STORIES IN JOYCE'S BACKYARD: A "PICK-YOUR-OWN" GIVEAWAY!

 "This is the house that the Hinkle sisters lived in, and that's the muddy river where Thomas and Jackie fished together." Joyce Hostetter pointed out the car window as we drove around around her hometown, Hickory, NC--the setting for her Bakers Mountain Series. "See that old building? That's the hosiery factory where Junior worked for a few days. Over there is where the car mechanic lived who helped him fix his truck."

The Honeycutt family and their friends, who already had a special place in my heart from reading AIM, BLUE, COMFORT, DRIVE and EQUAL, became even more real as I saw the places where they lived, played, and worked--all within sight of Bakers Mountain. 

Bakers Mountain, photo courtesy Joyce Hostetter

How did Joyce end up writing a series of books that rose up out of what was once a rural community? It all began when Carolyn Yoder, senior editor at Calkins Creek, suggested that Joyce find the story in her own backyard. When Joyce began researching the history of Hickory, NC, she discovered the Miracle of Hickory at her local library.

Mural in downtown Hickory. Do you see Joyce?

She researched, read old papers, interviewed polio patients...and BLUE was born. Read some of Joyce's thoughts on the process of discovering her stories here. 

Part of Joyce's real backyard. Photo courtesy Joyce Hostetter

A few years after BLUE was published, I met Joyce in Birmingham, Alabama at a literacy conference. She was presenting on BLUE, I was presenting on Teaching the Story: Fiction Writing in Grades 4-8.  

We bonded over reading and writing. We co-presented several times and continue to publish a quarterly newsletter, Talking Story. We are critique partners and good friends. 

I felt Joyce's influence when I began brainstorming my own first novel. I rode my bike, walked, and drove through neighborhoods. What could have happened here? Half-Truths incubated. Ideas hatched. A novel slowly took shape. It changed. Got revised (many times!). Was reborn. 

What did Carolyn mean when she gave Joyce that assignment? Possibly she was not only talking about an actual backyard but was also encouraging Joyce to reach inside of her own experiences to find something she could relate to and authentically show in her writing.  

Let's face it. There might not be a compelling story about polio or pre-civil rights tension in your community, city, or state. Or, maybe you write science fiction or fantasy that's not even rooted in this continent or world--let alone in your neighborhood! How are you going to find that "backyard" story?

At the foot of Bakers Mountain and staring at Joyce's budding trees and the grass turning green I thought--my backyard is bigger than the crazy intersecting streets of Myers Park, NC. where my characters live. 

It's my whole life. 

It's writing what I know with a twist. 

It's taking my grief over losing someone I loved and embedding that in Kate, my protagonist's heart when she leaves home. It's realizing how making choices is not always very linear and conveying it on the page; it's understanding how gut-wrenching it is to feel betrayed--or be the betrayer. 

It's mining my life. 

How about you? What have you used in your life--whether it's a place, person, event, or experiences--that has made it's way into your book? 

What is in your own backyard? 

Some backyards are under construction,
like mine is!

GIVEAWAY

For the first time on my blog, one fortunate blog reader will be able to pick which book in the Bakers Mountain Series they want to win! Leave me a comment by May 11 to enter this giveaway and tell me which book you are interested in. U.S. addresses only. Make sure you leave me your full name and email address if you are new to my blog.

Make sure you check out the other great books on Greg Pattridge's MMGM blog! 

Character + Setting = Story (Almost)

Part I: Character
A recent Facebook discussion on my wall led one of my FB friends Leslie Guccione, an author of 30 books, to blog about the importance of totally knowing your character and setting. 

Leslie Guccione

I have often thought how stories are built from the inside out.  Appropriately, her blog on character is named, "Know Your Characters Inside and Out." She listed a variety of questions writers should ask about their character. This list is similar to an handout that is in Teaching the Story which you can download here. 


I hope you'll read her entire blog, but here is her ending advice:

Whether your character works against the background you’ve devised or reflects it in stereotypical detail, you’ve provided a solid frame on which to weave voice, behavior, attitude and goals as you hook your reader with their tale you’re telling.

By the way, I highly recommend Donald Maass' book, Writing the Breakout Novel Workbook. His exercises are probing and will make you get to know your character in such a way that you can portray him or her authentically.

Part II: Setting

On Leslie's blog about setting, "Your Character's Physical World," she uses two fantasy books to demonstrate the importance of creating extensive, believable worlds for characters to live in. She lists several aspects of a fictional world that the writer must create. You can also download my handout, "Set the Scene" or "Create an Imaginary World" to help you begin this brainstorming process. 


Leslie summarizes that blog with, "Your goal is to breathe life into every individual & create atmosphere for every setting. You have to take your readers there. And they have to want to stay."

I found Richard Russo's article, "Location, Location, Location: Depicting Character Through Place" in Creating Fiction (Story Press, 1999) to be helpful on this topic.

Part III: Plot

What about plot and conflict? Let me recommend two books to help you tackle that most important story componenent. The first is Many Genres One Craft: Lessons in Writing Genre Fiction which, according to Leslie, is crammed with good advice. She should know--she contributed an article and it just won its second "Best" award for a writing how-to book in 2012.

