, but during, it must be utterly candid and all about making the work better."

In addition, I've found it helpful to print out and read aloud my work before I submit it. In this way I catch more of my own mistakes before I ask for input from critique partners. 

The best book I've found on starting, building, and running a critique group is Becky Levine's,  The Writing & Critique Group Survival Guide. I'm not ready to give away my copy--but I hope you'll check her book out. 
What have been your experiences with your critique group? Leave me a comment-I'd love to hear from you!

Wednesday, March 27, 2013

Chasing Your Dream--With a Little Help from Your Writing Buddies and Ice Cream

Ten minutes after Viviane Lwin, a member of my SCBWI writing group, sent out a picture book manuscript she sent a SOS email to several of us:

"I finally started submitting my picture book.  I'm so stressed!

"Do you get stressed when submitting stuff?  I guess now I just have to wait 6 weeks to 6 months for responses.... if they send any."


Two members of our critique group responded with honest and helpful answers. I thought their encouragement might help other writers who feel similar anxiety, so here is their advice:

First, from Carolyn Abiad
Having once lived in Turkey, Carolyn loves writing about eastern culture and myth. While her last name translates to “Snow White,” she has not yet written a memoir featuring an evil stepmother.


"Submission is a raw topic for me right now, but I understand exactly what you’re feeling. This horrible waiting period is when I go into deep cleaning mode to organize the only thing I can, which is my house. There is no other way I know to deal with the stress. You might have another method, but the idea is to keep busy.



"Your path might be different than mine because you write picture books, but I don’t think any of us are untouched by rejection. Some thoughts:

"I remember the response to my first queries - form replies, no responses at all. That lack of feedback was frustrating, but it was a nut I wanted to crack. I rewrote the query (multiple times) and kept at it. You’ll keep at it.

"The other day a friend of mine got her first partial request. She was jumping up and down, and I remembered my first partial. I’ve had other requests since, but that first one is special. Your first request will be special too.

"Rejections on full requests were (are) THE worst thing. I got comments like “this is better than x”, but never “I’ll call you”. I was tired of hearing “not right for us, but someone else might feel differently.”

"I put my manuscript in the drawer for a while, attended some workshops, threw myself into a different story. Then I rewrote the djinn manuscript and sent out five more queries. You’ll keep sending more queries.

"My first Revise & Resubmit request gave me some hope. I rewrote and sent out five more queries. I submitted to contests too. The manuscript made it into the second round of Amazon Breakthrough Novel Award 2013, but didn’t get to the quarter-finals. My manuscript didn’t earn me any scholarships, but I’m not sure commercial fiction ever does. (Still trying!)

"Right now I’m in the waiting game on my tenth full request.
The story has been revised or edited each of those ten times, and probably four more before I even submitted my first query. I barely recognize my first draft, but I keep it to remind myself of where I started because when the rejections come in… Let’s just say I understand Hemingway's demons.

"I haven’t even started to query the second story, and I still have no idea if the djinn story will ever go anywhere.
I do know two things:

1) I’m happy when I’m writing, even with painful rejection close at my heels.
2) If I want to share my stories, I have to keep trying.

"So. STAY CALM and QUERY ON!"

And from Dorothy Price:
Dorothy is a mompreneur, editor, former high school English teacher and aspiring children's author. One of her YA short stories won the June 2012 Mommy Authors short story contest. 

"You actually sent this at the perfect time. I've gotten two rejections in the past week, and one no response, which means, that one too, was a rejection. The fact that I'm getting personal repsonses though lets me know I have come a long way. 

"Like Carolyn, the fact that EVERY writer gets rejected is what keeps me going. I read about famous authors and people I admire in general to keep me sane because they all traveled down the same rejected road(s) as me. 

"Since I do have so many PB ideas/unfinished stories, I move on to the next one(s) while I wait to hear back about the one on submission. 

"It's rough and very, very stressful, but if we're doing everything we can do, that's all we can do!

"Oh yeah, and when all else fails...Cold Stone ice cream sure takes the stress away, too :-) 
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So, Viviane, what's the moral of the story? Use your critique group to hone your story, send out your best work possible, and then go eat ice cream!


By the way, Carolyn has an awesome giveaway going on her blog this week. Hurry over to win a copy of  the ARC of Corneila Funke's new book, Fearless. 

THE NIGHT WAR: A MG Historical Novel Review

  By now you should have received an email from my new website about my review of THE NIGHT WAR by Kimberly Brubaker Bradley. (It'll com...