FREE LUNCH: An Audiobook Review

Congratulations to Connie Saunders for winning THROUGH THE WARDROBE from last week's blog. Here's a tip to win a book. Whenever Connie enters my giveaway, she ALWAYS shares it on social media. This earns her more chances to win a book--and it works!

"This book is for every kid. Whether they pay for their lunch or not."  FREE LUNCH by Rex Ogle. 

REVIEW

"Why can’t I get what I want at the grocery store?" Rex asks his mother. Unfortunately, he knows the answer.  It’s been like this all his life. He hates seeing all of the chips, candy, and ice cream that other kids eat that he doesn't; he hates watching his mother try to stretch every dollar and use food stamps; he hates his constantly empty stomach; he hates having cashiers looking at him like he might steal something because his clothes come from the thrift store. 

Told in first person POV, this nonfiction autobiography is Rex's own story growing up in a dysfunctional family. He's angry that his family--including Sam, his mother's stuttering live-in boyfriend; and Ford, his toddler half-brother that Rex takes care of--are all poor. 

And he hates the helplessness and fighting in their home that poverty creates. Rex wants to blame his mother for not working but he also realizes that without a job, "all of the love goes out of Mom." Over and over she tells him how hard it is for her to get a decent job and blames him for being ungrateful.

The ultimate humiliation is when Rex enters middle school and discovers that his mother registered him for the free lunch program. Every day he feels like a beggar while he waits for the lunch lady to check his name off the free lunch checklist.  

Ogle doesn't hold back from painting the realistic but ugly picture of his childhood. The family moves frequently as the adults look for jobs. The lack of money leads to tension, arguing, and fighting. His mother gives him a black eye on more than one occasion. Rex's clothes are stashed in cardboard boxes and he sleeps on the floor--along with the cockroaches. 

The one bright light in his life is his abuela, his Mexican grandmother. She is his cheerleader. "You are smart and handsome. Life is not always fair," she tells him. "I lived in a one-room house without indoor plumbing and dirt floor with my13 brothers and sisters. We made it work. You will too." 

As hungry, poor, and angry Rex is, he tries to control his emotions, to not be rude, and to not hit back. But his own anger makes him feel evil. He has to remind himself that "being poor is not a disease."

In the cauldron of poverty and abuse, Rex experiences problems at school and with his peers. Despite worrying about how he can keep his poverty a secret so that his friends won't turn on him he thinks, "School feels safer than home." 

But things get worse. His friends reject him. He wears a monster costume on Halloween and starts worrying that he is a monster-- just like Sam or his mother. His family moves to public housing which is the last straw. He lashes out and tells his mother, "I hate you." She slaps him. Hard. He is constantly on edge wondering when she will strike back him and how could their lives get worse. Would they be homeless? Would they starve? Would he die? 

He develops a friendship with Ethan, a boy who he sits with at lunch. Ethan's point-of-view -- that his life isn't as perfect as it seems even though he his parents have lots of money--is eye-opening. "Come on, no one has a perfect life!" Ethan says... "Money isn't everything. Trust me."  

Towards the end, his mother gets a good waitressing job and the family takes some steps towards healing. Sam goes out of his way to give Rex an unexpected Christmas gift and the book ends on a hopeful note.  

FREE LUNCH tells it like it was for young Rex Ogle. A few readers might object to some crude language. To me, it was a brutally honest book. As Rex says at one point, "I don’t trust the word free. Look what it’s cost me." 

The audiobook is narrated by Ramon de Ocampo, who performs all of the voices excellently. I was particularly impressed with how well he showed Sam's stuttering. 

In a Facebook exchange, Rex told me this was the hardest book he's ever written--until the one he's writing now which is the sequel. But he's "glad it's helping some kiddos out there."

This is not an easy read; there were times I had to stop listening. I would recommend that middle-grade students read or listen to it with their parents or teacher so they can discuss it together. Although Rex is entering sixth grade in the book, the tough content might indicate it is more for young adults. 

GIVEAWAY 

If you're interested in adding this book to your home or school library, please leave me a comment by 9 AM on June 26. The winner will receive an audio code and instructions on downloading the book. As always, if you decide to follow my blog or share this on social media, let me know what you do in the comments. PLEASE leave your email address if you are new to my blog. This giveaway is courtesy of Recorded Books. 

Ordinary Hazards: An Audio Book Review and Giveaway

Congratulations to Barbara Younger for winning CAVE DADA from last week's blog.

