Thursday, December 24, 2009
Currently I am listening to Chains by Laurie Halse Anderson. This story of a young black female slave in New York City during the American Revolution is full of well-researched details. The foods the characters eat (eel pie, strawberry tarts, turtle soup); the clothes which the slaves wore (rags for gloves in the middle of winter); the fashion of the upper class women (mouse fur for fake eyebrows); the foods which the prisoners shared (buckets of moldy table scraps which friends or family brought)—all of these provide authenticity to Anderson’s thought-provoking story about the struggle for freedom. (By the way, this book would be a great supplement for upper elementary through high school students who are studying this time period. Make sure you download the reading guide and Anderson’s “Behind The Book” also.)
Recently I wrote a scene in my historical novel where my character puts her dog on a leash and walks him. Several days later, I interviewed George Snyder, a native Charlottean who lived in Myers Park in 1950—-the place and time period for my book. While showing me the house he grew up in and talking about his childhood George said, "We all had dogs. They weren't penned like they are nowadays. They would just run after us on our bikes. No one had leashes." I wouldn’t have guessed that in 1950 in Charlotte, NC dogs weren't on leashes. A minor detail, but one that is now correct.
Here is a picture of George pointing out the initials “LS” (for Luther Snyder) carved in the shutters of his grandfather’s eighty-year-old house. It’s an intriguing detail which would be tempting to work into my story. But as Karen Dionne warns in “Fact into Fiction” in the January 2010 issue of Writer’s Digest, “Facts are fun, but if a detail doesn’t move the story forward by establishing the setting, advancing the plot or shedding light on the characters, it doesn’t belong.”
In a few years when you read Half-Truths and you come across a savory detail—be sure that I have thought long and hard about including it. And if initials appear in a shutter somewhere you'll know there is a reason why.
Teaching the Story: Fiction Writing in Grades 4-8, Laurie Halse Anderson, Chains, historical fiction, Charlotte, 1950, details
Sunday, December 20, 2009
Christ Covenant Church, Covenant Day School, gingerbread houses, tutoring
Tuesday, December 15, 2009
Scholastic Art and Writing Awards
Wednesday, December 9, 2009
Back in November when I was a presenter at AASL, I got to play hostess to several authors who were also attending the event. I warned them ahead of time that the only "payment" I wished to receive was autographed copies of their books. They graciously complied and my library is richer. As I read them, I will share them with you.
My School in the Rain Forest by Margriet Ruurs (Boyds Mills Press, 2009) is a wonderful addition to her other book, My Librarian is a Camel. Through beautiful photographs and interesting text, Ruurs shows how children attend classes in such varied places as an outdoor school under a tree in Kenya, onboard the MV Anastasis hospital ship, and in a floating school on a lake in Cambodia. Children from kindergarten through middle school will learn from this eye-captivating book.
My School in the Rain Forest, Margriet Ruurs, Boyds Mills Pres
Saturday, December 5, 2009
Besides...just think of all the literacy skills that were used to put this video together!
couch story, Ovideo, Spain, Lori Baldwin
Thursday, December 3, 2009
Children's writers and illustrators still aspire to be published in Highlights. For many of us, it's a milestone that once we reach it, we feel that we've finally "arrived."
Joyce Hostetter, and I can now proudly say we have reached that milestone and gone beyond. Yesterday, a staff member of the Highlights Foundation sent out an e-mail quoting articles which Joyce and I had written in Talking Story. For those of you who may not have read them, here is what was delivered to thousands of in-boxes throughout the world yesterday (with the addition of a few pictures):
What I Did on My Summer Vacation
By Joyce Hostetter and Carol Baldwin
Excerpted by permission from Talking Story, a newsletter by Joyce Hostetter and Carol Baldwin.
When Joyce suggested this title for an article, we both laughed. How many of you remember writing that familiar essay?
I was fortunate to travel five times this summer. The most exotic destination was fourteen days in Austria, the Czech Republic, and Germany. The most writing-intensive destination was the Highlights Foundation Writers Workshop in Chautauqua, New York. For years I dreamed of attending; and when my writing buddy decided to go, we took the plunge, paid our deposits, and signed up.
Joyce said it would be life changing. I'm expecting she'll be right.
If you're serious about writing or illustrating for children, this is an event you want to attend. For five days, one hundred-plus participants are surrounded by a faculty of twenty-two authors, illustrators, and editors whose desire is to see you produce your best possible work and get it published. Workshops, speeches, networking times, and critique sessions with faculty stuff each day to the brim.
