STORIES IN JOYCE'S BACKYARD: A "PICK-YOUR-OWN" GIVEAWAY!

 "This is the house that the Hinkle sisters lived in, and that's the muddy river where Thomas and Jackie fished together." Joyce Hostetter pointed out the car window as we drove around around her hometown, Hickory, NC--the setting for her Bakers Mountain Series. "See that old building? That's the hosiery factory where Junior worked for a few days. Over there is where the car mechanic lived who helped him fix his truck."

The Honeycutt family and their friends, who already had a special place in my heart from reading AIM, BLUE, COMFORT, DRIVE and EQUAL, became even more real as I saw the places where they lived, played, and worked--all within sight of Bakers Mountain. 

Bakers Mountain, photo courtesy Joyce Hostetter

How did Joyce end up writing a series of books that rose up out of what was once a rural community? It all began when Carolyn Yoder, senior editor at Calkins Creek, suggested that Joyce find the story in her own backyard. When Joyce began researching the history of Hickory, NC, she discovered the Miracle of Hickory at her local library.

Mural in downtown Hickory. Do you see Joyce?

She researched, read old papers, interviewed polio patients...and BLUE was born. Read some of Joyce's thoughts on the process of discovering her stories here. 

Part of Joyce's real backyard. Photo courtesy Joyce Hostetter

A few years after BLUE was published, I met Joyce in Birmingham, Alabama at a literacy conference. She was presenting on BLUE, I was presenting on Teaching the Story: Fiction Writing in Grades 4-8.  

We bonded over reading and writing. We co-presented several times and continue to publish a quarterly newsletter, Talking Story. We are critique partners and good friends. 

I felt Joyce's influence when I began brainstorming my own first novel. I rode my bike, walked, and drove through neighborhoods. What could have happened here? Half-Truths incubated. Ideas hatched. A novel slowly took shape. It changed. Got revised (many times!). Was reborn. 

What did Carolyn mean when she gave Joyce that assignment? Possibly she was not only talking about an actual backyard but was also encouraging Joyce to reach inside of her own experiences to find something she could relate to and authentically show in her writing.  

Let's face it. There might not be a compelling story about polio or pre-civil rights tension in your community, city, or state. Or, maybe you write science fiction or fantasy that's not even rooted in this continent or world--let alone in your neighborhood! How are you going to find that "backyard" story?

At the foot of Bakers Mountain and staring at Joyce's budding trees and the grass turning green I thought--my backyard is bigger than the crazy intersecting streets of Myers Park, NC. where my characters live. 

It's my whole life. 

It's writing what I know with a twist. 

It's taking my grief over losing someone I loved and embedding that in Kate, my protagonist's heart when she leaves home. It's realizing how making choices is not always very linear and conveying it on the page; it's understanding how gut-wrenching it is to feel betrayed--or be the betrayer. 

It's mining my life. 

How about you? What have you used in your life--whether it's a place, person, event, or experiences--that has made it's way into your book? 

What is in your own backyard? 

Some backyards are under construction,
like mine is!

GIVEAWAY

For the first time on my blog, one fortunate blog reader will be able to pick which book in the Bakers Mountain Series they want to win! Leave me a comment by May 11 to enter this giveaway and tell me which book you are interested in. U.S. addresses only. Make sure you leave me your full name and email address if you are new to my blog.

Make sure you check out the other great books on Greg Pattridge's MMGM blog! 

DRIVE: A Review and Two Giveaways!

Congratulations to Clara Gillow Clark and Dorothy Price who won the downloadable version of Eyes on the Prize from last week's blog.

The night that I stayed up late to finish reading Joyce Hostetter's fourth book in the Bakers Mountain Stories series, DRIVE (Calkins Creek, 2018), I texted Joyce: "This is going to be a hard book to review. There are too many wonderful things to say about it. Somehow you're able to catch the heart of emotions so well. I'm still crying."

The funny thing is that I almost didn't read the book. I'd read several drafts and thought that I knew the story. Boy, was I wrong!

After all the brainstorming, outlining, and drafting that I'd read, Joyce added layers of characterization, sensory details, and plot points that deepened the story. Having read those earlier drafts, I look back and see how she added flesh to the bones of her story--and I got to see a book develop and grow. 

One other interesting background note. When Joyce was brainstorming DRIVE, I had just given up writing Half-Truths from two points-of-view. I told Joyce of my struggles to make each character act and sound differently from the other. There's no mistake: Joyce pulls this feat off beautifully. This is a story of twin sisters vying to hold onto their sisterhood at a time when they're growing up and apart.