Nikki Grimes writes powerful young adult books in verse. You'll find my reviews of Between the Lines and Words with Wings on previous posts. Now I know why she is able to write such authentic poetry. It comes from the depth of her soul and the pain from her past. 

Note: since this is a review of the audiobook, I did my best to capture quotes from the book. 

REVIEW

Nikki narrates the book and begins with this definition:

Memoir: A work of imperfect memory in which you meticulously capture all that you can recall and use informed imagination to fill in what remains. As she says later in the book, Trauma is a memory hog.

Quickly, the reader learns about Nikki's schizophrenic, alcoholic mother; her musician father who feels incapable of raising children; and a childhood full of instability, fears, and abuse. Her only constant was her older sister, Carol, who she adored.

“I have a Ph.D. in avoidance 

We’re all masters of selective memory 

We’re all allergic to pain."

*****

Home was never a safe place.

Forget the guns. 

I was put in a dresser drawer away from the rats.

As a child she realized her mother had a secret life since she talked to invisible people. "Mommy who are you talking to?” was met with,  "Shhh!" and a finger to her lips. 

After her father left, the family temporarily lived with a relative but her sons shot heroin. They moved out, her mother went to work, and the girls were left in the care of a person who locked them in a closet during the day. Nikki was 3, Carol was 8. 

A demon lived inside of us for years in fear of the dark.

When neighbors reported that her mother neglected them, social services took them away. That began a series of foster homes. Some she remembered; she forgot several. One foster mother whipped her and her sister. She and her sister ran away to their grandmother's house; she refused to take them in. 

Did we do something wrong? Is that why no one wants us? 

Anger and I stood together on the train. 

When she was six, she found an oasis of love and peace with the Buchanan's foster family. Although she didn't talk for several days, the family's welcome broke down her distrust. She went to church, started school, and took dance lessons. But she was terrified of the night's darkness. She discovered Psalm 18:28: "You, Lord, keep my lamp burning; my God turns my darkness into light," and realized, 

Grace! Outstrips the dark every time.

Early on, she started pouring out her feelings in notebooks; the blank page was her safety.

The writing thing was some kind of magic. 
But magicians rarely share their secrets.

Although she grew to love the Buchanan family, she yearned for Carol and wrestled with not hearing from her parents.

Why did mom love liquor more than us? 
Why didn’t they love us?

When someone explained that her mother had a nervous breakdown she asks, How can nerves break? She is told that her mother doesn't know what's real and what's not, and Nikki remembered her mother's imaginary friends. 

When she overheard a relative at a picnic say that Mr. and Mrs. B always took in strays, Nikki realized, This beautiful family was only borrowed.

She found a picture of herself in the Buchanan family album when she was nine.  She had settled in and let her guard down. Then her mother called. She was remarried and wanted Nikki to join them. 

“I had to go. How could I say no? One mother is all that you get. I wasn’t ready to give up on her yet."

The city scared her, it was difficult always changing schools mid-term. This time, her mother deliberately kept her father away and spent more time in politics and civil rights than with her. But Nikki moved in any way--what choice did she have? She quickly learned that in Brooklyn you have to join a gang for protection. When she is singed with a cigarette butt, her mother doesn't ask about the bandage. Nikki writes,

Why does she avoid dark and painful things? 
Who taught her to pretend? 

There were gangs on every corner, danger her mother refused to see, and the Brooklyn Library became her refuge. 

My life is like musical chairs. 
Every time the music plays, I have to move. 

When her mother started talking to herself again, she feared that “this stuff” was in her. 

God, please don’t let insanity be my inheritance.

Both her father and stepfather were useless. Nikkie took the situation into her hands; she was a kid who had to get her mother hospitalized. 

Every damn episode wore another hole in my soul.

She entered puberty and was alarmed when boys and her stepfather eyed her funny. She hated the changes in her body. Her sister moved in but didn't stay; Nikki didn't realize why Carol left until after “my mother’s monster” raped her. No amount of showers or notebook entries could take her pain away. In the same way that her mother didn't want to hear the truth about the neighborhood gangs, Nikki knew her mother would be no help against her step-father's abuse.

Her pent up anger terrified her. She learned to vocalize and to translate her feelings into words on the page.

I knew writing could take me places. 
But writing was a lonely place. 