I was challenged by both Patti Gauch and Harold Underdown (my critiquer) to find out what the character in my historical novel truly wants. Patti said that this desire must be the "arrow that drives the book." I learned about dialogue from Donna Jo Napoli, a sense of place from Kim Griswell (pictured below), and about beginnings and endings from Peter Jacobi. There were forty-five workshops offered—more than enough to inform and saturate every participant.
One of the benefits of the intimate atmosphere was schmoozing with other aspiring writers, famous authors, and accessible editors. I think I'll never forget the image of Jerry Spinelli (pictured below), walking hand-in-hand with his granddaughters to the bus taking us to a picnic. With his flannel shirt and jeans, he is the most casual famous individual I've ever met. (His granddaughter, by the way, had an autograph book and was collecting autographs of other writers. I think she was sweetly oblivious to the fact that her grandfather was probably the most famous writer there.) I enjoyed meeting Carolyn Yoder, Joyce's editor, and Andy Boyles, the science editor at Boyds Mills Press, who expressed interest in my glass book.
Life changing? Stay tuned. I'll let you know as the year progresses and I practice what I learned in beautiful Chautauqua, New York.
I, for one, would love to go to Chautauqua every summer. But Chautauqua is more like a once-in-a-lifetime experience. So I didn't let my mind dwell on that idea.
Instead I planned to mostly stay at home. I was tired of traveling during the school year and wanted to save my away time for a writing retreat in late summer.
So during the last full week of August, I indulged in a week in northeastern Pennsylvania at one of the Highlights Founders Workshops. These events, no matter the workshop title, are writer's heaven. At each one I've attended, I've grown as a writer and made new friends.
This event was a writing retreat with my Calkins Creek editor, Carolyn Yoder, and ten alumni retreaters.
my own cabin with coffeepot and drinks in the fridge;
one-on-one critiques with Carolyn;
writing all week!;
phenomenal food; and
It was the perfect summer vacation!
For more information about the Highlights Foundation Writers Workshop at Chautauqua or our Founders Workshops near Honesdale, Pennsylvania, visit www.highlightsfoundation.org or contact Jo Lloyd at email@example.com.
Please feel free to share this e-mail with others who may be interested.
Talking Story is a newsletter produced by authors Joyce Hostetter and Carol Baldwin
Highlights Magazine, HIghlights Founders Workshop, Calkins Creek, Highlights Writers Workshop, Joyce Hostetter, Talking Story
Friday, November 27, 2009
I'm on the opposite end of that process. I'm trolling about for the pieces that will fit together to create my story. I'm sitting down at a blank screen with thoughts sparking in my brain but not a clear idea of how they will come together. As a nonfiction writer, I feel more comfortable describing the intricate process of making a glass paperweight then imagining the conversation between my characters. Fiction feels a lot like I'm jumping off a cliff and I'm not exactly sure where I'll land. It is, as I wrote to my friend, Joyce Hostetter, writing into the unknown.
But as I explore Charlotte in 1950, the setting for my middle grade fiction, I'm meeting and talking to wonderful people who willingly share their stories. Already I have talked with several women who were pictured on the cover of LIFE magazine in July of 1951. One woman asked me why I was writing this book and wondered if it wouldn't be easier to write about something I already knew. I laughed, agreed, and said, But this is so much fun!" I paused and then added, "And I'm learning a lot too.
I find that as I tackle this project I need "real" prompts to weave together my story. I refer to several Norman Rockwell books of illustrations. My newspaper clippings file of Charlotte's history grows. I watch TV documentaries and plan to scour the public library to uncover what was newsworthy in the south in the summer of 1950. I'm looking forward to interviewing Charles Jones, one of the individuals who led 200 people to protest segregation in Charlotte in 1960. Each person I speak to adds another dimension to my story; each article another tidbit. With their voices in my head, their words recorded in my laptop, their pictures staring at me from books, I feel more equipped--but ultimately, when I sit down to write, I'm still writing into the unknown.
Joyce Hostetter, writing fiction, Norman Rockwell, Charles Jones, Charlotte segregation
Monday, November 23, 2009
Before we left our week at NCCAT, participants shared what they learned and Henry Wong, the NCCAT Center Fellow, led the group in song and dance. During the week several teachers wrote ABC books. Reflecting their work and honoring everyone's efforts, several teachers wrote the following ABC book and read it that morning. (Inside jokes are explained below.) If you're a North Carolina teacher who has always wanted to learn more about writing and publishing for children, I hope this poem and the movie which follows, will whet your appetite. Maybe you'll decide to apply and join us next year!
