Meet My New Experts: Four Korean War Veterans

Congratulations to Jo Lynn Worden who won an autographed copy of "God's Blessings of Fall." Thanks to everyone who entered this popular giveaway.

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I've been plotting and thinking about my next book, which is tentatively titled, TOXIC. It will be a sequel to HALF-TRUTHS with Kate's younger brother, Woody, as the main character. In the beginning of HALF-TRUTHS, Kate and Woody's father (Ben) leave for the Korean conflict. One of the ways that Kate connects with Lillian, her grandmother's housemaid, is that Lillian's brother, Isaac, is also in Korea. 

TOXIC take places a year after the Korean War ends, after Ben and Isaac return home. I realized that I needed to better understand what Korean soldiers experienced during the war and when they returned. Following Joyce Hostetter's apt advice, I went looking for some Korean vets. Here are my new experts who generously shared their experiences.

DICK RIDLEY

Dick Ridley, October, 2019

When I contacted Dick, he told me that his story was boring and that he had it "soft."  He was in the artillery and helped man a howitzer that was 4-7 miles away from the front line. 

As the picture below shows, it wasn't easy work and the noise was intense and caused hearing loss in later years. But, as Dick said, "We didn't feel a sense of danger. We were young and stupid. I never saw any wounded." 

Dick Ridley, 1951

One of the eight men in his gun crew refused to pull the lanyard. He would load and aim it, but never fire it. 

This was a letter which Dick received many years later, along with the medal hanging around his neck in the top picture. 

Dick worked as a senior designer for Ford and Pontiac in Michigan and then at Freightliner Trucks in Charlotte, NC. In his retirement Dick volunteers in the Carolina Room at the main library. He enjoys scanning documents, maps and pictures and wonders what the story is behind the images. 

JOE CURTIS GLOVER

Joe had hoped to go into the Army because he'd heard the Marines were rough and tough and he wanted accounting training. But when he enlisted, they needed more men to fill a Marine platoon and the decision was made for him.  

Although he reported that he was generally treated equally as whites, he could tell by the way in which the drill instructors spoke to him and the four blacks (out of 64 men in the platoon), that they were prejudiced. He was assigned to the Motor Transport along with many other black soldiers. His job was to bring men, ammunition, troops, and supplies to the front and take back the wounded or the dead. 

"When I wasn't driving, I was in a fox hole." Joe told me about a time in which he hid in a fox hole when the enemy was attacking, along with another soldier. Like other accounts I have read, much of the fighting took place at night. "There were explosions of light. I couldn't see anything and would just shoot towards the sound. I didn't know if I hit somebody or not."

Later, he realized that his fellow Marine in the fox hole got shot. "I didn't know he was dead until I felt his blood."

This letter of commendation hangs on the wall in his den.

Joe stayed in the Marines and was in the Motor pool for several years. He kept pushing to take accounting classes but was often told that the classes were full. His wife Dorothy added that he was not treated with respect when he returned to the States. Joe's persistence paid off. He received the training he wanted, worked his way up, and became a fiscal officer in charge of a large budget, reporting to a Major. 

Dorothy and Joe Glover, October, 2019

Joe retired from the Marines, worked for the Postal Service, and is now retired in Travares, Florida. He and his wife have 27 great grandchildren.

PRESTON WOODWARD

Preston Woodward, November, 2019

Preston Woodward's family estimated that he had 100 pieces of shrapnel in his body--many of which were never removed because the surgery would have damaged his body. Unashamed, Preston told me to feel the 2-inch bump in his arm and showed me scars on his legs. 

Preston joined the Marines right out of high school. "It was the right thing to do," he said. "They needed people and the Marines was the roughest outfit."

When he was unloaded off the ship in Korea, the men were marched straight to the front. It was the middle of the night, the men were hungry, and the terrain was difficult. He was a part of a nine men fire team; he carried the BAR (Browning automatic rifle).