REVIEW 

PROLOGUE- Ellie

Mommy says Ida was born ten whole minutes ahead
   of me
and I spent the first years following after her,
doing what she did
and trying to be as good as she was.

Then, when Daddy came home from war
with hurts we couldn't see
and moods he couldn't predict,
the uncertainty hit Ida hardest of all.
She pulled back like a turtle inside its shell,
slowing down while I sped up.
I soon realized I liked running ahead,
hearing people cheer for me.

But sometimes, it was Ida they'd be bragging on,
And when they did,
I always felt that I was losing.
Life became a competition that one of us had to win.

And I was determined that the winner would be me. (p. 5)

********

Competition. This theme pervades the book as Ellie and Ida prepare to enter their first year of high school. As the reader meets the girls, we see how Ellie thinks she's not as good as Ida and aches for a normal family:

I wanted a father who didn't get frazzled over a bad dream or loud noises. And a mother who wasn't always aching over her husband. I didn't actually want another family; I just needed to not be embarrassed by the one I had. (p.28)

Ida, who describes herself as the quiet one, avoids the spotlight and feels as if Ellie has the drive to succeed but she doesn't. 

...I stared at the red velvet curtain on the stage and thought how I never got to pull it open and shut. It was the only job I ever wanted in any play we ever did. But thanks to being a twin, I almost always had to be out front, doing something cute with Ellie and feeling like a country bumpkin in the shadow of a movie star. (p.29)

I loved seeing the sisters from each other's POV. This is Ida talking about their different reactions to their father:

Ellie wasn't scared of Daddy the way I was. She was more like Ann Fay. Bold. Always acting like there was no mountain so tall she couldn't climb it. No race so fast she couldn't win it. And no daddy so mean she couldn't charm him. (p.42)

In this section, Ellie thinks about taking Latin in school.

Ida wouldn't want me to because then we wouldn't have all our classes together. But that also meant I wouldn't always be compared to her. I could have a class that was all my own. A hard one that she couldn't show me up in.  (P.59)

Ida feels lost and shy in their new school but Arnie, a fellow freshman, reaches out to her. Ellie who is used to being the strong twin, sees Ida with Arnie and suddenly realizes that Ida might not need her anymore. What's worse is that Ellie has a huge crush on Arnie. This conflict leads to more tension and misunderstanding between the sisters. 

Throughout the book the word drive is used in a number of ways. One of the plot threads is Ellie's passion for racing and the Hickory Motor Speedway. Whereas Ida can't stand the noise and grit of the races, Ellie thrives on the excitement and exhilaration of watching the cars zoom around the track. Unfortunately, this love for a thrilling adventure leads to a devastating accident. Without a spoiler, let me simply say that Ida is the only one who can bring Ellie out of the no-man's land of her near-death injury. 

Joyce interlaces history throughout this skillfully written story.  The 1952 presidential election, the threat of communism, and the Korean conflict are all important backdrops to the drama taking place in the little town of Hickory. 

But that's not what made me tear up. Forgiveness, love, character growth, individual accomplishments against high stakes--all of these made me root for both Ida and Ellie, as I'm sure you will too. Although written for the upper middle grade reader, adults will also resonate with the coming-of-age theme interwoven into DRIVE. 

As I told Joyce, I'm a lot like Ellie. I think many of us will see a little bit of ourselves in the two sisters. And isn't that what a great book is about?

*******

EPILOGUE- Ida

After Daddy came home from war
with wounds we couldn't see
and moods he couldn't predict,
I pulled back and let Ellie take the lead.

I didn't mind so much if she wanted to run on past
and steal the show from me.
I didn't need to be seen or heard the way she did.
Art was my voice.

But then in her race to be first
Ellie crashed
and I had to go around her--
to face scary unknowns
and accept good things that came my way.

I think we both learned
that life is not a race with one of us winning
and the other losing.
We can drive on our own separate tracks
without competing.
And when we do
We'll each come out a winner. (p. 342)

GIVEAWAY and AN AUDIOBOOK WISH

Since so many of Joyce's fans read my blog, Boyds Mills Press kindly agreed to give away TWO copies of DRIVE. Leave me a comment by October 11 with your email address if you are new to my blog. If you want additional chances to win, share this on social media or follow my blog and I'll add your name twice to the hat--but make sure you tell me what you did. 

And while I'm on the topic of Boyds Mills Press--who wants the Bakers Mountain Stories to be published in audio format? I think they'd be perfect! If you agree with me, please join me in tweeting @boydsmillspress. 