Although her mother discounted her writing talent, at thirteen Nikki performed her first reading with Harlem poets. She was nervous, but her father affirmed her talent. He said, 

Explore every art form. You can be whatever you want.
......

My father fed me books and art by blacks. 
It left me dreaming of what books I might bring into the world.

After going to the Copacabana with her father she thinks, Not all stars in the firmament are white.

Nikki's faith does not break in spite of the many difficulties she faces. At one point she writes,

How can I not believe in God? 
If it weren’t for Him I’d be in prison or the grave.

As I mentioned, Nikki narrates the book herself. The only time her voice wavered was when she read about the car accident in which her father lost his life. He had promised to see her Easter morning and she blamed herself for him driving too late at night to get home in time. She felt powerless in the face of death.

Why did the one parent who knew my heart have to die? 

Here is an audio snippet to give you a flavor of the book.

*****

This is a powerful memoir that I recommend for mature teens as well as for adults. Nikki Grimes has taken the fragments of her life-- "scattered memories"--and pieced them together into an amazing volume of poetry. Teens who have known abuse will find comfort in reading this book and knowing that they are not alone. Teens who have grown up in safety should gain empathy by reading or listening to Ordinary Hazards. 


GIVEAWAY

I have a code that you can use to download this book for one of you. Leave me a comment by 6 PM on June 13th to enter the giveaway; please make sure to leave your email address if you are new to my blog. Share this on social media or start following my blog and I'll enter your name twice. 

Run to the Light: A Review and Giveaway

Congratulations to Deborah Allmand for winning THE PLAYER KING from last week's blog post.

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My blog readers know that I generally read and review books for children and teens. Every once in awhile I come across a book for adults that I want to share with you. Run to the Light (Bedazzled Ink, 2018) by Laura King Edwards is one of those. 

But first a disclaimer: Laura Kings Edwards' book about her sister Taylor's battle against Batten Disease is not an easy book to read. Batten, a rare inherited neurological condition that causes vision loss, progressive cognitive and motor decline, and seizures, usually strikes children between the ages of 5-10 and is always fatal. Laura does not hold back on describing her fear, anger, depression, and anguish during the twelve years that Taylor bravely fought the Batten monster. But she also eloquently shares the joy she experienced in the moments she shared with her brave little sister. 

If you've been reading my blog long enough, you will recognize this story. Laura gave me the privilege of hosting her cover reveal on my blog last March. Now, you'll hear about the story. Read it, and be inspired.

Read the story behind this cover here.

THE REVIEW

In 2006 Taylor was not quite eight when her family realized that her vision and school problems signified something far worse than any of them imagined--they were Taylor's first symptoms of Batten Disease. In evocative detail, Laura shows the reader the disease's progression, how it impacted Taylor and her family, Laura's journey to find acceptance, and most of all--how Taylor became a symbol of courage to her Charlotte, NC community and to the Batten world at large. 

Throughout the progression of the disease Taylor never asked, "Why me?" "Even as her body started failing her, she sought a normal life and never asked for extra help or attention." (p. 26) Taylor's resilience amazed Laura more than anything else.

Although there were the common stages of denial and numbness that we all experience when we receive shocking news, the King family--particularly Laura and her mother Sharon, turned their anger towards fighting the disease. Several months after the diagnosis, Sharon invited a small group of women to come for lunch. Laura listened as Sharon "declared war on Batten disease and urged the rest of us to join her on the battlefield."

"The doctors said there's nothing we can do," she said. "But I'm not going down without a fight." Her voice cracked as she described our opponent, ticking off the symptoms that had crept into my sister's life and the awful ones yet to come. But her resolved never wavered. "Nothing about this will be easy. There's little being done for Batten disease. There aren't many kids like Taylor. But we have to start somewhere. Someone has to take a stand." 
.......
In that moment, Taylor's Tale was born. (p. 29)

Taylor's family enjoying
The Magic Kingdom post- diagnosis. 2006

Sharon's decision to fight Batten led to taking Taylor cross-country to participate in a clinical trail to receive purified neural stem cells at Oregon Health and Science University in Portland. It led to raising thousands of dollars for research, attending umpteen Batten disease conferences, and learning the foreign language of medicine and science. It even led to a new North Carolina law that established the first rare disease advisory council in the country.