"They wanted us to confront civilians and jump off to take a small hill. It took so many casualties to accomplish what we were supposed to [do]. It was all mixed up with people coming and going. Wounded going out and new Marines coming in. We weren't trained right, we thought we were ready, but we weren't. Seeing the real Marine Corps changes you."

When Preston got hit in his leg from an explosion, he bandaged it himself. "Small fragments would scatter and hurt you. The corpsmen were busy and I was no wimp. I kept going  and prayed it would cease." As far as he could see, the war had grown on either side of him. "I used to think, 'Why do people line up on two sides and kill each other?'"

As we talked, Preston's shoulders, neck, and legs jerked and twisted. He still has a lot of pain from the shrapnel and some of his memories were jumbled. As far as I could tell, after a severe bombing, he laid out on the field wounded for 4-5 days. If he moved, the enemy would lob more grenades. The force of the explosions from the concussion grenades flipped him over. 

Preston was captured and taken to a Chinese medical station.  After that he was a prisoner-of-war for "one year, ten months, and sixteen days" until the war ended. Although Preston doesn't remember much about that imprisonment, he relayed that he was interrogated and threatened with death. He didn't have the information they were looking for, but they attempted to brainwash him. 

After the war, Preston returned to Florida and had multiple operations. "I was fearful of loud noises like a shotgun. I'd jump up and think someone was coming at me." He had nightmares and drank too much. His parents taught him to be courageous, his father told him that his anxiety would end, and his friends advised him to go back into fearful situations. Seeing what alcohol did to his buddies helped him to quit; he did resume hunting and got over his fear of loud noises. 

Preston had difficulty staying on the job because of his physical limitations due to his injuries. He was widowed three times and now lives in an assisted living facility in central Florida. Parked out front is his Ford black pick-up truck that he would love to drive. 

After we talked, Preston carefully tucked his cap inside his belt. "That's what we used to do," he told me with a smile. 

CURTIS KOJO MORROW

My last expert to highlight in this post is not someone who I have interviewed. Rather, I "met" Curtis Morrow in the pages of his memoir, What's a Commie Ever Done to Black People? (McFarland & Co., 1997). 

Curtis was 17 when he enlisted in the Army and joined the 24th Infantry Regiment Combat Team. This unit, originally known as the Buffalo Soldiers, was the Army's last all Negro unit; it was deactivated in 1951 when black soldiers were officially integrated into the other units in Korea. 

I will most likely review this book, so let me just say that it is raw, authentic, gritty, and memorable. It is not for the faint of heart, but it illuminates the Korean conflict through a young, vulnerable, and courageous black teenager. The word pictures that Mr. Morrow painted have stayed with me long after I read them. 

Photo from Facebook, taken in 2014

Mr. Morrow is an author, artist, and freelance photographer who lives in Chicago.

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These men sacrificed more than I can imagine. Now, their stories will inform mine. As I write TOXIC, I'm thinking about the horrors which Woody's father, Ben Dinsmore, saw in Korea and how that will shape Woody's life.  What did Isaac Harris see and experience? When he comes back to Charlotte, what will his life be like, and how will he influence Woody?

I'm using One Stop for Writers to explore these characters' backstories. I hope you hang in there with me as I build a new story. 

Stay tuned. 

Life as a Published Author: A Guest Post by Jean Hall

For over ten years Jean Matthew Hall and I have encouraged each other as writers. I was delighted when she received her first publishing contract for Bountiful Blessings Series with Little Lamb Books. I hope you take a minute to read my review of her first book in the series, The Blessings of Fall. Jean's words are lyrical and the illustrations by Olya Badulina's are beautiful. 

In this post, Jean shares what it's felt like to enter into the world of being a published author. 

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BRING IT ON, JEAN!

Becoming an official author is an emotional roller-coaster!

My family thinks I’m up there with James Patterson and is celebrating my “fame!” I love them and their enthusiasm for this time in my life.