The ABC's of NCCAT
A is for AUTHORS that's what we want to be.
B is for BELLY-LAUGHS coming from you and me.
C is for CAKES and COOKIES that made us nice and fat.
D is for DIET which we'll start when we get back.
E is for EVERYONE working together.
F is for FRIENDSHIPS that will last forever.
G is for GIRLS and one token boy.
H is for HENRY who brought us metamorphic joy.
I is IMAGERY to make our writing flow.
J is for JOYCE and Carol the dynamic duo.
K is for KNOWLEDGE which we gained throughout the week.
L is for LINDA who never missed a beat.
M is for MORE DETAILS but all we heard was "MEH."*
N is for NCCAT a week of pure bliss.
O is for OUR trips which you didn't want to miss.
P is for PASSION each one of us discovered.
Q is for QUERY which Nina** uncovered.
R is for REVIVE, REJUVENATE, RESTORE.
S is for SUNDAY when we came to learn more.
T is for TEACHERS from all over the state.
U is for UNDISCOVERED stores we have yet to create.
V is for VARIETY which each of us displayed.
W is for WEATHER, it rained night and day.
X is for eXtreme work we did as a team.
Y is for YEARNING. We all have a dream.
And Z is for .....ZEBRA.***
* One teacher wrote a funny story about a cat whose thoughts were consistently heard as, "Meh."
**Nina Bagley led the group in creating altered books.
*** What else could "Z" be for?
As we leave NCCAT, Joyce Hostetter (my fellow presenter), and I are already brainstorming how we would improve the workshop. She just posted a video on her blog which we will most likely show next year. This book trailer from Invisible Lines truly demonstrates the writing/revising cycle which is inherent in the writing process. Take a minute to view it. It is instructive for writers, teachers, and students.
NCCAT, Nina Bagley, Joyce Hostetter, Invisible Lines
Tuesday, November 10, 2009
Hello from Cullowhee, North Carolina- home of NCCAT where Joyce Hostetter and I are teaching the seminar, "Is There a Children's Book in You?" We are acting as midwives-- helping 21 talented teachers from across the state write picture books, early chapter books, and novels.
Here are some writing resources I have collected for them, as well as for any of you who are also interested in writing and publishing for children.
- http://www.writing-world.com/children/nonfiction.shtml - Five Reasons to Write Nonfiction for Children
- http://joycemoyerhostetter.blogspot.com/ Joyce Hostetter's blog
GRAPHIC NOVELS WEBSITES:
- http://www.education-world.com/a_curr/profdev/profdev105.shtml -Education World Article about Graphic Novels
- http://yahelp.suffolk.lib.ny.us/yacomic.html Comic and Graphic Novel Resources
- http://ublib.buffalo.edu/libraries/units/lml/comics/pages/index.html Comic Books for Young Adults: A Guide for Librarians
- http://www.rationalmagic.com/Comics/Comics.html Graphic Novel Reviews
- http://www.duluth.lib.mn.us/YouthServices/GraphicNovelsParents.html A Parent's Guide to Graphic Novels for Teens
- http://my.voyager.net/~sraiteri/graphicnovels.htm Recommended Graphic Novels for Public Libraries
Kid Safe Graphic Novels Kid Safe Graphic Novels
http://www.cobblestonepub.com/magazines.html Cricket and Cobblestone
- http://www.writerswrite.net/pubdisp.cfm?market=1100201 Highlights- writers guidelines
EDUCATIONAL MATERIALS WEBSITES
http://ngsp.com/ National Geographic School Publishing. Materials for the classroom. *****
https://www.secureaep.com/awards/attendees.php - Get a list of the 500 people who attended the Association of Educational Publishers summit on publishing for the digital future. **
http://www.evan-moor.com/Science/Catalog.aspx?CurriculumID=6 – An example of one educational publisher, Evan Moor. **
http://www.prufrock.com/ Publishes materials for gifted children ***
http://www.pearsonhighered.com/ Megabig publisher for school materials ****
http://www.pearsonhighered.com/educator/hip_main_content/1,3120,-802,00.html ) author's guidelines for Pearson's companies
http://www.readingprograms.info/ed_pubs.html **** lists websites of major educational publishers
http://www.buzzle.com/chapters/education-and-higher-learning_teachers-guide-and-related-resources_publishers-and-publishing.asp *****-lists of educational publishers
- http://write4kids.com/a2e.html "Author To Editor: Query Letter Secrets of the Pros"
- http://www.right-writing.com/factors.htm "Ten Factors to Consider when Writing a Book Proposal"
Monday, November 9, 2009
On Friday, in my session on "Learn from the Masters: How Creating a Fictional Character and Setting Enhances Reading Instruction," I read selections from six mentor novels: Blue, Imitate the Tiger, Write Before Your Eyes, Double Helix, Cecelia's Harvest, and Milkweed. In small groups librarians enjoyed brainstorming characters FAST as well as writing sensory settings.