At the same time, Laura joined the battle by educating others by blogging, attending conferences, meeting leading scientists in the field, and working hard to raise money for research. Laura's personal journey intermingles with her running career which became a metaphor for her own fight. She was afraid to give up, thinking that Batten would win. "All my life I'd been running; I wasn't about to lose this race." (p. 54)

Two years later Taylor inspired Laura by running a 5K-- the only blind person in the race. Taylor ran tethered to her running buddy by a bungee cord.

Whereas I'd often felt only anger toward Batten disease, my sister had beaten her demons by ignoring them--by focusing not on what she'd lost, but on what she could still do. She didn't waste her time worrying about what Batten disease had taken from her. She paid it no mind, and she ran her race. 

Before the trees bloomed in the spring, I'd started running for her. ( 101)

Although Laura began running for something greater than herself, the specter of not crafting the perfect blog post or not answering an email to Taylor's Tale on time haunted her. Would she hurt her sister's chance of survival? As she moved from being a sprinter into a long-distance runner, Laura realized,

I'd come to understand the value of a long-term plan. I'd learned how to push my body past the limits of what I'd previously believed it could achieve. 

And yet, my sister's body was failing her. (p. 129)

Taylor and her dad on a family trip to
the U.S. Virgin Islands, 2010.

It took me a long time to learn that Batten disease is more like a marathon [than a sprint]. You start off strong, with lots of energy. You have runner's highs and lows. Some days you think you could run forever. But then some days you feel like when you cross the finish line, you'll be so glad to see it--so exhausted--you'll just be happy it's over. Some families, families whose kids have died, have told me in the end that it's like that. It's so bad, so freaking ugly, they can't face it anymore. It isn't even about making happy memories at that point. it's about their kid's dignity and their own survival, and about finding peace. (p.209)

Taylor's Fletcher School classmates raised $3500 for Taylor's Tale in 2013.
Taylor is third from the right.

The last race that Laura describes in the book is the one she ran blind--just like Taylor did. She trained for five months and used the same bungee cord that Taylor had used several years prior. She was cheered on by other runners, the media, and her family.

I'd run 13.1 miles in the dark But I didn't take a single step alone. As I ran the final stretch of Thunder Road, led by the voice of a friend and the courage of a dying girl, I understood: Batten disease may have cast a dark shadow on our world, but I wasn't running away any longer. 

I was running to the light. 

I believed.

And I felt free. (p. 225)

Taylor in 2016

WANT TO KNOW MORE?

"Together with other dedicated advocates, Taylor’s Tale is uniting elected officials, healthcare providers, public health officials, researchers, biotech industry representatives and patient advocates. This important work is creating real, lasting progress in the development of breakthrough treatments and life-changing legislation for rare disease patients."

Also, Linda Phillips most recent YA novel in verse, Behind These Hands, is a story of a young girl struggling with the fact that her two siblings are diagnosed with Batten. It is based loosely on a family in Charlotte. 

GIVEAWAY

This giveaway began in March with Laura's cover reveal. Add your name to that list by January 3 and you'll be in the drawing also. This time you have an extra chance to win since both Laura and I are giving away a copy. Please leave me your email address if you are new to my blog.

Of Better Blood: A Review and TWO Giveaways

Last April I reviewed Susan Moger's book, Teaching the Diary of Anne Frank. When she contacted me and asked if I would read and review her debut novel, OF BETTER BLOOD (Albert Whitman and Co. 2016), I agreed. After reading it I can tell you one thing for sure: Susan used all of her research about Hitler and the events leading up to World War II in order to write this young adult historical novel.

Teenage polio survivor Rowan Collier is caught in the crossfire of a secret war against “the unfit.” It’s 1922, and eugenics—the movement dedicated to racial purity and good breeding—has taken hold in America. State laws allow institutions to sterilize minorities, the “feeble-minded,” and the poor, while local eugenics councils set up exhibits at county fairs with “fitter family” contests and propaganda. - Albert Whitman and Co.

Four times a day I drop the baby.

It's not a real baby, but for a stunned heartbeat the audience believes it is. That's enough to get some of them on their feet, screaming, Stupid, clumsy, gimp. The words slide into my skin and stay there.