Four Writers and Four Writing Stages--Part II

As I mentioned last week, this is the second post in a two-part series on the variety of stages writers go through when producing a book. Thanks to Jean Hall who said that she is "always in the middle of creation or revision of picture books." Julian Daventry said, "I'm about to start editing my trilogy, after getting all three books drafted. There's still much to be done, but reaching the 'all books are drafted' is a nice milestone. I'm ready for the next step!" Gray Marie contributed, "Sadly school has been detaining me, but I hope to speed up my progress this summer. I am currently outlining and writing out a few of the scenes in my attempt to piece together this puzzle of a story in my head." Sheri Levy wrote, "I am writing the my first draft of the third novel in the Trina Ryan series, For Keeps. My ideas are moving in the story, and I'm trying to write to the end before I start restructuring the plot. This part of writing is fun, but a long process."

JOYCE HOSTETTER

My book, DRIVE, (a story of twins, NASCAR, the Cold War, and competition) is in the design phase so it came back to me recently formatted by a typesetter.  At this point my task was to read through in search of typos, misplaced quotation marks, spacing issues, etc.  Of course, we writers are always tweaking so I slipped in quite a few requests for other small changes.

I began writing DRIVE in August 2016 at a Highlights workshop with my editor, Carolyn Yoder. Since it’s part of a series, I submitted a query and received a contract within a few months. I submitted it within seven months but should have allowed more time in my contract because writing two viewpoints is so hard!  I revised and resubmitted in July and it went through another round of revisions after that. All told – about a year and a half.

My first draft was a mess. Someone died who I decided not to kill after all. Also the twin protagonists weren’t attracted to the same boy and in the final version they are. Polio figures into the final version more than it did previously. The final version feels much more cohesive and I think the twins are more differentiated. Hopefully you still won’t know who to pull for.

After the latest changes have been applied by the typesetter I’ll be rereading again for nitpicky formatting issues. I’m quite certain if I ask for other changes my editor will disown me.

Here is the opening of DRIVE:

As terrible as it sounds, I wanted to rip the ribbons right off my twin sister’s drawing. First place in still life and grand prize! 

Ida stood beside me in the hallway at Mountain View School. She wasn’t saying much even if she was thrilled—which of course she was. But I knew she felt guilty about me only winning honorable mention in my category. For some reason I’d thought a portrait of Dwight D. Eisenhower would help me take first place. 

“I’m sorry, Ellie,” whispered Ida. 

“It’s okay,” I said. But I had to bite my lip to keep it from trembling. 

“Maybe you should’ve submitted that drawing of the red high heels. It was really good.” 

“No,” I said. “Because that would have been a still life and I wasn’t about to compete in the same category as you. But of course you beat me anyway.”

In her award winning BLUE, Joyce told the story of her hometown’s compassionate response to a polio epidemic. The characters of this quiet neighborhood took up residence in the hearts of readers so that now Bakers Mountain Stories include AIM, BLUE, COMFORT and the forthcoming DRIVE. When Joyce isn’t writing, researching, or speaking about her books she is usually living the quiet friends-and-family lifestyle exemplified in her stories. She does, however, enjoy travel because the world is actually so much bigger than where she is from!  

CAROL BALDWIN 

Last June I switched over to writing Half-Truths from Kate's POV. That required digging deeper into Kate's backstory, re-thinking, moving chapters, writing new ones, and deleting a lot of material. I'm now close to the end of that draft. Next, I'll print the  manuscript and read it out loud. I'll fill in details that I hadn't taken time to research, check character arcs, hunt down cliche's, tighten, and polish. It will then go to a few beta readers, my two critique partners, and Rebecca Petruck, my wonderful writing coach. After that...I hope it'll be time to start querying agents! 

As some of you know, it has taken me over ten years to get to this point. Although the story takes place sixty years ago, I hope the themes of friendship, racism, and generational legacies will inspire introspection and communication among today's readers.

Here is a snippet from one of the ending chapters. This follows Kate's conversation with her grandmother about their family history:

I ache for my grandmother. For the little girl who was ripped away from her mother and grew up with half-truths fencing her in.  

Half-truths like long spindly fingers that reached out from the grave and strangled us all.

You Heard it Here First: Cover Reveal for DRIVE by Joyce Hostetter

I am honored to share the cover reveal for DRIVE, Joyce Hostetter's newest middle grade book that will be released in September by Calkins Creek. In this interview she gives you a glimpse of the backstory behind the latest in the Bakers Mountain Stories as well as the nitty gritty research she did. Take it away, Joyce!