I feel excited to be in the spotlight right now – no matter how small that spotlight is!

Gratitude to God swells up in me each time I read the book, God’s Blessings of Fall on real paper with real ink. God does give us dreams in our lives, and He helps us make them a reality sometimes. This experience is a dream come true for sure.

Writing friends are high-fiving me on social media, at conferences, via email. It’s fun to have a tribe ya-hooing with me. 

Current friends are excited to think they know a REAL author! My Sunday School class have no small children, but they are rushing to Amazon and Barnes & Noble to order copies of the book.

I especially enjoy my visits to kindergarteners, first and second graders in Christian schools. The kids are excited. The teachers are excited. I’m excited. So much enthusiasm for what the Lord has done.

And for a few moments I feel like a celebrity.

The school visits are tiring for this old lady, but I love them. Such wonderful memories rush back as I stand or sit in front of dozens of adorable kids glued to the pages of the book. Many thanks to Olya Badulina and Little Lamb Books for creating gorgeous artwork to bring the text to life. 

I might sing a childhood hymn with the little ones as they keep rhythm (“All Things Bright and Beautiful” or “This Is My Father’s World”). Or we might make paper plate owls together. I help kindergarteners cut large paper leaves and string them up. Teachers get the fun of figuring out how to suspend them from the ceiling.

It’s all fun! And that is what reading is supposed to be. I am glad for every class, every school, every opportunity to share with children:

• The beauty of God’s creation
• The language of art
• The beauty of words
• The joy of reading
• The fun of sharing
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If you write books for young children find some schools that will let you in!

There’s a lot of work and preparation for each visit, but it is so worth it. If you write for older kids, you can share the fun and hard work of writing and creating with students. Most of them are hungry to learn. And they are fascinating by the writing and publishing process.

Teachers are, too.

So, dive in! Hunt down the schools in your area. Make a spreadsheet of contact info. Spend a few hours on your phone and email. You can do it. 

Then you, too, can feel like a celebrity.

And share God’s blessings with the next generation of readers and writers. 

GIVEAWAY

Jean is giving away a copy of God's Blessings of Fall to one fortunate blog reader. Leave me a comment (make sure you leave your email address!) and I'll enter your name. For an additional chance to win, post this on social media and let me know what you did. Giveaway ends November 7. Continental United States only. 

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Jean Matthew Hall has spent most of her life singing songs, reading books, playing games, cutting, coloring and gluing with children of all ages. And, she loves it! Creating encouraging board books and picture books is her idea of fun, but her favorite times are spent with her eight grandchildren. 

Contact Jean or learn more about her here:

Website/Blog               www.jeanmatthewhall.com

Facebook                     Jean Matthew Hall Author

Twitter                         Jean_Hall

Pinterest                      JeanMatthew_Hall

"Small With Big Dreams" at SCBWI-C 2019 Conference

On a spur of the moment I decided to attend a panel discussion with Lisa Kline, Robin Kirk, and Katie Pryle; I was glad that I did! Lisa and Robin are both authors who have been published by Blue Crow Publishing, a traditional small press which Katie co-founded with Lauren Faulkenberry.

Katie Pryal, Lisa Kline, Robin Kirk

LISA KLINE

My blog readers are no strangers to Lisa's work. I was privileged to host her cover reveal of her most recent book, One Week of You, wrote about Summer of the Wolves, and blogged about her first book, Eleanor Hill.

Lisa has published ten books with publishers of varying sizes including Carus Publishing, Delacorte Press, Zondervan, and now Blue Crow. Her books have been both agented and non-agented. She submitted to Blue Crow without an agent and was impressed with their prompt response; an offer of publication followed within weeks of her requested revisions. This was very different than the long wait she had sometimes experienced with the larger publishing houses. 

Lisa said she has enjoyed her personal connection with Katie and Lauren. "Publishers who are writers know what it’s like to write and publish a book. Katie and Lauren’s comments inspired me to make my book better.” 

