THE ORANGE HORSE: A Picture Book Review and Giveaway

 Although The Orange Horse written and illustrated by Hsu-Kung Liu (Reycraft: 2019) was published four years ago, the theme and message of the book are timeless. Written and illustrated with simple language and child-friendly illustrations, this book is playful yet simultaneously touching and serious.

REVIEW

I love the believability of how the story opens:

Every child knows that horses aren't orange, they don't walk on two legs, and they don't carry suitcases through the city. But none of that matters. The child reader suspends disbelief and is immersed in the story world.

Unfortunately, the only clue he had to find his brother was half of a photograph of an orange horse just like him.  

So, he did whatever any normal orange horse looking for his brother might do. He placed an ad in the newspaper. 

He received an answer!

But, it was from a HOUSE. Not a HORSE.

He decided to make his ad more specific:

Notice how each part of orange horse's thought process would make sense to a child. 

After a race car shows up, orange horse decides his third ad needs to be even more specific and he rewrites the ad. "My brother should have a black mane and a black tail." (Notice the classic pattern of three obstacles!)

His third try flops and the orange horse feels ready to give up. He goes to an art gallery, meets a brown horse, and begins to enjoy his company. They chat, run, and eat together. 

Notice the wrong conclusion that the orange horse comes to because of the way he is thinking. What a wonderful discussion point in preschool and K-first-grade classrooms!

After the brown horse mentions that he also had a long-lost brother and half an old photograph, they tried to match their photographs up. "But no, their half-photographs were not a match."

Both horses were upset. The orange horse wished the half-photos didn't exist so they could still hope they were brothers. Angry and upset, the brown horse trimmed the two half-photographs. 

Then he stuck the two halves together. "Don't cry," he told the orange horse. "See? From now on, we are brothers."

The beautiful conclusion is shown on the last page:

I think it is easy for writers to want to moralize and teach a lesson in their story. The Orange Horse is a great mentor text to show us all how NOT to do that. After all, there is more than one way to be a friend. Right?

GIVEAWAY

Thank you to Reycraft Books for generously supplying the illustrations and the giveaway. It will make a wonderful holiday present for a young child on your gift list or for your child's teacher. Just leave me a comment if you wish to enter (with your email address if you are new to my blog) or send me an email. U.S. addresses only. The giveaway ends November 30. If you sign up for my blog, share this on social media, or are a teacher or librarian, you will get additional chances to win this book. 

YOUTUBE TIME!

In this video, Wiley Blevins, editor at Reycraft, reads The Orange Horse. 

Congratulations to Barbara Cantor who won THE LUCKY DIAMOND. 

Smack Dab in the Middle of Maybe: A Review and ARC Giveway

Introducing Jo Hackl

Over two years ago I had the pleasure of sharing Jo Hackl's path to publication. (Both Part I and Part II are great reading; Jo shared how she came up with the ideas for the book and the process of acquiring a publisher). Jo and I have been friends through SCBWI-Carolinas for over ten years, and now that her hometown of Greenville, SC is also mine, I proudly claim her as my critique partner also.

It is with great joy and pride in her publishing accomplishment that I share my review of Jo's debut middle grade novel, SMACK DAB IN THE MIDDLE OF MAYBE. 

Review

Read these opening paragraphs and hear voice oozing out of every sentence:

Turns out, it's easier than you might think to sneak out of town smuggling a live cricket, three pocketfuls of jerky, and two bags of half-paid-for-merchandies from Thelma's Cash 'n' Carry grocery store.

The hard part was getting up the guts to go.

 It happened like this: There I was in Thelma's produce section, running my fingers up and down a bundle of collards. Collards never did make for good eating, but I was wondering if maybe they were some kind of sign that it was time for me to skedaddle. Collards always reminded me of Mama. She used to make me drawing paper out of collards, sumac seeds, dryer lint, and newspaper Daddy chopped up in his wood chipper. She plunked things in her paper the way other people stuck things in scrapbooks. Thread from the hem of her wedding dress, a four-leaf clover, Daddy's first gray hair. Mama's paper held so much life, it made my drawings pop off the page.

That was the kind of Mama and Daddy I used to have.  (p.1-2)

Who wouldn't keep reading after a hook like that?

Soon the reader discovers that Cricket is on a quest to find Mama who ran off and left her with Aunt Belinda. Taking a cricket who she names Charlene, a little bit of food, her father's pocketknife, a doogaloo, and a small notebook full of Mama's paper, she sets off. 

