Giving Away Glory Be!

Yesterday Augusta Scattergood's debut novel, Glory Be was released. In this interview she reveals some of the "story behind the story" that I expect will be interesting to writers and readers alike.  At the end are directions how you can enter to win a copy of this book. 

                   CAROL: Is there a part of your life in Glory Be? If so, how did you incorporate it into your story?

                   AUGUSTA: There is so much of my life in this story. The two sisters are (very loosely) based on my sister and me .  But she’s not really like Glory as much as I’m like the bossy older sister, Jesslyn!           

        Some of the history is part of me. Glory Be takes place during 1964, Freedom Summer. Like Glory, I lived in a small town in the Mississippi Delta most of my life, so I was there. My friends and I were very innocent about what was going on around us. Maybe that’s why I wanted to give Glory a little spirit, even a “cause” to fight for.  It was hard to write the parts that dealt with hatred and meanness, but so many young readers don’t know a lot about the Civil Rights Movement, about Freedom Summer, and this is a story told from a young girl’s point of view about a situation that could have happened.

CAROL: Can you tell me some of the "story behind the story"? Where did the idea come from, how many forms did it take before you realized it was a novel?

AUGUSTA:  Glory Be actually started life as a short story for adults, titled Junk Poker. It took place during the summer, when the sisters (like my sister and I) played a forbidden game of Blackjack while they were supposed to be resting from the heat.  I wrote that 10 years ago. The maid was originally a wedding planner.  Quickly I realized I was telling a story for middle grade readers, and the wedding planner left the story. 

      CAROL:  How many revisions did you go through?

      AUGUSTA: More than I can count! I wrote the bare bones of a middle grade historical during a terrific workshop class at The New School in New York eight years ago. It’s had a lot of revisions!

                       In the year before my agent accepted me (after she’d told me she loved the story but it wasn’t quite ready for subbing), it went through three big revisions- two on my own and a last look with freelance editor extraordinaire, Joyce Sweeney. I didn’t make a lot of significant changes in the characters or the setting, or the basic plot. But I had to kill off a couple of my favorites things. I’ve saved them for for another story. 

CAROL: Do you have an agent?

AUGUSTA: I found my agent at the Maryland SCBWI conference. I met her when she critiqued the beginning chapters of a different MS of mine. She liked it and asked to see it all. After what seemed like an eternity, she said it wasn’t ready. The next summer, I returned to that same weekend conference. I took Glory Be to be critiqued by a different agent. He liked it. But first I sent it to Agent #1, as an exclusive. Turns out she loves middle grade, is a fan of historical fiction, and even lived in the South and married a southerner! So she got it. Her name is Linda Pratt, and we have become good friends and have a great professional connection.

  CAROL:  Can you share any tips on writing/publishing?

 AUGUSTA: Read everything in your genre that you can get your hands on. The hot-off-the-press stuff, the Newbery winners, the kids’ favorites. I had a distinct advantage, having been a school librarian for 20 years. When I left that profession to write, a friend had started a website about the South: USA Deepsouth. This was pre-blogging, and really almost before there were many websites like it. I offered to write book reviews of books about the South. That mushroomed into writing for other publications. I know that helped.

                     Then just as I was getting serious about the submission process, I took a one-day workshop at Media Bistro in New York, run by Joy Peskin, an editor for Viking. After the workshop, some of us sat around and talked about “how to get published.” This was 2008. A blog was suggested. I went home that night and started blogging about books and writing. I think that gave me an online presence so that my to-be agent and anybody she subbed to could find me easily. That sounds so obvious now with Facebook and all the other connections writers make.

 CAROL:  What's next? Are you working on a second book? 

AUGUSTA: Am I ever. The same book Linda said wasn’t ready in 2009 still isn’t ready! But it’s getting closer. It’s another middle grade. Kind of historical, in that it’s set in 1974.  I actually have another teensy idea for a third book, set in Mississippi. Also in the past. Teensy idea in that I know the characters’ names and a little bit about them. I’m hoping they’ll soon tell me their story. That would help, wouldn’t it?

Thank you, Augusta, for sharing your journey with us. I wish you much success in this debut novel and next time you have a party and celebrate with a Glory Be cake...I want a piece!