Lisa acknowledged that when your book is with a smaller publisher it may be more challenging to get reviews. Although all the publishers have given her marketing assistance and submitted her books for awards, the downside of a large publisher is that after six months the publisher sometimes must turn to the next book they need to promote. 

Blue Crow continues to promote One Week of You on their site and at conferences. In addition, they promote whatever she does. Lisa finds that she has to do a good deal of her own marketing, but all authors in today’s publishing atmosphere must market. Lisa received a larger royalty than most publishers offer, but not an advance. 

ROBIN KIRK

Robin Kirk's debut novel The Bond, is a young adult post-apocalyptic story that is much different than the nonfiction titles she has previously published. 

In her presentation, Robin recommended researching all publishing options. Her nonfiction books have been published by Duke University Press, The University of Massachusetts Press, and others. She suggested I consider contacting the Charlotte Historical Society as a potential publisher for HALF-TRUTHS.

She discussed the pros and cons of hybrid publishing which often demands a large investment of time and money. Robin recommended reading what Lyn Miller-Lachmann had to say on the topic if you are interested in pursuing it. Forming a co-op with other authors who publish similar books is another option. Here is an article by Jane Friedman on that. Authors can create a website, form imprints, share resources and even purchase ISBN numbers this way. Here is a link to Jane Friedman's popular chart on different publishing paths. 

Robin also recommended joining the Authors Guild as well as a Facebook group in your writing genre. Finally, she also recommended Zotero, which is a free online bibliography manager that is awesome. Thanks to Robin, my next WIP already has a budding bibliography!

KATIE PRYAL

Katie Rose Guest Pryal is the co-publisher of Blue Crow Publishing. Here were some of her observations:

• She has yet to hear positive experience about hybrid publishing by which she means publishers that require you to pay to get your book published while also requiring you to surrender your rights. On the other hand, she strongly supports self-publishing and author co-op groups.
• Traditional publishing thrives on keeping authors in the dark. She and Lauren founded Blue Crow with the intention of being transparent, honest, and available to their authors. (Check out their mission statement.)
• Blue Crow receives unagented submissions and publishes about five books a year. 
• Referral via one of their authors is the best way to connect with her. 
• The landscape of trade reviews is changing. It is hard for small presses to get picked up by the trades. At the same time, however, book bloggers are becoming more and more important, even more important than trade reviews, when it comes to marketing a book to a wide audience. 

That final note was music to my ears! It reminded me of my experience at Highlights Summer Camp in 2016 when assistant editor, Cherie Matthews, announced that Carol Baldwin's blog was one that she followed--without knowing I was in the audience! Both times I felt validated--all my blogging work is paying off!

Speaking of small with big dreams, I think my friend's son was the smallest attendee at the fall conference. He has been "reading" for months! 

Two Picture Book Workshops at SCBWI-C

Most of my faithful blog readers know that I've been working on a novel for many years. What you might not know is that novel started as a picture book. Although that is another story, I continue to love picture books.

Recently, I've reviewed a number of nonfiction picture books  including some biographies. It appears to be a growing (perhaps limitless) trend in children's books. As I wrote HALF-TRUTHS I came across two historical figures that became mentor figures to Lillie and Kate. As I mentioned here, they each could be an inspirational subject for a picture book. 

With that in mind, I attended two workshops on picture books at the SCBWI-Carolinas conference. Here are some of my takeaways:

Tara Luebbe

Picture Book Workshop #1

Tara Luebbe spoke on "Mining Nonfiction for Fiction Picture Books." Each of her books, written with her sister, Becky Cattie, started with a real fact. Although this isn't exactly what I have in mind to write, her workshop was informative and inspirational.  

Tara brainstorms as many unusual facts as she can find and then digs deeper. She tries to marry different ideas together and thinks, "What can I add to make this marketable and kid-friendly?" She researches to make sure that the idea hasn't been taken, does more research into the subject, and even finds jokes related to the topic. Her wide range of picture books are a testimony that this process works!