When I ask Mr. Ogilvie, the director, if just once I can catch the baby before it hits the stage, he frowns and puts his hands on my shoulders. I squirm away, but he holds on. "I love your sensitivity, Ruthie," he says, showing corn-yellow teeth. "But sadly a cripple like you can't be a hero."  (p. 1)

Thus the reader is thrust into the life of Rowan Collier, an unwilling actress in a "fitter family" drama reenacted four times a day at the Springfield, Massachusetts county fair. In the beginning of the novel Moger uses alternating chapters to show Rowan's life before this humiliating summer. In these flashbacks the reader meets her father, an engineering consultant for the Navy, and an advocate for the Betterment fight. He and Rowan's older sister, Julia, are dedicated to the proposition that society is best advanced having the fittest people marry and produce large families. The unfit, those who are physically, emotionally, or intellectually substandard, should be eliminated from society. 

In one of these flashbacks Rowan recalls how one of her doctors wanted her to be sterilized.  Rowan refuses but is shaken afterwards:

Father believed, as Dr. Pynchon did, that a weakness inherited from Mother caused me to get polio. But would he want me to be sterilized? (p. 51)

Rowan's world--already dramatically changed due to polio--continues to fall apart when she is forced to do "educational work" for the New England Betterment Council at the Expo. There she develops a friendship with a fellow worker, orphaned Dorchy, whose parents worked county fairs. In these simple explanation to Rowan, Dorchy shares one of the underlying themes of the book:

Rubes are ignoramuses; carnies know everything. Rubes come to the fair with their eyes starry and their pockets full; carnies take them for what they're worth.....
Your Unfit Family Show does the same thing. You trick rubes into paying money under false pretenses. (p. 33)

 As Rowan hears the stories of her fellow "actors" and how they were tricked into being sterilized, Rowan starts questioning what she had believed to be true about her father. Dorchy is a major catalyst in Rowan's increasing self-awareness.

When I left Bellevue and went to the Home, all thoughts of Dr. Friedlander and nursing school were driven out of my head by the effort of surviving. But here at the Expo, the memories are starting to come back. Dorchy is bringing me back to life. (p.64)

Following a dramatic escape from the Expo, Dorchy forces Rowan to question her assumption that her mother's bloodline was weaker since she died giving birth to Rowan:

Dorchy jumps up. "Listen to yourself," she shouts, angrier than I have ever seen her. "How can you sit there and say that about your own mother? After weeks with the awful Ogilvies and the Council cows you still don't question that 'better blood' garbage? she punches her fist against her palm. "You still think people are fit or unfit because of their family bloodlines? You know as well as I do that Gar and Jimmy and Minne are as fit as you and your precious father. (p. 117) 

Despite Dorchy's misgivings, she considers working at the Camp for Unfortunates in Maine with Rowan.  

"I'll bet you anything the camp is a con," she says stubbornly. "Miss Latigue is the carney; you and me the unfortunates are the rubes. You'll see." (p. 136)

Sadly, Dorchy's predictions prove to be true. I don't want to spoil the rest of the book, but the girls' lives become painfully difficult when they realize the camp is a facade for weeding out the "unfit."

Although the ending is triumphant as Rowan begins her journey towards nursing school, it is not without great personal loss. But she has matured from a dependent "cripple" to a young woman who has purpose, resolve, and determination.  
This is not an easy book to read. But as Susan Moger relates in her Notes, "Eugenics was a popular pseudo-science in the United States from the early 1900's to the late 1930s. The double aim of eugenics was (1) to keep Americans with a "strong" heredity (family backgound) having children and (2) to prevent those with a "weak heredity" from having children....The popular method of preventing reproduction among the unfit was to sterilize men and women." Necessary Lies, which I previously reviewed has a similar theme. 

As you may know, American eugenics principles were adopted in other countries, most notably Germany before and during WWII. Adolf Hitler praised American eugenics in his book, Mein Kampf and thus laid groundwork for a master race. 

Although the Unfit Family show and the New England Betterment Council are fiction, "Fitter Families" exhibits and contests were a popular feature at state fairs starting in 1920. This book would be an excellent supplement in high school classrooms studying WWII. 

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If you are interested in winning my ARC, please leave me a comment by 6 PM on February 18. If you are new to my blog, please leave me your contact information. If you join my blog or share this on social media, please let me know what you do and I'll add your name twice. Susan also offered to giveaway an autographed copy of the hardback edition, so this time around I'll have TWO winners to announce next week! PLUS-- Susan is willing to send a book overseas, making this my first giveaway open outside the U.S.!

Extraordinary: A Review and an ARC Giveaway!

In some ways books are like babies: conceiving them and bringing them into the world requires a lot of effort. The mother (writer) does most of the work, but there’s usually a team that assists with the delivery.