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Meanwhile, be the first of your friends to read this book. To win an autographed copy, share this post on Facebook or Twitter and leave me a comment sharing which you did. I will pick a winner on January 7th. Maybe it will be you!


ADDED BONUS: If you don't already follow my blog,  sign up to be a follower and tell me that that in your comment. As a "thank you" I'll enter your name twice!!

Giving Away Glory Be- Part II

When Augusta Scattergood's debut novel came out at the beginning of this year, I blogged about the story behind the story. Now it's time for a review of the book itself.

Glory Be (Scholastic, 2012) spans two weeks in the summer of 1964 when Gloriana Hemphill turns twelve. In these eye-opening weeks, Glory becomes aware of the racial prejudice that permeates her Mississippi town. When the local pool ostensibly closes for repairs, Glory takes it upon herself to figure out the real reason behind the closing. In an act of bravery, she writes a scathing letter to the editor of the local newspaper decrying the prejudice which drove the Town Council's decision. Although the pool doesn't re-open that summer, the book closes with a triumphant July Fourth party at the library which both white and black patrons attend--despite the protests of a formidable citizen. 


Since I am also writing historical fiction that deals with race relations in the South, it is interesting to see what events Scattergood drew upon to write her novel. The story takes place in the middle of Freedom Summer and the author folded in real events that happened in towns near her on in Mississippi. The librarian and civil rights workers in Glory Be are based on individuals who Scattergood met.  I enjoyed the description of Elvis Presley's house before it became a shrine, and how she included Robert Kennedy's visits to a black church in the area. 


I was mostly drawn to Emma, the black woman who took care of Glory and her sister Jesslyn after their mother's death; she appears to be the wisest individual in the story. When Glory tries to figure out if the pool really has cracks or not, Emma answers, "What's broken is that some folks don't seem to like anything changing. Everybody's got to stay the same in this part of town." (p. 34) In this simple statement, Emma sums up the main theme of the book. 


Glory changes during these two weeks. She goes from being a self-centered child who is only worried about the pool being open for her birthday party, to someone who fights for the rights of others. Her letter to the editor was eloquent; I wished I had seen more of the maturation that led her to writing it. 


I also missed seeing Mr. Hemphill's influence in this story; for the most part he seems detached from his family. I wondered how both Glory and Jesslyn developed their tolerant attitudes in the deep South. There is also little attention paid to their mother's death which left me wondering about the girls' grief and the input her death had on them. 


Glory Be is a good introduction for both girl and boy 4th-7th grade readers into civil rights issues in the Deep South. This would be a great book to read for African American History month and one of my fortunate readers will receive an autographed copy of the ARC. Enter my giveaway contest either by mentioning it on Facebook or Twitter, or sign up to follow my blog. I will draw the winner's name on February 7, so leave me a comment (and your e-mail address) and I'll enter your name!

Re-Vision

Congratulations to Joan Edwards who won a critique from Gayle Krause from last week's blog.

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You pick up a book at the library or bookstore and start reading it. Maybe it catches your interest, maybe it doesn't. But one thing is for sure, if you're not a writer, you have no idea how much time and effort have gone into writing that book.

Maybe even years.

FEEDBACK

The last time I blogged about Half-Truths, I was excitedly sending my manuscript to beta readers. Since then I have received feedback from teens, adults, critique partners, and several sensitivity readers. I learned that Kate's character wasn't developed enough and there wasn't enough tension in the first half of the book. I was well into revision when I heard back from my last sensitivity reader. 

Here are some of her comments:

Since you are in the process of revising now, I wanted to take a few moments to share some macro-level thoughts you might take into consideration as you work. I know you have been working on this labor of love for more than 10 years and you probably feel that it is close to where you want it. If that is the case, I'm sure you're hoping to enter the submissions process sooner rather than later, so feel free to keep the following comments as reference material in the event that you don't find an editor for the manuscript. 

My first suggestion is to consider writing this manuscript from the perspective of Kate alone. Your grasp of Kate's life and voice are more authentic than your grasp of Lillie's and honestly, I'm not sure a sensitivity reader is going to be able to help you add the authenticity needed. At best, we can alert you to potential areas of offense--but even in that, it won't be full-proof because African-Americans are not a monolith and things I might not flag as offensive might turn out to be offensive to others. Which brings me to my next point....