Second, consider purchasing Becky Levine's book, "The Writing & Critique Group Survival Guide." She has an excellent chapter on critiquing for plot along with a great deal of other useful information. 

 

This Dark Endeavor: The Apprenticeship of Victor Frankenstein

This book is not for the faint of heart. And it’s not for the reader who doesn’t have a stomach for scary, gory scenes and unpredictable mad scientists.

But, if you are intrigued by fast-paced adventures that seem impossibly dangerous—then This Dark Endeavor is a book for you.

I chose this book because I had enjoyed Kenneth Oppel’s book Airborn. Although they are both fantasy, the similarity ends there. This prequel to Mary Shelley’s gothic classic is a riveting, plausible read for older boy and girl readers.

One of the principles in my book, Teaching the Story is, “If You Want to Write, Read.” Following my own advice, I consistently read to learn how young adult authors successfully tell their stories. Here is what I learned from Oppel:

• Open with a scene that hooks the reader and foretells the story’s conflict. The opening dueling scene between Victor Frankenstein and his twin Konrad is a powerful metaphor for the struggles between the two.
• Set up a strong, convincing goal. When Konrad falls perilously ill, Victor is determined to find the elixir of life that will save his brother from death.
• Invent plausible characters. Oppel cleverly creates a convincing backstory of how this educated young man could become the legendary Frankenstein.
• Create nail-biting obstacles that the character must overcome to meet his goal and keep your reader turning pages. Victor battles huge flying evil birds, almost gets stuck in an underground cave, and donates his own—oops, I can’t tell you what—in order to obtain the elixir’s ingredients.
• Give your character mixed motives. Along the way Victor realizes that his motivations towards his brother aren’t totally altruistic.
• Create a love triangle with characters that have mixed motives. Elizabeth, a distant cousin they both love, chooses Konrad over Victor. But Victor has seen a side of her that Konrad is ignorant of.  Can Victor’s bravery win Elizabeth’s love?
• Provide an unexpected, but “of course!” end.  What will Victor do when he realizes the alchemist he trusted has his own plans for the elixir?

Sorry, no answers here.
 You’ll just have to read the book.


Here is the book trailer, which in and of itself, is spooky!

Digital Tools for Teaching

I’ve often compared writing and publishing a book to pregnancy, labor, and birth. Within the context of that simile, if I help a friend or student write or publish a book I either feel like a midwife or grandmother.

When I received my copy of Steven Johnson’s book, Digital Tools for Teaching, I definitely felt like a proud grandma. I hadn't contributed one iota to the content. Instead, I introduced him to Julia Graddy, my publisher at Maupin House.

I met Steve three years ago when he participated in the “Is There a Children’s Book Inside of You?” NCCAT  seminar  which Joyce Hostetter and I co-led. At first he successfully hid his expertise as a technology facilitator and focused on writing a funny picture book. But when he leafed through Teaching the Story and we began brainstorming the digital tools which could enhance the process of writing short stories, the second edition of my book was born. 

Steve and & I brainstorming at NCCAT

After Steve wrote twelve technology mini-lessons for my book, he began work on his own project with Maupin House. He wanted to create a book that would make technology accessible to every teacher--even those who were techno-phobic.  His dream was to provide an overview of e-tools which can be used in the classroom,  show how they could be used in a variety of subject areas, and meet the needs of a variety of techno-savvy elementary and middle school students.

No small task. But with the able help of my editor, Emily Raaj, Steve accomplished exactly that.

The first thing that will reassure teachers overwhelmed with digital technology is Steve’s division of thirty e-tools into three groups:  those for newbies, developing users, and advanced users. From there he encourages teachers to rethink their role as educators:

Going forward, our jobs must be about giving our students personalized, relevant instruction that develops their ability to make meaningful sense of the information-rich world they live in. Sure, they can find anything and everything under the sun on the Internet-but do they know what to do with it?  Can they evaluate the accuracy of what they read? Can they analyze and organize the glut of information? How does it improve their lives? They might have the world at their fingertips, but we have the power to guide them towards molding it into something worth creating. p. 4.

Steve next presents the eight characteristics of the “Net Generation.” Reading this will help you understand the different ways in which your students approach the Internet. And, it will help you feel OK about asking your students for help troubleshooting when something goes wrong. In fact, figuring out what went wrong is part of the learning process for everyone.

The meat of this encyclopedia of digital classroom technology, is the 30 alphabetized tools. Each double-page spread explains  what you need to do prior to utilizing the tool in your classroom, tells you how to get started, lists other issues to consider, and provides examples of how to use it in language arts, science, math, and social studies. It would be easy to feel overwhelmed except that the book is very readable and Steve walks you through the process of classroom implementation. If that wasn't enough, Steve offers his website as an on-line "living, breathing resource for all teachers."

Steve's enthusiasum for the power of using digital tools in your classroom is contagious.



Steve in the computer lab at Washington St. School

Rockingham, NC

And I'm not saying that just because I'm the proud grandma.

It's the honest truth. 

****

Joyce and I are giving away a copy of Steve's book in our next issue of Talking Story. If you haven't subscribed yet, click on the link which will bring you to our last issue. On the top, click on "Subscribe" and then send us an email when you receive your copy in a few weeks.