She mentioned submitting back matter with your manuscript and to use art notes as needed, particularly for action. "Don't overuse them. If the script doesn't make sense without them, then it's okay."

Picture Book Workshop #2

The second picture book workshop I attended (there were others, these were the ones I selected) was, "Bringing Your Voice to Nonfiction" with Lina Maslo and Alice Ratterree. Lina is the author illustrator of Free as a Bird and an upcoming biography Through the Wardrobe: How C.S. Lewis Created Narnia. Alice has illustrated several books but focused on Dangerous Jane, the biography of Jane Addams. 

Lina Maslo

Alice Ratterree

Lina and Alice stressed that the person you are writing about inspires you. And as you write, remember to:

#1 Discover! Learn something new! Play!

#2 Cross pollinate as you write. Draw from other areas of your life. 

#3 Always ask yourself,  "Who am I creating for?"

All three of these points resonated with me. It is easy to lose the sense of play and discovery when we're writing so I appreciated the reminder. 

I   Writers are also encouraged to consider the character's natural environment, his or her time period, and the city, town or village where your character lives. Nonfiction biographers must constantly consider what influenced their character. I was particularly interested in how Alice demonstrated that the color palette she used in Dangerous Jane reflected the colors in Jane's life.

Speaking of nonfiction, here's one more slide from Vicki Selvaggio's intensive:

She told me, "This varies for picture books as you usually don't need a proposal for a nonfiction picture book. This information applies mainly for middle grade and young adult books." Depending on the topic of book, Vicki always determines what to send in her proposal based on the publisher's submission guidelines and the type of nonfiction project. 

Is there a nonfiction picture book in your future? If so, I hope these tips will help you on your journey. Keep me posted on your progress--we can compare notes along the way!

Next Up: Small With Big Dreams

Analyzing the Successes of the Past and Present for Creating Unique Stories of the Future: Intensive Workshop with Vicki Selvaggio

Congratulations to Carrie Schmidt and Becky Scharnhorst who each won a copy of When We Were Alone from last weeks blog. 

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Two weeks ago I attended the fall SCBWI-Carolinas conference. In the next few posts I'll share some of my highlights with you.

First up was the writing intensive with Vicki Selvaggio on Friday morning.

Vicki is a knowledgable, passionate, and accessible agent with Storm Literacy Agency. She poured herself into her presentation! Here are some of the points she made:

• She loves seeing potential in other people’s writing and encouraging writers not to give up.

• At the same time, writers need to delve deeper to make their stories stand out from other books in the marketplace. Additionally, writers must add layers so that children [and teens] emotionally connect with every aspect of a story.

• If you have an idea for a series, remember your book has to be able to stand alone. If you are a debut author, a publisher might want to base a series on how the first book is received.  Or, sometimes the publisher loves the series premise and an offer is made. Word it as “Series potential" in your query and be prepared to pitch other books. Those other ideas don't necessarily need to be completed, but the writer should have an idea of how to pitch what the next (or next two) book(s) will cover. (Realize that these practices vary from agent to agent.)

• Your manuscript must appeal to the Eye: How does it look? Is there creativity in opening paragraphs? Is there adequate white space?  Sentences that are the same length sometimes have the tendency to sound the same. Make sure there are variations in the length of  your sentences. It's not good if something looks the same and sounds the same. To the Ear: How something sounds makes a difference. To the Hand: How does the manuscript make someone feel? A book must emotionally connect with the reader. 

• A manuscript must have 3 C’s: clarity, consistency, and a cohesive feeling. 

BEGINNINGS

The opening page must include a sense of frustration
and what the character wants.

TRANSITIONS

• Think of transitions like the reader is moving through a house freely. If transitions aren’t smooth, the reader will have to stop and open doors. Consider too, how you're ending your chapters. Are you transitioning your readers into the next chapter in a smooth way, while keeping them engaged? 