Your writing HALF-TRUTHS from Lillie's perspective might not go over well in today's social and political climate. The movement for "own voices" (which I admittedly support) grows stronger by the day, and people of color are hyperaware of works being published by white people that star POC main characters. Yes you have two main characters, but Lillie is especially main. The book even opens from her perspective. The honest truth is that even if you got Lillie's story 90% right, you would likely get called out for the 10% of missteps. Because I know you personally, I know your intentions with this story are nothing but honorable (and I think your overall plot is interesting). I would hate for your book to end up the target of a negative campaign because of inadvertent missteps. For many reasons, today's kidlit atmosphere is fraught, and the cultural scrutiny/backlash of this moment is pretty unrelenting. There is no patience for mistakes of any kind. 

Her feedback stopped me cold.

I was shocked, overwhelmed and discouraged. I first wrote Half-Truths from Kate's POV and would never have considered writing it any other way if an editor hadn't suggested the two points-of-view during a SCBWI-Carolinas conference. 

Did I really have to start all over again? Did I waste eight years pursuing an unreachable goal? Were all these books and all of my expert interviews with African Americans a waste of time?

Even bigger, how was I going to face people in my family, like my brother who never failed to ask, "So, how is the book coming along? You ready to publish it?" And how would I tell you, my faithful blog followers?  I felt like a failure. 

ADVICE AND VIRTUAL HUGS

I shared my news with my writing friends who commiserated, advised, and told stories of their own not-so-smooth path to publication. Linda Phillips (author of CRAZY) said she had worried about me taking on the black POV but figured an editor would give me that feedback. Joyce Hostetter wrote, "Don’t forget that I have abandoned two books that I spent about 4 years each on.  And I have lots of other abandoned projects from back before BLUE.  That might be called failure but I learned tons while writing those books.  So I call it an education."

Augusta Scattergood said, "After almost eight years of writing, revising, and submitting, I was critiqued by an agent I truly clicked with at an SCBWI regional conference in Maryland. She eventually decided that novel (which would much later become my second published book, THE WAY TO STAY IN DESTINY) wasn't for her. A year later, I dusted off GLORY BE, sent it to her, and the rest is my publishing history."

I chatted with Kathy Wiechman, author of the award winning book, LIKE A RIVER, on Facebook. After reminding me that this was an opportunity to make my book better she said,"Enjoy working on the revision. That is my favorite part of the process, and I do truly enjoy it. It was that love of doing it that helped me stick with it for 39 years of not being chosen."

Rebecca Petruck, who read multiple drafts of the story and loved the two points-of-view, checked with her agent to make sure I should follow this advice. She also suggested I ask an industry professional. We both received the same response: This wasn't a good time for me, a white author, to write from Lillie's POV. 

What was next? Should I trash this project and start something new? But I loved my premise and every time I shared the pitch with strangers, their eyes got big and they'd say, "Wow!"

While my brother was more empathetic than I expected, my sister, Barbara, advised:

• You may need to develop a new way of seeing this story.
• There’s not something wrong with you that you're starting over.  
• The process is as important as the product.

RE-VISION

I took a week off--I had important family concerns to attend to--and then reread a book that a member of my critique group gave me. 

Published in 1957, the twelve essays were a response to the Supreme court's "edict" (as one writer described it) of 1954. The Brown vs. Board of Education decision led to school desegregation. This largely anti-integration pamphlet was written predominantly by white men (three women are listed in the table of contents, I presume all the authors were white because of the point of view they espoused). 

Suddenly, I realized that any of these anti-integration writers could have been Kate's grandfather. Growing up in rural North Carolina in the 40's with him, racism would have been as much a part of Kate's environment as raising goats and attending 4-H. 

Eureka! 

I spent another week re-outlining and figuring out how and what Kate would learn from Lillie and how Kate's backstory is going to impact Half-Truths and, voila--I'm back in business.

Whenever I teach writing, I use this graphic organizer from my previous book, TEACHING THE STORY: Fiction Writing in Grades 4-8.

The  Writing-Revising Cycle

(Click here for your copy of this handout.)

As I re-vision and rewrite Half-Truths as Kate's story, I'm back at the "Start", but yet I'm not. All the information I've gleaned and all those previous drafts aren't worthless-they will enrich my story. 

Thanks to all of you for your support. Your encouragement on my journey means more to me than you can imagine. 

Stay tuned!