After the sessions, particpants told me they were excited about sharing these activities with the English teachers in their schools. Both days ended with pictures of me with my friends Margriet Ruurs, Joyce Hostetter, and of course...books. This sculpture is conveniently located across from the Charlotte Convention Center where the conference was held.
Teaching the Story sold out and I went home exhausted and satisfied. Two good days work.
AASL, Margriet Ruurs, Blue, Cecelia, Double Helix, Write Before Your Eyes Joyce Hostetter
Thursday, November 5, 2009
Since I live in the city where AASL is having their national conference, and since my passion is writing and books, then you may have guessed that besides presenting two workshops, I invited several author friends to spend the night here. The only "price" to stay at my home was a copy of a book--which these three authors cheerfully paid. Left to right in this picture is:
Louise Hawes, North Carolina author of Black Pearls.. Watch the book trailer on her website and you'll be hooked!
Clay Carmichael, another North Carolina whose new book Wild Things is receiving wonderful reviews.
Margriet Ruurs is the author of many picture books, several novels, a few books for Maupin House, and edits a wonderful online magazine which publishes children's' work.
Excuse me now. I have some reading to catch up on!
AASL, Margriet Ruurs, Louise Hawes, Clay Carmichael
Wednesday, October 28, 2009
Julian Lester's thought-provoking book, A Day of Tears, builds a fictional story out of of a real event: the day when the most slaves in American history--over400--were sold at one auction. The place is Savannah, Georgia, the time is 1859 and the slaveowner is Pierce Butler who is "forced" to sell his slaves to pay off his gambling debts. Known afterwards as "The Weeping Time," the four days were marked by torrential rain; thus the tie-in to the title of the book.
Many fine books have been written depicting the harsh and unjust conditions surrounding slavery. Jester's novel distinguishes itself by giving voice to each character who plays a part in the drama. As a result of sparse narrative, the reader is engaged in the immediacy of the setting and conflicts. Instead of the traditional novel format, Lester relies primarily on monologues to tell the story. Readers hear the voices of Pierce, his abolitionist wife Fanny Kemble, their two daughters (with two very different points of view on slavery), the auctioneer, several slaves (also with different perspectives on slavery), and the man who helps some of the slaves escape to Cincinnati. Interludes within the main story fast forward the action as the characters reflect upon the years and events that transpired after that pivotal day. The reader watches as families are torn apart--both slaves and their owners--over an issue that divided our country.
I listened to the book on CD and found the acting compelling. Even without much actual physical description of the characters, I could imagine them talking directly to me.
Since the book candidly shows a variety of perspectives on the same event, it makes an excellent Social Studies resource for classes studying the Antebellum Age in the south. In addition, language arts teachers should point out the different uses of syntax, word choice, and dialect to make the voice of each character distinct and powerful. Given the way it is written, this would be an excellent choice for readers theater in middle school or high school classrooms.
The author's notes at the end include glimpses into some of the resources which Lester used to write the book. Since I am researching my own historical novel, I was particularly interested in his resources. He cites a pamphlet "What Became of the Slaves on a Georgia Plantation?" which is in the Library of Congress and can be viewed online. Written by an observer to the entire event, it provides "up close and personal" details of the auction and makes a terrific companion tool to this book.
A Day of Tears, Julian Lester, African American history, antebellum South, book on CD, books for boys and girls, historical fiction, readers theater, teaching history through literature, slavery
Monday, October 26, 2009
Friday, October 23, 2009
Researching an historical novel can take you many different places. Looking to expand my understanding of my young, light-skinned African American character, I searched my local library for books on multi-racial issues. One of the books which popped up was Incognegro, a graphic novel written by Mat Johnson and illustrated by Warren Pleece (DC Comics, 2008).