As the critique coordinator for the SCBWI Carolinas Charlotte group for over twenty years, I had the privilege of helping several fellow writers "deliver" their books. Whenever they did, I’ve been as proud as an aunt and enjoy celebrating the arrival of their “babies.”

You heard about Linda Phillips’ book Crazy last fall and now it’s Miriam Franklin’s turn. Both authors brought their books through one laborious draft after another until their stories emerged- beautifully formed and ready for a world of readers.

Over ten years I read several drafts of Miriam’s debut novel Extraordinary (Sky Pony Press, May 2015). In each one the kernel was the same: Ten-year-old Pansy's best friend, Anna, develops meningitis after a spring break camp. Pansy decides that if she becomes extraordinary, Anna will forgive her for all the promises she didn't keep. “Extraordinary” Pansy also wants to be the first person Anna sees after her brain surgery that hopefully will reduce her seizures.

Pansy’s wishful thinking—that she and Anna will return to the days of swimming at the beach, playing LEGOs with Anna’s twin brother Andy, and being Girl Scouts together—is not uncommon for children and adults when facing tragedy.  

Pansy hasn’t forgiven herself since she backed out of her promise to Anna to attend camp over spring break. Pansy got scared, the two girls fought, and Anna slammed the door behind Pansy. The next time she saw Anna, her friend was in a hospital bed. "Anna couldn't talk, she couldn't understand what people were saying, and she didn't act like she knew me at all." (p.3) 

While going for a hike with Andy, she thinks about how his family had to stay home with Anna. "You couldn't push a wheelchair on a trail in the mountains." (p. 86)

Pansy doesn't want to admit her fears:

In the spring they'll come with us. I wanted to say. And Anna will win Poohsticks, like always, and she'll be the first one down the steps to the falls. But I kept my words inside. Maybe I was afraid to say them out loud, afraid they would just disappear as soon as they were out of my mouth--as if by telling someone else how I get, I might keep my hopes from coming true. (p. 86)

The book is full of Pansy's efforts to become extraordinary in order to be the type of friend Anna deserves. Some of her actions have funny, unexpected consequences. For example, she attempts to improve her Rollerblading skills but ends up being pulled by two huge dogs around a park. But her drive to redeem herself for her failures and be an extraordinary friend propels her forward.

Before Anna's brain surgery Pansy reflects,

No matter how worried or nervous I was, Anna always believed in me. And I knew she still did. I would never have put on skates, gone to the top of the list for Independent Reader, or joined Girl Scouts if it weren't for Anna. But now, it was my turn to be there for her. To believe that she as going to pull through this surgery, that she was going to come out of it stronger than ever before. That she was going to be Anna again and that she would be so proud of me for all I'd done. So I blocked out all those questions and concentrated on one thing: in less than two weeks, I'd be sure to have my best friend back. (p. 151)

Pansy can't wait to see Anna after her surgery. She's heard that it was successful and she goes to the hospital armed with high hopes, a balloon, and a box of Oreos--Anna's favorite. Pansy is stunned at her friend's appearance and behavior:

She just lay there, her head drooping down, her eyes poking lifeless. She didn't seem to care if I was there or not. (p.196)

When Anna drops her hand on the package of cookies, her family is ecstatic because she's finally using her right hand. But for Pansy, all is lost.

I'd imagined it all--Anna understanding my words when I told her about my goals, Anna looking at my badge and getting that I'd earned it for her. Now I knew that Anna hadn't understood that I was doing any of those things for her.

All my dreams about Anna's recovery instantly evaporated into the air. They were just dreams. That's all they were. (p.198)

Pansy wrestles with the hard facts of Anna's illness and discovers that by following Anna's brave example she can conquer some of her own fears. In that way, Pansy finds her own path to extraordinary. 

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Miriam Franklin has captured a difficult topic for young readers to understand: how do you respond when your best friend suffers a serious illness. I hope you will consider pre-ordering this well-written book for yourself, or for a young reader in your life. This will be a perfect book for families who have experienced similar tragedies and will speak to adults as well as children. As Angela Ackerman said in a recent blog, this book is very relatable. 

Leave me a comment by 7 PM on April 8 if you would like to receive my gently used copy of this ARC. If I don't have your email address, please make sure you leave that also. If you become a new follower of my blog or post this to your social media of choice, I'll enter your name twice--just make sure you let me know what you do.