The Button Girl: An Interview with Author Sally Apokedak and Autographed Giveaway Part II

 Last week I reviewed Sally Apokedak's young adult fantasy, The Button Girl. This week, I'm happy to provide an interview with her about the story behind writing this thought-provoking novel for Christians, non-Christians, young women and adults.

INTERVIEW

CAROL: How did you come up with the ideas for this book?  

SALLY: I had a hippy friend who had named her children things like: Glory Ofgod, Selah Praise, Faith Alone, and so on and so forth. And then my pastor told me that Naomi's two sons were named Disease and Famine. And that gave me the idea to set up a society where people are named for what God is doing in the lives of the moms. 

 

My daughter had just become a teenager and I wanted to write a book that would help girls see something I did not know as a girl--there is a big difference between lust and love. Kevin DeYoung said in one of his sermons that men want to see porn and women want to BE porn. But I think that most women don't really want to BE porn. They want to be loved and, when they are young, they don't understand that lust does not equate with love.  

 

So I painted a very bad villain and a very good hero. They are so black and white that they may seem almost cartoonish. But they were painted that way with intent—to show that lust is selfish and love is selfless. 

 

But many things are not as black and white as lust and love are. The world is messy. There are a few gray areas and there is a lot of foggy thinking. 

 

People are complex. So in the book the tutor was rightly opposed to slavery, but for the wrong reasons. The king was not opposed to slavery, but he was a more honorable man than the tutor.  

 

So I set up a book full of contrasts with a mountain and valley, and with slaves and masters, and with fog and sunshine. I wanted to show the difference between not only lust and love but also to examine contentment and apathy and idealism and integrity. Does civil disobedience mean we are complaining against God? I looked at my own life to find places where I struggled to know how to obey God. In the end, Repentance is very much a picture of my sixteen-year-old self.   

 

 

CAROL: How long did it percolate before it became a book?  

SALLY: I started in 2006. Wrote about five chapters and then ran out of story. I didn't write any more on it, because  . . . writing novels is hard work. And I struggle with rough drafts. 

 

Life happened. My husband died of cancer. I took care of my mother and my father after that. My dad died. 

 

I finished the book in 2009, so the book took four years to write from conception to completion. But actual writing time was probably five months.  

 

I burned through three agents and got a few offers from smallish houses, which we turned down. And in the end, I published the book myself in 2017. So eleven years from conception to publication.  

 

CAROL: How much did your faith affect writing it? 
 

SALLY: God was uppermost in my mind as I wrote. 

 

Sober is a type of Christ in his love for Repentance—in the way her sin cost him and in the way he still loved her—and in his substitution of himself for Comfort.  

 

But I have always wanted to write a character who is a type of God the Father. I’ve wanted to show the sacrifice that the Father made when he ordained that his Son would die. God the Father gave up the One he loved most to save a sinful rebellious people who set themselves up as his enemies, so I had a character make that same sacrifice. 

 

But mostly, I wanted to write a book that would make girls think about a few things. Is there a God who created us? Is there a God who allows slavery? If God allows slavery—or any sin—without striking the sinner dead, does it follow that he is in favor of the sinners/slaveholders? Is such a God unfair? 

 

I left up in the air who was saved and who was not. I ended the book with Repentance coming to see Providence was blessing her, whereas in the beginning of the book she felt cursed. But I didn't go farther than that because her world is not our world and people there aren't saved the same way people here are saved. 

 

Providence was not meant to look too much like our God. The god in the book was a simple metaphor that showed one aspect of our God. He was the provider—and he was more than a clockmaker who wound up the clock and ignored it. He was a god who cared about Repentance and was working things together for her good. But he was not a god who sent his son to die for sinners. This book was not meant to lead people to Christ. It was meant to make them ask: Is there a God? Do the unfair circumstances in this world prove there is no loving God watching over us? And if we wait long enough, will we see that everything will, indeed, come out right in the end?  

GIVEAWAY

Leave a comment if you would like to be entered into the giveaway. If you left a comment last week, then you will be entered twice. A winner will be chosen on July 2. Continental U.S. addresses only. PLEASE leave me your email address if you are new to my blog. 

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Sally is an author, agent, and speaker. You can find out more about Apokedak Literary Agency on her website. 

Two years ago I was fortunate to attend a
writer's retreat led by Sally.