ENDINGS

The story has ended, but the journey for your character has just begun.
What will happen next?

DIALOGUE

• What is not said can have greater impact than what is said. The same goes for purposeful miscommunication.

• Dialogue should move the story forward. If there’s no change after the dialogue, it isn’t doing its job.

• Incorporate dialogue with subtext. Possibly characters disagree about one thing, but really are talking about something else.

MEMORABLE LINES FROM VICKI:

• In life, nothing comes easy. Without the battle, the win isn’t as gratifying. The same is true in stories. If you give your main character what s/he wants before s/he struggled for it, the story won’t be gratifying for your readers. 

• ASK YOURSELF: Why am I writing this? Who cares? 

• Your job is to make your reader care. 

• Consider rejections as the fuel to success. 

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Remember in the beginning of this post I mentioned that Vicki was accessible? When I told her that I wanted to pitch HALF-TRUTHS to her, she made sure to fit me into her busy schedule. She listened, asked questions, and encouraged me to submit to her. 

No doubt about it. Vicki Selvaggio is on my top 10 list of agents!

Next Up: Tips on Non-Fiction. 

When We Were Alone: A Review and a Giveaway

Every once in awhile you run across a picture book that informs readers in a beautifully, albeit sad manner. When We Were Alone by David Robertson and illustrated by Julie Flett is one of those books.

The book is accessible to young readers and also speaks powerfully to adults. Featuring a story within a story, the book opens with a Nósisim (my grandchild), asking her Nókom (her grandmother) about things that are different about her. The girl notices that her grandmother wears colorful clothes "like she dresses in rainbows," that she wears her hair in a long braid, speaks in Cree, and spends time with her family.   

With every answer,  Nókom tells a short story about how when she was young she was sent to a school far from home. For example, at the school, the girls had to wear clothes that "weren't colorful at all. We all mixed together like storm clouds."  Nókom says, "They wanted us all to be like everybody else." So now, her grandmother loves to wear colorful clothes. 

When Nósisim asks why her grandmother wears her hair in a long braid, she explains that they cut all the girls hair and "Our strands of hair mixed together like blades of dead grass."

"But sometimes when we were alone, we would pick the blades from the ground. We would braid them into the short hair they had given us, and we would have long hair again."

With lovely rhythm and repetition, Nókom explains how whenever something was taken from them, she and her friends would come together "when they were alone" and find a way to remember their home, their language, and their people. 

Educators, you will find an excellent classroom resource here for K-3rd grade. This would be a great book to use on Indigenous Peoples' Day is October 14th.

David Robertson (Norway House Cree Nation) and Julie Flett  (Cree-Metis) are significant contributors to Native Nations literature and artwork. Joyce Hostetter and I are giving away this book, courtesy of Portage & Main Press, through our Native Nations issue of Talking Story to be published on October 9. Leave a comment (alone with your email address if you are new to my blog) and I'll enter your name. If you leave a comment through the newsletter, I'll enter your name twice. Giveaway ends October 14.

Write2Ignite 2019 Wrap-Up

Congratulations to Susan Rice who won Invisible Lizard in Love and Connie Saunders who won Back Roads, Country Toads from last week's blog.

The 2019 Write2Ignite conference is now history. Here are my highlights as well as photos and quotes from my friends who were first time attendees.  

MY HIGHLIGHTS

Besides being the Write2Ignite blogmeister, I am also the teen track co-ordinator. In other words, I get to spend time talking with teens about their stories and hearing their imaginative ideas for stories. I led three sessions and the most interactive one was "Out of this World Science Fiction and Fantasy." I put up this slide and led a discussion about the physical world, it's history, and some potential characters.

I loved hearing the teens' responses which included that this was a world where anarchists had taken over and didn't allow the citizens  to know the history of their queen. 