I am new to this genre, and admittedly brought a dose of skepticism to the book. I wondered if it would really be anything more than a glorified comic book. My embarrassment aside, I can now unequivocally say that yes, this illustrated novel is far different than the Archie comic books of my elementary school years.
Johnson tells the story of a light-skinned Harlem journalist, Zane Pinchback, who reports on lynchings. Zane can easily “pass” and publishes under his pseudonym, Incognegro . But he longs to “come out” and be a part of the Harlem Renaissance. Before he has a chance to do that, his boss asks him to investigate the arrest of a black man in Tupelo, Mississippi, accused of murdering a white woman. The black man is his dark-skinned brother Alonzo, and Zane has no choice but to go undercover again.
The short novel portrays the dangers he and his light-skinned friend Carl experience as they fool the “crackers” they meet in Mississippi. There are multiple twists and turns in this short 134-page book which surprise and confront the reader. Through realistic dialogue and vivid pictures, the time period is explicitly portrayed--including sub-plots depicting rural southern white prejudice.
Since Johnson did not hold back on time and race appropriate language or on his portrayal of violence and sexual liaisons, I would recommend this book for mature teens. My main issue with the book is that I found transitions between events difficult to follow; I had to reread sections to totally understand what was happening.
Incognegro’s portrayal of historical events will be an asset in the social studies and American history classrooms.
Monday, October 19, 2009
Notes of a White Black Woman (Pennsylvania State University Press: 1995) was written by lawyer Judy Scales-Trent. it is a collection of autobiographical essays about her experience as a light-skinned African American woman. It not only gives me insight into the issues she struggled with growing up, it also causes me to evaluate my own preconceived notions about race and color.
This segment is from her observations of generations of photographs in a family album:
"When you look at the photograph of my mother and her sisters, you see that two of the women have white skin. So did my uncle, Big Buddy. But then, when you turn the page to look at the photograph of the grandchildren, it almost takes your breath away, for these are all brown-skinned children. Their skin color ranges from light brown to dark brown, but it is clear that these are not white children....
I am just now realizing that I was so anxious about how they [the dark-skinned men Scales-Trent dated] viewed my color that I did not consider the value I attached to theirs. For it is very likely that without any instruction, without conscious plan, without even thinking about it, I--and perhaps others in my family--thought seriously about skin color when I thought about who would be the father of my children. For this is a country where it is dangerous to be too dark, and where it is wrong to be too light." (p. 48-9)
As a writer, I am indebted to other writers, such as Scales-Trent, who have shared their research and/or life experiences. My work will be richer as a result of their work and honest self-exploration. And that is definitely a reason to celebrate good writers and the writing craft.
Technorati Tags:Judy Scales-Trent, Notes of a White Black Woman, historical fiction, Writers on writing, National day on Writing, light-skinned African Americans
Monday, October 12, 2009
Corey Heyward, a senior at Southeast Raleigh Magnet High School, first contacted me with questions about self-publishing. She had written and illustrated a children’s book for her graduation project and was trying to figure out how to proceed. I was intrigued with Corey’s interest and decided to interview her.
I found out that her children’s book was only one of four requirements which she needed to accomplish before graduation: Paper, Portfolio, Product, and Presentation. Corey chose to write a children's book because she loves to write. She said, “Since my topic, ‘The influence of the media on the environment’ talks a lot about green lifestyles in schools, I figured that writing a children's book about the environment would be perfect.”
When I asked her why she picked her topic, she replied, “I have always had a concern for the environment even when I was little. I used to want to grow up and be a part of the EPA. Plus, the environment is controversial enough to make my paper and project interesting.”
Corey’s book is titled, “The Birthday of Earth Day.” The two main characters are a squirrel and a rabbit who watch school children celebrate Earth Day.
These lines are from the perspective of a wise turtle who joins them:
“Every year, people are thankful for the Earth and all that it brings,
And they show their thanks,” croaked the turtle, “by doing nice things.
Like picking up trash,” he explained, “or saving a tree,
Or protecting the homes of little animals like you and me.”
By the end, the moral is clear:
“The squirrel, rabbit, and turtle watched until the kids finished their garden of green
And had given the plants water and picked up all trash they had seen.
All children and animals went home, the end of the day drawing near,
Wishing they could celebrate the Earth every day, instead of once a year."