Photo credit: Wendy Hostetter Davis

Synopsis

Ida and Ellie Honeycutt are identical twins whose personalities and internal drives are quite different. Ellie likes action and loves going to the local stock car speedway with its thrilling competitions. Ida, who hates the noise, dirt, and danger of racing, prefers quiet evenings at home pursuing her love of art.

Ellie tends to lead and Ida is mostly content to let her do so. They find security in their expected roles but entering high school gives them more separate experiences and forces them to function independently of each other. However nothing can stop them from falling for the same charming boy and finding themselves at increasing odds with each other.

Then a car accident forces them into new roles, affirms their unique identities, and leads them back to their deep loyalties to each other.

Carol: How did you arrive at the concept for DRIVE? 

Joyce: After my publisher suggested a prequel to BLUE (which eventually became AIM), I decided to create a series which is now known as the Bakers Mountain Stories. Five books seemed like a satisfactory number of volumes and would give each of the neighborhood youngsters a chance to tell his or her story.  (Ann Fay Honeycutt narrates two books, BLUE and COMFORT since she unknowingly kicked off the series!)   

Next in line were the twins. Of course I could have given them each their own separate books to narrate but being lumped together was also a twin dilemma I could utilize.  Mostly I wanted to explore their individuality in the context of the same story line. So I decided to write DRIVE from both of their voices and let their differing viewpoints create the conflict.  My goal was to have the reader pull for both of them even when they were at odds with each other.

Carol: Why did you call the book DRIVE?

I’ve always thought that, if I wrote a sequel to COMFORT, I’d want to share a bit of North Carolina’s NASCAR history.  The Hickory Motor Speedway opened in 1952, the year my story takes place, and we’ve had a number of exceptional drivers emerge from our area. Ned Jarrett grew up in the community and ran his first race at our speedway on the night that it opened. Jarrett represented racing so well via his competitive drive, his deep integrity, and his trailblazing career in NASCAR broadcasting. Including him as a character in the story was a real honor for me.

The historical backdrop for DRIVE is The Cold War, The Korean Conflict, and the presidential race between Dwight Eisenhower and Adlai Stevenson. Ultimately, I see this book as being about competition, the drive to succeed, and what it means to win. 

In any competition, we tend to see winners and losers. But one person or party taking first place doesn’t have to mean loss for others. Winning is the result of facing challenges with integrity, admitting our mistakes, and learning more about ourselves and what makes us valuable—no matter what the outcome of the contest. In DRIVE Ida and Ellie discover what makes them each unique and a winner in her own right.

Carol: What challenges did you encounter while writing DRIVE?

Writing from two viewpoints is always more complicated than I imagine it will be. Each character’s story must be fully fleshed out while complementing the other’s.  There’s so much to cover— scenes they share, separate scenes, more characters to flesh out, and interior monologue and a story arc for each protagonist. My biggest challenge was getting it all in and making it work together without bogging the story down. Based on editor feedback I did some major rewriting which changed the story a lot. The heart of the story was unchanged but the narrative for reaching resolution was quite different.

Also regarding challenges—I have to say that securing a contract to write a novel before it’s actually fleshed out sounds like a writer’s dream. But this presents its own struggle.  Deadlines always arrive more quickly than I like!

Carol: What kind of research did you do?

I read about the twin experience, of course, but conversations with multiple sets of twins were the most helpful in understanding the complicated mix of deep love and intense competition that exists between many of them. I also interviewed local NASCAR legend, Ned Jarrett and spent lots of time at the library reading our local newspaper from 1952 & 1953.

YouTube was great for giving me glimpses of the 1952 presidential election and aspects of the Cold War. I also watched quite a few NASCAR documentaries and attended my first stock car race at Hickory Motor Speedway.

Hickory Motor Speedway

Carol: You mentioned five books in Bakers Mountain Stories.  So far you have AIM, BLUE, COMFORT and DRIVE. What’s next?

Something that starts with an E, of course. I anticipate the title to be EQUALITY since that was a big theme of the sixties. The youngest Honeycutt child, Jackie (a boy) will turn fourteen in 1960 and will experience some history making moments. I can’t wait to see the storyline evolve as I discover ideas while researching. Just getting started on that now!

Thanks so much Carol for listening and sharing DRIVE with your readers!

And without further ado, take a look at this beautiful cover!

One of the ways we can support our favorite authors is by pre-ordering their books. Guess what? DRIVE is now available on Amazon and Barnes and Noble for pre-order! In 2018 you'll have the opportunity to win the ARC off my blog when I review it--but why wait? Order your copy now!