Time travel was thrown in as well as a prince who thought the anarchists were the bad guys, but as it turned out, they were preventing the citizens from an even worse catastrophe. And by the way...the arms were escaping from the gritty ground. I loved their use of Muscle Words!

I was also inspired by Nancy Lohr's keynote on "Truth-FULL Writing." Her encouragement that if we are Christians our world view will be communicated in our writing will stick with me. 

• "Draw from your own faith well." 
• "Don't try to write like someone else." 
• "What is your readers's felt need? Write to meet that need."
• As in life, "You can't enjoy a good ending if you skip through all the hard parts."
• "Write as salt and light."

MY FRIENDS' HIGHLIGHTS

I had the privilege of critiquing Jarm Del Boccio's WIP, SOLI'S SAVING GRACE. Having received many critiques myself, I enjoyed coming alongside her and pointing out some aspects of her manuscript that were terrific and some areas that needed strengthening. Like many writers, she was too easy on her characters; I encouraged her to make her antagonist more of a bad guy which would bring more conflict into the story.

Here she is with her debut middle grade novel, The Heart Changer.

”Write2Ignite was a boost to my writing journey in many ways. The sessions were informative, and appointments enlightening and productive. What an encouragement to chat with those walking alongside me on the road to publication! Even though our journeys are unique, they lead to the same destination: a manuscript that brings glory to God.” Jarm Del Boccio 

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Several young adults who I haven't seen in a year, attended Write2Ignite for the first time.

Charissa Garcia (our NGU intern)
and
Olivia Rollins (a fantastic teen writer!)

Charissa said,  "All of the sessions were excellent, especially the key-note sessions, and I appreciated the emphasis on the fact that because we are Christians and because we are writers, therefore we are Christian writers. There isn’t something you need to add to have the magic formula in order to make your book a “Christian” book. If you have faith in Christ, that will come out in your writing." 

Olivia said,  "I loved Write2Ignite!! I learned so much in just two days. Each of the speakers was engaging and God-centered, and I loved the variety and being able to choose which one sounded the best. A few lectures in particular made me reevaluate aspects of my own writing in a way I hadn't before. Whether you're a young aspiring author, or experienced and published, the dynamic of being immersed in other writers and getting to meet them is so enriching. Overall, I think what made the longest-lasting impression on me was how encouraged I felt, to keep writing, and to glorify the Lord in my writing. And definitely to come back next year. " 😀

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Recently Karen Wallace and I have become friends bonding over shared life experiences, writing, and our commitment to the Lord. She showed me her guided journal, ABC's of What Children Need From Their Parents and asked me to help edit the introduction. Each attendee received a copy which was a great addition to our conference bags!

Karen said, "In Linda Phillips' and Daniel Blackaby's workshops, word and picture prompts were effectively used to draw out creative writing from each attendee. This got me excited for what might be be drawn out of each person who interacts with the word prompts in the ABCs journal."

I was glad that my friends, Hadassah and Kelilah Murdock, came.

Tessa Emily Hall, Kelilah Murdock, Hadassah Murdock

"Writing is not my forte. Yet as I went to the sessions and spoke with some of the accomplished authors and felt my interest being kindled; I was inspired to give higher priority to learning more about the art of writing.  After a long summer of complacency, I feel motivated to dive back into my school writing projects and sharpen my skills. I am already planning to go again next year and highly recommend this workshop to anyone who has or who needs to cultivate an interest in all things paper." Hadassah Murdock

"Here are some of the many things that I enjoyed about W2I:

• The presenters and speakers showed a genuine interest in the attendees, answering questions and taking time to talk personally about writing and story crafting with us.
• There was a broad range of speakers (authors of many genres, editors and agents) and themes.  From the nuts and bolts of word crafting to the imaginative scope of world building, there was something useful and interesting for everyone, regardless of ability or level of involvement." Kelilah Murdock 

Unable to attend this year? Mark your calendar for 2020!