Corey worked with Universal Printing who helped her decide things like size, color or non-color, the type of cover, stitching, etc. When she completed the book, she formatted it using InDesign and received instructions on how to upload it onto their website. To her delight, the proof was ready in less than a week.
I applaud Corey’s persistence in writing, illustrating, and self-publishing her first book. She’s planning on studying archeology in college next year, but we might want to watch for her name on Amazon in a few years!
young writer, InDesign, Universal Printing, Southeast Raleigh Magnet High School, self-publishing
Monday, October 5, 2009
This sign is posted at the Ft. Fisher Aquaraium . During a recent visit with my two granddaughters I snapped a picture to share with all of you. Some folks really know how to exercise muscle words!
Vivid Verbs, Exercise Muscle Words, Ft. Fisher Aquarium
Saturday, September 26, 2009
After I contacted Norm Goldman, the publisher of Book Pleasures, with an e-mail about Teaching the Story, he forwarded my request to his staff. Two individuals responded with interest, and at this point, one has reviewed my book. Click here to read Wendy Thomas' wonderful review; click here to read her interview of me.
If you are a writer looking for ways to increase your visibility to the general public, you might consider signing up for the Reporter's Source newsletter. The daily e-mail is a a free service which links journalists and other members of the media with businesses and individuals who can provide relevant information.
And while I'm talking about making your skills and talents known to journalists who need your story, consider signing up for HARO. You will receive three e-mails a day with a list of about 20 journalists who are looking for experts on a wide variety of topics. So far I have been interviewed for an article on "What it Takes to be a Teacher" (Click "Read the List Now" and go to page 12 to read my quote.) And I'm in the process of considering being a member of a the Ziggity Zoom Advisory Board.
And you thought that all that writers did was write. If only that were true!
Book Pleasures, Reporter's Source, Norm Goldman, HARO, Ziggity Zoom, buisness of writing, Teaching the Story: Fiction Writing in Grades 4-8, Wendy Thomas
Saturday, September 19, 2009
I can’t describe how my character looks, the clothes she wears, or her peculiar mannerisms until I create her. I can’t predict how she’ll react to getting snubbed at cotillion because it hasn’t happened yet. I don’t know what Kate will say when she meets Lillie, the light-skinned African American granddaughter of her grandmother’s cook. How (and why?) would they develop a friendship? What obstacles will they meet? If Kate visits Lillie in her home in Griertown, what will happen there? All of these are unanswered question because very simply, the story isn’t written yet. No rules. No road map.
It’s frustrating, exciting, and challenging—all in one. And that’s why I’m a huge fan of students learning to write fiction. Imaginations are stretched as young authors build their own mini-world in which original characters lose a soccer game, compete in a difficult karate match, fail a driver’s test, or do any number of things which make for an interesting story. And the author must plan the story so that events build to a satisfactory and logical conclusion.
Of course there are rules. One of most important ones for students to learn is that the imaginary world they have created must be believable. That means that very few 12-year-old girls take full charge of 5 younger siblings when their parents die or very few 16-year-old boys save the world single-handily from nuclear destruction.
For me, it means finding out what happens when a 13-year-old Caucasian girl who doesn’t fit in with the upper-crust society she is thrust into, and a 14-year-old light-skinned African American who feels different than the rest of her community--meet.
Stay tuned. I suspect I may discover this story just a step ahead of you. And in the process, I hope I create a story as beautiful and unique as these flaming red leaves in Crossville, Tennessee.
No Rules, Griertown, writing fiction, teaching writing
Thursday, September 10, 2009
For days my fellow author, Joyce Hostetter, has been tweaking our newsletter, Talking Story. Writing the articles was the easy part. Putting it all together was another story. Although I moaned and groaned about the hours I spent editing and uploading addresses, to be honest, Joyce conceived the project and is responsible for how professional it looks. If you didn't receive a copy in your in-box today, click here, and you'll go right to it.
It feels good to have published this issue. As icing on the cake, I was delighted that my former editor at Maupin House, Emily Raij, chose to blog about us today.
My husband and I are in Crossville, Tn. for a few days of R & R. For him, that means golf and tennis. For me, it means 3 R's-Reading (Joyce's "Work in Progress" about a WWII conscientous objector); 'riting (time to get back to my historical novel. Hmmm...last I worked on it was in July. Where in the world was I?); and Recreating (have bikes, will travel.)
Sounds like a winning combination to me!
Joyce Hostetter, Maupin House, Talking Story, writing newsletters, Crossville, Tn