By nightfall she gets to the woods near her family's property. Here is a setting description that I used in my writing classes this summer: "The woods smelled like a hundred and fifty years of dark. A goose-bumpy ghost-town kind of dark."(p. 19)

She climbs into the tree house that "smelled like cedar, clean and wild," which her father built before he died. There, she reviews a letter addressed to her mother indicating her Grandmother's tombstone was to be placed on March 1-- in exactly eleven days. On it her mother had scrawled before, "I'm off looking for my birds." This brings back memories of all the times her mother left to find the "Bird Room" so she could prove it was real. 

With her few supplies, Charlene to keep her company, hope, and a pocketful of clues, Cricket begins her quest--but first she has to learn how to survive living outdoors. 

Like all good stories, Cricket's search has several twists and turns that test her gumption:  raccoons steal her food, snow, and a copperhead bite. The last is too much for her to deal with alone and she seeks help from Miss V., an eccentric woman who provides more answers about her mother and the bird room than Cricket could have dreamt of. At the same time that the story moves forward, the author provides bits and pieces of backstory that help put the puzzle pieces together. 

SMACK DAB is not only a story of outdoor survival or putting puzzle pieces together. It is also a story of a young person coming to grips with her mother's mental illness. Beautifully woven into the text is Cricket's slow realization that her mother's behavior was eccentric, unexplainable, and unstable. Like Laura in CRAZY by Linda Phillips, Cricket begins to see a different picture:

What about all the sharp looks in the grocery store? The looks at Mama. The looks at me. 

If my mama was crazy, just what exactly did that make me? 

The floorboards felt like they were shifting. Nothing felt solid. I grabbed hold of the wall. 

Is this what going crazy feels like? (p. 141)

After I finished reading SMACK DAB I told Jo, "When I grow up I want to be like Cricket." Readers young and old will be inspired by Cricket's courage and spunk--as well as her love for her mother and the truth. And of course, also for her love for the outdoors.

Trailer

Just in case my review didn't sufficiently entice you, here is the trailer:

Giveaway

I took this picture when Jo hand-delievered
the ARC to my house!

Please leave your name and email address (if you don't think I have it) in the comments for my gently read autographed copy of this ARC. Winner will be drawn on July 13. Jo, our expert for the summer issue of Talking Story is also giving away a personally autographed copy too (anyone see an outdoors theme here?). Share this post on social media (and tell me what you do) and I'll enter your name twice. 

Teaching Fiction, Using AIM as a Mentor Text, and a Giveaway!

As I mentioned two weeks ago, I recently completed teaching an eight-week class in writing fiction. I knew Joyce Hostetter's recent book, AIM, would appeal to both boys and girls and chose it as a mentor text for the class. Here are a few more reasons--from the perspective of my teen students--why you should read this book or purchase it for your favorite young reader. 

Using the worksheets linked below, we brainstormed a fictional character and put him in a setting. We thought about his internal and external goals, potential conflicts, and the various directions his story could go. The quotes from AIM are ones the students selected to demonstrate each story component. 

CHARACTER

Create a Character Information Bank

Create an Imaginary Character

Sydney K. chose this passage because she liked the key details which were included about Granddaddy: 

Grandaddy's gray hair was flat on one side from sleeping on it. I nudged his leg with my knee. "I brung your supper."

"Thunderation! You fool. You woke me up." His eyelids slid shut again, and his mouth fell open like a trapdoor without a hook. A dried stream of tobacco snuff ran from the corner of his mouth and down onto his neck. p. 15

Alex M. commented that he was interested in how Junior's two aunts were portrayed:

"So there I was, with a piece of fudge in each hand, watching her and Aunt Lucille tiptoeing around each other. I tried to imagine them with Pop, playing together when they were all young'uns. But those two women eyeing each other didn't seem like the kind of people who could have been small and childlike once upon a time. For one thing, they are both tall. And big-boned. Right now, Aunt Lucille's face was more serious than Miss Hinkle's in the middle of a handwriting session. Lillian was smiling, but I could tell she was all pretend--just tying to buy something with that fudge of hers. p. 133-4 

After a discussion about the difference between internal and external goals, the class decided that Junior's external goal was to help his mother and his internal goal was to gain respect. 

SETTING

Create an Imaginary World

Set the Scene: Create a Setting Information Bank

Students discussed how this line of dialogue from Junior's mother portrayed setting and character:

"After your granny died, Homer would sit on the neighbors' porches day in an day out, sniffing their cooking and inviting himself for dinner." p. 42

We talked about how settings need to be sensory and one of my students picked this section. It's a good example of using setting to show a character's conflicts:

I peeked through the small holly tree, and not far away was Ann Fay with Leroy. He had a finger over his lips, reminding her to be quiet. I could see they had their eyes on my squirrel! 

The crunchy sound of their feet on the dry leaves took me way back, to when I was eight years old. And their white breath clouds in the cool air--it was like being there again, in the woods with Pop, learning to shoot squirrel for the first time. p. 59 

CONFLICT

Plan-A-Problem

In this selection we talked about the conflicts that were going on in the outside world (the beginning of WWII), the problems between Junior and Dudley, and the conflict between Junior and his teacher, Miss Hinkle. Grace W. wondered if Miss Hinkle was Junior's antagonist. 

"Sit down, Junior." She said it real low, but there was something in her voice that told me I better listen. Or else.

So I sat. But inside I was standing up. Inside I was marching to the back of the room and jerking that Dudley Catfish Walker up and showing him what a Democrat could do to a Republican. If he wanted a fight, I was a mind to let him have it. 

Miss Hinkle tried to bring the discussion back to the economy and how, if we did got to war, we'd have to sacrifice on more luxuries here at home. That didn't help because Dudley and opinions on that too, and I spoke out and said his ideas were stupid so maybe he should just dry up, and Dudley said I was dumber than a box of rocks. p. 86

Another student selected this section showing Junior's internal conflict over Dudley's suggestion they "borrow" Miss Hinkle's car:

Dudley shook his head. "Just think about it," he said. "We won't be stealing because we're bringing it back. After all that woman has put us through, don't you think she owes us a little something?"

"There's nothing to think about," I said. And I meant it, too.

But after he left, I couldn't stop thinking about it. What a confounded stupid idea! I thought about it when I was doing odd jobs at the sawmill and when I was planting cotton for a farmer near the crossroads. p. 209-210 

When we talked about the concept of antagonists, we considered why Dudley acted the way he did. The students readily agreed that the abuse he suffered as a child laid the groundwork for his anger and bullying.  

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WHAT I LEARNED FROM AIM

Selected quotes from my students: 

"I learned that enemies can sometimes become friends." ~Grace W.

"Well-sketched and memorable characters don't have to be complicated. Mrs. Hostetter did a great job of portraying characters in just the right setting and characteristic dialogue; simply and effectively showing, not telling, their personalities." ~Olivia R. 

Look closely for some items from AIM!

"AIM taught me that people are molded into who they are by their life experiences. That each and every part of our lives makes us who we are." ~Abigail R.

"AIM gave me a great model in which to observe the elements that we studied and practiced in class.  I was able to see great examples of what the class as a whole is trying to teach us in terms of characterization, plot development, power words, writing tight, how to handle history and so forth.  Where as before I would have read the book and thought "what a nice book, interesting story."  Now I could really appreciate the craftmanship and all the work that went into making such an enjoyable story come to life.  I can really see how difficult good writing can be." -Kelila M.

"I thought AIM was a good picture to show that whatever habits we develop and tolerate now, can be passed down for generations. Junior was affected by his father who in turn, fought a lot with his mean father." - Caleb R.

For your last chance to win an autographed ARC of AIM from my blog, leave me a comment by Friday, November 25. Please leave me your email address if you are new to this blog. Share this post on social media or become a new follower and I'll enter your name twice. Make sure to tell me what you do.

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At 9:30 PM  on November 19, Sydney Kirsch, our teen NaNoWriMo scribe wrote: "At this point, I am wondering how to word. I mean write. Write words. Also, how do resolutions work?"

Here's a favorite line: "... I just need someone who can read a map. I stumbled through the bedroom, hobbling on my good foot. And a horse. Hopping through the mountains wasn't exactly on my bucket list." 

Word count: 49,477.

A Small White Scar

If boys can keep reading beyond the first few chapters which tell the back story of "A Small White Scar", they will find rattlesnake bites, a dangerous flash flood, and a rodeo that is so real you can hear the calves bawling in their pens. Boys who like action from the first paragraph will have to wait for the story to unfold. But, it’s worth it. Readers will identify with Will, the 15-year-old protagonist who itches to carve a life out for himself separate from Denny, his mentally retarded twin brother. Both characters are well developed; Will’s anger is consistent with his life experiences and Denny’s thoughtful yet child-like responses are consistent with a person who has Down Syndrome.

My favorite line is towards the end of the book when their father reveals that although Will sees himself as Denny’s surrogate parent, Denny is the one who has taught Will about self-sacrifice, responsibility, and love. K.A.Nuzum
uses beautiful figurative language to describe Colorado in the 1940’s; teachers could use this book as a mentor text and ask students to find the similes and metaphors, as well as to identify the various types of conflicts which confront Will and Denny. Recommended for boys and girls from 6th grade and upwards. (Harper Collins, 2006).Technorati Tags:
books for boys, young adult literature, colorado, historical fiction, mentor texts, record books
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